Jennifer Walshe: A retrospective

IF 1.6 3区社会学 Q1 ANTHROPOLOGY

Cultural Studies Pub Date : 2022-02-04 DOI:10.1080/09502386.2021.2011936

Franziska Kloos

引用次数: 0

Abstract

ABSTRACT Composer-performer Jennifer Walshe challenges established concepts of music production. In her alter ego collective, authorship and gender identities are at issue, testing new modes of musical expression. Through improvisation and experimental set-ups, she breaks new grounds, integrating physical and visual aspects into her compositions. Social media serve as a contemporary topic and a composing texture at the same time. In a community project, history emerges as a collaborative creative act. Walshe involves her listeners’ active imagination throughout her work.

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Jennifer Walshe:回顾

摘要作曲家兼演奏家珍妮弗·沃尔舍挑战了音乐制作的既定概念。在她的另一个自我集体中，作者身份和性别认同存在争议，考验着音乐表达的新模式。通过即兴创作和实验设置，她开拓了新的领域，将身体和视觉方面融入了她的作品中。社交媒体既是一个当代话题，又是一种构成质感。在一个社区项目中，历史是一种协作的创造性行为。Walshe在她的作品中融入了听众积极的想象力。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Cultural Studies Multiple-

CiteScore

3.50

自引率

6.70%

发文量

期刊介绍： Cultural Studies is an international journal which explores the relation between cultural practices, everyday life, material, economic, political, geographical and historical contexts. It fosters more open analytic, critical and political conversations by encouraging people to push the dialogue into fresh, uncharted territory. It also aims to intervene in the processes by which the existing techniques, institutions and structures of power are reproduced, resisted and transformed. Cultural Studies understands the term "culture" inclusively rather than exclusively, and publishes essays which encourage significant intellectual and political experimentation, intervention and dialogue.