Museum History Journal最新文献_第3页

Men-only clubs and museums: associational culture and the gendering of Herne Bay’s museum between the wars 男性专用俱乐部和博物馆：战争之间的联想文化和埃尔恩湾博物馆的性别化

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Museum History Journal Pub Date : 2022-07-03 DOI: 10.1080/19369816.2022.2143097

H. Wickstead, P. Knowles

引用次数: 0

The forgotten museum of Hong Kong: a place of unfulfilled ambitions (1869–1933) 被遗忘的香港博物馆:一个未实现抱负的地方(1869-1933)

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Museum History Journal Pub Date : 2022-07-03 DOI: 10.1080/19369816.2022.2142411

Daphné Sterk

引用次数: 0

Filling the bottomless pit: Financing the construction of the Royal Museums of Art and History in interwar Belgium (1919–39) 填补无底洞：资助两次世界大战期间比利时皇家艺术和历史博物馆的建设（1919–39）

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Museum History Journal Pub Date : 2022-07-03 DOI: 10.1080/19369816.2022.2157160

G. Verhoeven

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Representing the capital of a nation: Zagreb City Museum between Austria-Hungary and Yugoslavia (1907–1925) 代表一个国家的首都：奥匈帝国和南斯拉夫之间的萨格勒布城市博物馆（1907–1925）

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Museum History Journal Pub Date : 2022-01-02 DOI: 10.1080/19369816.2022.2042105

Dragan Damjanović, Ž. Miklošević, Patricia Počanić

{"title":"Representing the capital of a nation: Zagreb City Museum between Austria-Hungary and Yugoslavia (1907–1925)","authors":"Dragan Damjanović, Ž. Miklošević, Patricia Počanić","doi":"10.1080/19369816.2022.2042105","DOIUrl":"https://doi.org/10.1080/19369816.2022.2042105","url":null,"abstract":"ABSTRACT In the nineteenth century, Croatia was a semi-autonomous province in the Hungarian part of the Austro-Hungarian Monarchy. Zagreb was the capital city and the national and political centre. Since most of the Croatian provincial governments in the so-called Dualist Period of Austro-Hungarian history (1867-1918) were formed by pro-Hungarian parties, the Zagreb City Government took on the role of promoting Croatian national identity by launching and supporting cultural projects and initiatives. It was in this atmosphere that the Zagreb City Museum was founded in 1907 as a new institution where narratives about the history and culture of the city started to be shaped through cultural and historical evidence that also served to represent the Croatian nation and national identity formation. This continued in 1918 when Croatia found itself stripped of all autonomy in the Kingdom of Serbs, Croats and Slovenes/ Yugoslavia. The significance of the Zagreb City Museum and the local government in sustaining and reinforcing the Croatian national discourse came to the fore again in 1925 with the celebration of the millennial anniversary of the Croatian kingdom. This article explores the main protagonists and the underlying ideologies behind the early work of the Zagreb City Museum and its nationalist agenda.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42503721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

A museum or a sanctuary of memory? The impact of a non-existent city museum in Russian Warsaw (1905–1915) 是博物馆还是记忆的圣地?俄国华沙不存在的城市博物馆的影响(1905-1915)

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Museum History Journal Pub Date : 2022-01-02 DOI: 10.1080/19369816.2022.2042070

Aleksander Łupienko

{"title":"A museum or a sanctuary of memory? The impact of a non-existent city museum in Russian Warsaw (1905–1915)","authors":"Aleksander Łupienko","doi":"10.1080/19369816.2022.2042070","DOIUrl":"https://doi.org/10.1080/19369816.2022.2042070","url":null,"abstract":"ABSTRACT Severely repressed after the anti-Russian uprising, Warsaw entered a period of forced centralisation in the Empire after 1881, with all elements of Polish history and traditions erased form school textbooks and public life. This article describes the urban revival at the end of the nineteenth century, which also included the rehabilitation of Warsaw's central historic space. The revolution of 1905 led to the possibility of establishing institutions which could be in charge of monuments and of disseminating knowledge about the urban past. The Old Town became quite fashionable among the Polish intelligentsia, whose wealthier representatives bought homes, including one that was turned into the city museum. In 1912 a large exhibition of Warsaw's past displayed pieces from the final decades of the eighteenth century. The museum, its locality and the historic exhibits were proof of the historic consciousness of the groups involved in its establishment, their national ideal, as well as the mission of propagating knowledge among the less conscious urban population. This process was part of the cultural and political modernisation of the urban society, which developed alongside other important issues, including discussions about the re-establishment of self-government in the city and abandoning its fortress status.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44808692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Exhibiting city, region and Germanness: Erich Keyser and the State Regional Museum of Danzig History (1927–1939) 展示城市、地区和德国:埃里希·凯泽和但泽国家地区历史博物馆(1927-1939)

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Museum History Journal Pub Date : 2022-01-02 DOI: 10.1080/19369816.2022.2042085

