Cultural Studies最新文献_第10页

Feminist sentimentalism? Ambivalent feeling in inclusive digital wedding media 女权主义的感伤主义？包容性数字婚礼媒体中的歧义感

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-02-21 DOI: 10.1080/09502386.2022.2039257

Ilya Parkins

引用次数: 0

Lithium’s buzz: extractivism between booms in Bolivia, Argentina, and Chile 锂热议：玻利维亚、阿根廷和智利繁荣之间的采掘主义

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-02-18 DOI: 10.1080/09502386.2022.2034909

Donald V Kingsbury

引用次数: 1

The child as mediator of racial ambivalence in Australia: ‘Egg Boy’ and the racist girl 儿童作为澳大利亚种族矛盾心理的中介:“鸡蛋男孩”和种族主义女孩

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-02-11 DOI: 10.1080/09502386.2022.2034908

Joanne Faulkner

引用次数: 1

Jennifer Walshe: A retrospective Jennifer Walshe:回顾

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-02-04 DOI: 10.1080/09502386.2021.2011936

Franziska Kloos

引用次数: 0

Art markets, epistemic authority, and the institutional curation of knowledge 艺术市场、知识权威和知识的机构管理

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-02-03 DOI: 10.1080/09502386.2022.2030777

Kathryn Brown

{"title":"Art markets, epistemic authority, and the institutional curation of knowledge","authors":"Kathryn Brown","doi":"10.1080/09502386.2022.2030777","DOIUrl":"https://doi.org/10.1080/09502386.2022.2030777","url":null,"abstract":"ABSTRACT The recent proliferation of data about art prices has been interpreted as the democratization of a formerly secretive economic sphere. Contesting this idea, I argue that such data is collected, controlled, and disseminated by international art dealers and auction houses for the purpose of reinforcing the myth of a single, integrated market for art. Through the analysis of presentation strategies in Gagosian Gallery’s online viewing rooms and Sotheby’s Mei Moses Index, I argue that dominant art world institutions use art history and price data to support the speculative value of artworks and to perpetuate knowledge asymmetries that reinforce their own epistemic authority. I debate whether Friedrich Hayek’s conception of price as an unbiased aggregator of dispersed information is a useful way of conceptualizing speculative value in the art world. I conclude that, in contrast to Hayek’s ideas, contemporary art market data is given the illusion of democratic dispersal while remaining within the purview of dominant institutions. The curation of knowledge involved in this process exacerbates art world inequality and risks sidelining the heterogeneous creative practices that populate a broad range of creative spheres.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":"37 1","pages":"626 - 646"},"PeriodicalIF":1.5,"publicationDate":"2022-02-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"59503447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Locating vernacular creativity outside the 'urban cool' in Beijing: ephemeral water calligraphy. 在北京的“都市酷”之外寻找本土创意:短暂的水书法。

IF 1.5 3区社会学

Cultural Studies Pub Date : 2022-01-06 eCollection Date: 2022-01-01 DOI: 10.1080/09502386.2021.2011934

Laura Vermeeren

{"title":"Locating vernacular creativity outside the 'urban cool' in Beijing: ephemeral water calligraphy.","authors":"Laura Vermeeren","doi":"10.1080/09502386.2021.2011934","DOIUrl":"https://doi.org/10.1080/09502386.2021.2011934","url":null,"abstract":"ABSTRACT How and where to be creative, and what creativity entails and affords has been subject to momentous change in recent decades in China. Since the early 2000s, the discourse of creativity has played a leading role in governmental policies that aim to boost economic development through a focus on the creative industries. First-tier Chinese cities have reinvented themselves as creative hotbeds with distinctive areas, often located at the fringes of the city, for creative production and practice (Ren and Meng [2012]. Artistic urbanization: creative industries and creative control in Beijing. International journal of urban and regional research, 36 (3), 504–521, Power, capital, and artistic freedom: contemporary Chinese art communities and the city. Cultural studies, 33 (4), 657–689). This article complicates this creative-city script, one that is deeply enmeshed in a global proliferation of the creativity discourse in tandem with Chinese state policies, by examining the practice of water calligraphy. This is an urban ephemeral creative practice that takes place in public parks in the centre of Beijing. Water calligraphy, done by the elderly in Beijing, challenges the idea of creativity as the domain of a young cool urban class, while its ephemerality contests ideas that urban creativity is necessarily forced into structures of commodification and governmentalization. Water calligraphers' adherence to the traditional discourse of calligraphy, despite several creative deviations, further challenges notions of creativity that identify it with novelty. Within the urban landscape, these senior citizens carve out a creative space for themselves outside designated art districts and creative industries clusters. In doing so, they disregard the imperative of the new that is conventionally believed to underpin ‘real’ creativity, and thus may help us to rethink the idea of creativity itself.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":"36 5","pages":"748-769"},"PeriodicalIF":1.5,"publicationDate":"2022-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://ftp.ncbi.nlm.nih.gov/pub/pmc/oa_pdf/09/95/RCUS_36_2011934.PMC9436388.pdf","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"40351331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

