Girl spaces: images of girlhood on the internet

IF 1.6 3区 社会学 Q1 ANTHROPOLOGY
Maša Huzjak
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Abstract

ABSTRACT When Rookie, a now-defunct online magazine for teenage girls, launched in 2011, it created a safe space for young women and girls to express themselves through any medium they wanted and in a myriad of different ways. Thus images of girlhood ceased to be just a mystery for the male gaze/brain to solve or portray; they became eclectic, bountiful, contradictory even. Furthermore, since 2012 Instagram has played a vital role in the democratization of publishing one’s own art to a larger audience. It has combined the broad reach of an extremely popular social network with what were perceived as ‘niche’ interests – activities done privately (collage making, bullet journaling, diary keeping) or publicly (photography, poetry, music, art) by often self-taught or self-published teenage girls. Artists like Petra Collins and Ashley Armitage are entering mainstream popular culture and changing perspectives on what it means to be a girl, to feel like a girl or to look like a girl. They document girls’ bodies, bedrooms, emotions and material belongings, and offer to the consumer of their art these girl spaces for inspection, questioning and identification. Since the internet requires no (straight, white, cis, male) gatekeepers when it comes to creating an identity or curating art, girls’ voices are much easier to hear. This is why I chose to analyse a generation of artists who are gaining momentum because of the internet and subverting, as well as reimagining, the patterns and stereotypes created by centuries of men describing girls’ narratives as trivial, mundane and irrelevant.
女孩空间:互联网上的少女时代图像
摘要《菜鸟》是一本现已停刊的少女在线杂志,2011年推出时,它为年轻女性和女孩创造了一个安全的空间,让她们可以通过自己想要的任何媒介,以各种不同的方式表达自己。因此,少女时代的图像不再只是男性凝视/大脑需要解决或描绘的一个谜;它们变得兼收并蓄、丰富多彩,甚至自相矛盾。此外,自2012年以来,Instagram在向更多观众发布自己的艺术的民主化过程中发挥了至关重要的作用。它将一个极受欢迎的社交网络的广泛影响力与被视为“小众”的兴趣结合在一起——通常由自学成才或自我出版的少女私下或公开进行的活动(拼贴画制作、子弹日记、日记)。佩特拉·柯林斯(Petra Collins)和阿什利·阿米蒂奇(Ashley Armitage)等艺术家正在进入主流流行文化,并改变人们对女孩意味着什么、感觉像女孩或看起来像女孩的看法。他们记录女孩的身体、卧室、情感和物质物品,并向艺术消费者提供这些女孩空间,供其检查、询问和识别。由于互联网在创造身份或策划艺术时不需要(异性恋、白人、独联体、男性)看门人,女孩的声音更容易被听到。这就是为什么我选择分析一代艺术家,他们因为互联网而获得动力,颠覆和重新想象了几个世纪以来男性所创造的模式和刻板印象,他们将女孩的叙事描述为琐碎、平凡和无关紧要。
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来源期刊
Cultural Studies
Cultural Studies Multiple-
CiteScore
3.50
自引率
6.70%
发文量
0
期刊介绍: Cultural Studies is an international journal which explores the relation between cultural practices, everyday life, material, economic, political, geographical and historical contexts. It fosters more open analytic, critical and political conversations by encouraging people to push the dialogue into fresh, uncharted territory. It also aims to intervene in the processes by which the existing techniques, institutions and structures of power are reproduced, resisted and transformed. Cultural Studies understands the term "culture" inclusively rather than exclusively, and publishes essays which encourage significant intellectual and political experimentation, intervention and dialogue.
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