Adrian Mitter, Peter Oliver Loew

{"title":"Exhibiting city, region and Germanness: Erich Keyser and the State Regional Museum of Danzig History (1927–1939)","authors":"Adrian Mitter, Peter Oliver Loew","doi":"10.1080/19369816.2022.2042085","DOIUrl":"https://doi.org/10.1080/19369816.2022.2042085","url":null,"abstract":"ABSTRACT This article explores the work of Erich Keyser, the creator and director of the State Regional Museum of Danzig History, which also functioned as the Museum of the Free City of Danzig. We discuss how Keyser conceptualised exhibitions, organised the collections and interacted with visitors. The article examines the way that Keyser envisioned the role of the museum as an educational and political space, where a transfer of knowledge took place, including right-wing and anti-Polish interpretations of the city’s past. In addition, the museum in Danzig (Polish: Gdańsk) serves as a case study for the analysis of the relationship between urban and rural space in city museums. The ambition of the exhibitions went beyond a representation of Danzig’s urban past, which led to an innovative attempt to combine urban and rural history in the frequently changing displays. Finally, the article discusses the significance of location for this city museum. It was somewhat exceptional, as it was a city museum located in a rural setting in the former Abbot’s Palace in the suburb of Oliva (Polish: Oliwa). Throughout we discuss the intersections of museology, political propaganda, education and nationalism in a city–state setting.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48332852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The port city of Gdynia and its City Museum in the 1930s 20世纪30年代的港口城市格丁尼亚及其城市博物馆

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Museum History Journal Pub Date : 2022-01-02 DOI: 10.1080/19369816.2022.2042077

Marcin Szerle

引用次数: 0

City museums in the emerging cities of Eastern Europe, 1880–1939: Introduction 1880-1939年东欧新兴城市的城市博物馆：简介

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Museum History Journal Pub Date : 2022-01-02 DOI: 10.1080/19369816.2022.2042069

Heidi Hein-Kircher, Tanja Vahtikari

{"title":"City museums in the emerging cities of Eastern Europe, 1880–1939: Introduction","authors":"Heidi Hein-Kircher, Tanja Vahtikari","doi":"10.1080/19369816.2022.2042069","DOIUrl":"https://doi.org/10.1080/19369816.2022.2042069","url":null,"abstract":"ABSTRACT In the late nineteenth century, cities from the Austro-Hungarian, Prussian and Russian Empires gained new importance and developed ambitions to become regional and/or national centres. City museums became key vehicles with which to advance this project. Before 1918, modern urbanism was tightly interwoven with projects of nation building. After the First World War, and within the context of newly independent states, this interdependence between urbanism and nationalism was further enhanced as cities served as national capitals and important representatives of the new state. Providing case studies of Warsaw, Prague, Zagreb, Gdańsk (Danzig), and Gdynia, this special issue examines the modernising role of city museums in multi-ethnic East Central Europe, from the late nineteenth century to the 1930s. It provides important insights into the interplay of modernisation, urbanism, and nationalism, as well as the negotiation of community and identity at various levels. Urban heritage is often regarded as a product of recent postmodern economic and societal changes. Exploring the history of these city museums shows that the uses of the urban past, and the relevance to urban history in the present, have longer historical trajectories. This issue aims to provide the incentive for further, synchronically and diachronically comparative and complementary research.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41617049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Displaying city and nation in the Prague City Museum (1883-1938) 在布拉格城市博物馆展示城市和国家(1883-1938)

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Museum History Journal Pub Date : 2022-01-02 DOI: 10.1080/19369816.2022.2042074

J. Ira

引用次数: 0

Regional identity and national identity. Provincial museums in Prussia at the turn of the twentieth century 地域认同和国家认同。二十世纪之交普鲁士的省级博物馆

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Museum History Journal Pub Date : 2021-11-12 DOI: 10.1080/19369816.2021.1990594

Kamila Kłudkiewicz

{"title":"Regional identity and national identity. Provincial museums in Prussia at the turn of the twentieth century","authors":"Kamila Kłudkiewicz","doi":"10.1080/19369816.2021.1990594","DOIUrl":"https://doi.org/10.1080/19369816.2021.1990594","url":null,"abstract":"In European countries at the turn of the nineteenth and twentieth centuries, there was a trend to create regional museums. In Prussia they were opened in the capitals of twelve Prussian provinces, and they had an important role in shaping the regional identity of the province. In three German regions, the situation was more complicated, as they were inhabited by representatives of another nation: the Province of Posen with a Polish population and Schleswig-Holstein with a Danish population, and Alsace inhabited by the Alsatians, a region situated within the Empire but strongly influenced by Prussia. In these regions, museums operated against the complex historical background and collecting conditions, and their functions and goals were often viewed with indifference or hostility by the local non-German population. In Schleswig-Holstein, the point of contention were prehistoric relics, including the famous Flensburg collection, created by Danes and taken over by Prussians. In Poznań, the German museum ignored the Polish audience, following a policy that aimed at strengthening the local identity of German residents. The museum in Strasbourg tried to exert similar influence, focusing on the historical and artistic ties between Alsace and Germany. However, the Alsatians themselves already sought their own, separate local identity.","PeriodicalId":52057,"journal":{"name":"Museum History Journal","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2021-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41679415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0