An intersectional analysis of our robotic future 对机器人未来的交叉分析

IF 1.5 3区社会学

Cultural Studies Pub Date : 2021-12-29 DOI: 10.1080/09502386.2021.2020315

L. Balfour

{"title":"An intersectional analysis of our robotic future","authors":"L. Balfour","doi":"10.1080/09502386.2021.2020315","DOIUrl":"https://doi.org/10.1080/09502386.2021.2020315","url":null,"abstract":"beyond an epistemological orientation to the world. Either way,Wild Things contributes directly to other projects in cultural studies that defy political classification by reaching for what is currently unimaginable. For instance, Paul Gilroy’s Postcolonial Melancholia (2005) dares to imagine a world no longer constrained by binary, racial logics, even as he is careful to forefront the contemporary necessity of racial solidarity between people of colour against the oppressive, white empire. Halberstam seems to be doing something similar. Despite wildness historically being deployed to justify subjugation, enslavement, and genocide, Halberstam still dares to challenge its condemnation.Wild Things’ conception of wildness is constantly deployed in relation to specific cultural projects and artifacts, like Where the Wild Things Are and the constraints of sexual classification. Through Halberstam’s examination of pop culture and political projects, his analysis is consistently brought back to racial tropes that define the socio-political state of colonialism today. Both the book’s embeddedness in this context and its willingness to radically imagine other possibilities, make it a significant contribution to cultural studies. ThoughWild Things does not offer a blueprint to enacting a ‘wild’ social world, it would be unfair to levy that as a damning critique against this book. An epistemology of the wild appears initially impossible to concretize in this way, but Halberstam dares his readers to try anyways. Far beyond a mere intellectual experiment, these epistemologies would make survival and existence possible for experiences between conceptions of the normative and the wild. By not limiting itself to linear notions of progress,Wild Things is a reminder that critical scholarship’s penchant for world-making and un-making is a political imperative to thinking beyond our hegemonic constraints.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":"36 1","pages":"1045 - 1048"},"PeriodicalIF":1.5,"publicationDate":"2021-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44404690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Girl spaces: images of girlhood on the internet 女孩空间：互联网上的少女时代图像

IF 1.5 3区社会学

Cultural Studies Pub Date : 2021-12-20 DOI: 10.1080/09502386.2021.2011931

Maša Huzjak

{"title":"Girl spaces: images of girlhood on the internet","authors":"Maša Huzjak","doi":"10.1080/09502386.2021.2011931","DOIUrl":"https://doi.org/10.1080/09502386.2021.2011931","url":null,"abstract":"ABSTRACT When Rookie, a now-defunct online magazine for teenage girls, launched in 2011, it created a safe space for young women and girls to express themselves through any medium they wanted and in a myriad of different ways. Thus images of girlhood ceased to be just a mystery for the male gaze/brain to solve or portray; they became eclectic, bountiful, contradictory even. Furthermore, since 2012 Instagram has played a vital role in the democratization of publishing one’s own art to a larger audience. It has combined the broad reach of an extremely popular social network with what were perceived as ‘niche’ interests – activities done privately (collage making, bullet journaling, diary keeping) or publicly (photography, poetry, music, art) by often self-taught or self-published teenage girls. Artists like Petra Collins and Ashley Armitage are entering mainstream popular culture and changing perspectives on what it means to be a girl, to feel like a girl or to look like a girl. They document girls’ bodies, bedrooms, emotions and material belongings, and offer to the consumer of their art these girl spaces for inspection, questioning and identification. Since the internet requires no (straight, white, cis, male) gatekeepers when it comes to creating an identity or curating art, girls’ voices are much easier to hear. This is why I chose to analyse a generation of artists who are gaining momentum because of the internet and subverting, as well as reimagining, the patterns and stereotypes created by centuries of men describing girls’ narratives as trivial, mundane and irrelevant.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":"36 1","pages":"732 - 747"},"PeriodicalIF":1.5,"publicationDate":"2021-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42779231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Writing our stories with hooks and needles: literary women's voices in textiles 用钩子和针写我们的故事:纺织品中的文学女性的声音

IF 1.5 3区社会学

Cultural Studies Pub Date : 2021-12-19 DOI: 10.1080/09502386.2021.2012707

Kate Christine Moore Koppy

引用次数: 0

The woman reader in Rebecca Mead’s My life in Middlemarch 丽贝卡·米德《我在米德尔马契的生活》中的女性读者

IF 1.5 3区社会学

Cultural Studies Pub Date : 2021-12-10 DOI: 10.1080/09502386.2021.2012708

Maša Grdešić

{"title":"The woman reader in Rebecca Mead’s My life in Middlemarch","authors":"Maša Grdešić","doi":"10.1080/09502386.2021.2012708","DOIUrl":"https://doi.org/10.1080/09502386.2021.2012708","url":null,"abstract":"ABSTRACT\u0000 Before the entry of feminist scholars into the field, literary theory either had no interest in the woman reader or used her to represent the type of reading that favours identification, escape and pleasure over engagement with the aesthetic and formal aspects of a text. According to feminist cultural and literary theorists such as Charlotte Brunsdon and Rita Felski, the woman reader has typically been defined as passive and uncreative, her interests as trivial and sentimental, her reading as consequently apolitical. Feminist literary theory and feminist cultural studies have long challenged the sharp divide between feminist and ‘ordinary’ women readers, academic and non-academic readers, creative and uncreative readers, pointing out that they are more alike than we are led to believe because they share certain affective and cognitive attributes. This artificial dichotomy is also called into question by popular memoirs on books and reading, which showcase the creativity of non-academic reading. One example is the 2014 book My Life in Middlemarch, journalist Rebecca Mead’s account of her lifelong relationship with George Eliot’s novel. Mead’s book, which combines literary criticism, biography and memoir, highlights the impact literature can have on its readers. I read Mead’s book as an example of Rita Felski’s theoretical concept of a ‘positive aesthetics’, a framework for reading texts that blends criticism and analysis with attachment and love. Using Felski’s categories of textual engagement, such as recognition, enchantment and knowledge, I argue that Mead’s project, by giving equal weight to emotional and intellectual aspects of reading, represents an important step in bridging the divide between academic and non-academic readers.","PeriodicalId":47907,"journal":{"name":"Cultural Studies","volume":"36 1","pages":"780 - 798"},"PeriodicalIF":1.5,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48630390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0