Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts最新文献_第7页

The Feast of Lăzărel - an Example of Preservation through Adaptation of the Ethnocultural identity of the Greeks of Izvoarele Village in Tulcea County 图尔恰县Izvoarele村希腊人的民族文化身份通过适应保存的一个例子:llicurzurrel的盛宴

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.13

M. Kozlovsky

{"title":"The Feast of Lăzărel - an Example of Preservation through Adaptation of the Ethnocultural identity of the Greeks of Izvoarele Village in Tulcea County","authors":"M. Kozlovsky","doi":"10.31926/but.pa.2022.15.64.3.13","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.13","url":null,"abstract":"Izvoarele village is the only compact rural settlement in Romania whose members identify as Greeks. Oral history pinpoints the genesis of this community in 1830, when a few Greek and Bulgarian families, having crossed Dobruja, settled at the foot of Consul hill. Even though these ethnic groups went through a process of ethnic synthesis throughout history, it is visible that the Greek community of Izvoarele has preserved certain valuable heritage elements serving as an identity trademark to be found in the architecture of dwellings, garments, traditions, and in their main occupation, namely agriculture and sheep rearing. The present work deals with the musical repertoire performed on the occasion of Buianciu, a custom usually practiced on Lazarus Saturday (before Christ’s Entry into Jerusalem). The protagonists of Buianciu, or Lăzăriţa by its Romanian name, are girls aged 10 to 14, who sing ritual songs in Romanian, Bulgarian, and Greek. The enacting of this custom contributes \u0000to the consolidation of group relations to this day, as the entire community acknowledges the framework pattern of the celebration.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127993988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Heroic Myth in Modern Times. The “Star Wars” Franchise 近代的英雄神话。《星球大战》系列

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.10

I. Isac, V. Isac

引用次数: 0

Christopher Bochmann´s “Essay XIII for Alto Saxophone Solo”: Proposed Fingerings for Timbre Shifts and Multiphonics 克里斯托弗·博赫曼的“为中音萨克斯独奏的论文十三”:建议的音色变化和多音指法

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.14

Mario Marques

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Structural Innovations in the First Movement of Beethoven’s Sonata W. O. O. 47 No. 2 in F minor Kurfürsten (1783) 贝多芬F小调第二奏鸣曲W. O. O. 47第一乐章的结构创新

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.23

Dinu-Mihai Stefan

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Rhetorical Analysis Benchmarks in the First Part of Shostakovich’s Quartet no. 8 肖斯塔科维奇《第四四重奏》第一部分的修辞分析基准。8

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.22

M. Suciu, S. Drăgulin

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The Valuation of the Original Text in an Opera Vocal Score: Meaning and Pronunciation 歌剧曲谱对原文的评价:意义与发音

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.9

Traian Ichim

{"title":"The Valuation of the Original Text in an Opera Vocal Score: Meaning and Pronunciation","authors":"Traian Ichim","doi":"10.31926/but.pa.2022.15.64.3.9","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.9","url":null,"abstract":"The article is dedicated to the problems of working on the text of opera librettos in a foreign language in the process of learning opera. The stages of this work are considered - from understanding the meaning, which makes it possible for the interpreter to approach the most appropriate interpretation of the composer's intention, to the elaboration of a foreign pronunciation as an important indicator of the vocalist's professionalism. The relevance of the subject is related to the practice of staging operas in the original language that has taken place root in the activity of opera houses in recent decades. The author offers modern methods of working on a text in a foreign language of an opera libretto and shares extensive practical experience in this field of activity. The idea is especially emphasized that the process of studying a vocal work in a foreign language should take place in stages: from reading and learning the text without music to understanding the idea of the work as a synthesis of music and words. The process organized in this way will allow solving the task of creating a convincing artistic image. When practicing pronunciation, the importance of correct articulation and clear diction is noted and practical advice is given to improve them. Typical mistakes of vocalists in Italian and French pronunciation in singing are listed, and ways to correct them are indicated. The author of the article emphasizes that a good knowledge of foreign languages is an indispensable tool condition for a vocalist who dreams of a successful career.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130757415","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Evolution of the Left-Hand Range in the Guitar Technique 吉他技巧中左手音域的演变

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.11

Dejan Ivanović

引用次数: 0

Reason and Time in the French Baroque: François Couperin’s “Leçons de ténèbres pour le mercredi saint” (1714) 法国巴洛克时期的理性与时间:francois couperin的《神圣星期三的黑暗教训》(1714)

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.12

N. Karácsony, D.M. Rucsanda

{"title":"Reason and Time in the French Baroque: François Couperin’s “Leçons de ténèbres pour le mercredi saint” (1714)","authors":"N. Karácsony, D.M. Rucsanda","doi":"10.31926/but.pa.2022.15.64.3.12","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.12","url":null,"abstract":"The present paper aims to investigate the manner in which the structure of a certain musical discourse can suggest the superiority of reason above senses, as well as the static or flowing quality of time. In this sense, François Couperin’s (1668-1733) Leçons de ténèbres pour le mercredi saint (1714) was analyzed, striving to observe the manner in which the composer approaches certain parameters of the musical discourse (rhythm and metre, tempo, dynamics, ornaments) in order to suggest the meaning of the sacred text and to induce the listener a certain feeling of withdrawal, the absorption of the senses that can eventually lead to the mystical union with the Divine, accomplished through reason. The paper strives to highlight the differences between the Italian and French Baroque, as reflected in the work of Couperin, who strove to accomplish in his compositions the union between the French and Italian styles and forms. The question that arises is whether music is capable to express the passive state of devotion and contemplation, despite its unfolding in time, and whether it is possible to conceive the musical discourse in a manner that refrains from the anticipation of its future evolutions.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"94 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131153785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Metaphysical Meanings and Archetypal Romanian Symbols in Today’s Romanian Music 当代罗马尼亚音乐中的形而上学意义和原型罗马尼亚符号

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.4

Luminița Duțică

{"title":"Metaphysical Meanings and Archetypal Romanian Symbols in Today’s Romanian Music","authors":"Luminița Duțică","doi":"10.31926/but.pa.2022.15.64.3.4","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.4","url":null,"abstract":"Late 20th-century Romanian composition stood out, above all, by its ability to open itself to novelty and experiment, and virtually align itself with everything that Western Europe considered to be an avant-garde artistic movement at that time. However, as time has shown, this “synchrony” – which is sometimes translated by the terms of the binomial “national universal” or, more precisely, “local-global” – happened somewhat selectively, avoiding the excesses and the extremes specific to the radical-nihilistic attitude present in other contemporary music cultures. One of the “keys” of this reconciliation strategy brings to the fore the Romanian composers’ preference for the great philosophical themes of our traditional culture, imbued with the metaphysical meanings and archetypal symbols delivered by myths and legends that have turned into veritable universals. Liviu Glodeanu and Sigismund Toduţă are (only) two of the creators who leaned with undisguised passion on various Romanian myths that they masterfully integrated into two extremely valuable opera. The former dedicated himself to the pre-Christian age and elevated the pagan rituals revolving around Zamolxis – the feared god of our ancestors, the Dacians – to the rank of an emblematic vision. The latter resized the dimensions of the myth of the ultimate sacrifice, masoning oneself in stone in order to build the temple of God – the church, as Master Manole represents – along with the ballad of Mioriţa – one of the founding legends of the Romanian people’s spiritual identity. In our approach, we will show some of the conceptual and language foundations of the aforementioned works.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"151 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121994087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Personality of the Conductor, Teacher, Composer and Jury Gavriil Mu 指挥家、教师、作曲家和评审团的个性

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.15

Costel-Mirel Nechia

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