The Personality of the Conductor, Teacher, Composer and Jury Gavriil Mu

Costel-Mirel Nechia
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Abstract

Religious music and secular music in Moldova, and especially in Iasi, have a history that fully deserves to be known and analyzed. After its construction, the Metropolitan Cathedral of Iași became the sacred place suitable both for the conduct of Orthodox liturgical worship, in general, and the favorable space for the manifestation and evolution of psaltic church music, of the Byzantine tradition, as well as choral music, introduced in our country, in religious worship, especially through the Russian sector. In the course of time, conductors, protopsalti and composers of both notations contributed to the beautification of religious services and to the enrichment of the psaltic and choral repertoire, through exceptional compositions. Among them all, Gavriil Musicescu shone the most, a complex personality, especially in the musical field. The history of the choir of the Cathedral of Iaşi is closely related to its name and the context of the beginning of the organization of choral music in Moldova, since the early years of the 19th century.
指挥家、教师、作曲家和评审团的个性
摩尔多瓦的宗教音乐和世俗音乐,尤其是雅西的宗教音乐,有着完全值得了解和分析的历史。在建造之后,Iași的主教座堂成为适合进行东正教礼拜仪式的圣地,一般来说,也是拜占庭传统的圣诗教堂音乐的表现和演变的有利空间,以及在宗教崇拜中引入我国的合唱音乐,特别是通过俄罗斯部分。随着时间的推移,指挥家、原始萨尔蒂和两种符号的作曲家都通过出色的作品为美化宗教仪式和丰富诗篇和合唱曲目做出了贡献。其中,加夫瑞尔·Musicescu最引人注目,他的性格非常复杂,尤其是在音乐领域。ii大教堂合唱团的历史与它的名字和19世纪初摩尔多瓦开始组织合唱音乐的背景密切相关。
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