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Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts最新文献

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A Comparative study of the Traverse Flutes of the Haupt and Silva Families 豪普特家族和席尔瓦家族横笛的比较研究
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-11-15 DOI: 10.31926/but.pa.2023.16.65.1.8
Gabrielle de Sousa da Silva, Monika Streitová
{"title":"A Comparative study of the Traverse Flutes of the Haupt and Silva Families","authors":"Gabrielle de Sousa da Silva, Monika Streitová","doi":"10.31926/but.pa.2023.16.65.1.8","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.1.8","url":null,"abstract":"The 18th and 19th centuries saw the greatest development in the construction of woodwind instruments in Europe. In Portugal, this was due to the Haupt and Silva families of builders. In order to understand the interpretation of the time, through the characteristics of the instruments themselves, as well as all the cultural involvement, data was analyzed to understand the difference between the constructions of the Haupt and Silva families, the main builders of the traverse flutes of the time. Historical research was carried out and important data was also collected by interviewing flutist and traverse flute teacher Olavo Barros, who owns one of the original Silva flutes (the Haupt flute belongs to flutist and transverse flute teacher Manuel Cochofel). The sound quality results were obtained from the recordings made by Teacher Olavo Barros of all the notes produced on each flute and were compared and analyzed, represented in graphs, using Spectrogram no. 16 by Richard Horne software.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"21 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139272108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Two-part Inventions by J. S. Bach, Thematic Hypostases J. S. 巴赫的二部曲发明，主题序曲
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-11-15 DOI: 10.31926/but.pa.2023.16.65.1.4
Corina Ibănescu
{"title":"Two-part Inventions by J. S. Bach, Thematic Hypostases","authors":"Corina Ibănescu","doi":"10.31926/but.pa.2023.16.65.1.4","DOIUrl":"https://doi.org/10.31926/but.pa.2023.16.65.1.4","url":null,"abstract":"Johann Sebastian Bach can be considered the greatest pre-classical composer of keyboard instruments, respectively piano, his works being universally present in concert programs. Also, due to his experience as a teacher, the creation of J. S. Bach also has a great pedagogical importance: among the compositions intended for musical education, we mention: Two- and Three-part Inventions (1723). The invention is a small free-form polyphonic composition, written in an imitative style, with a pronounced improvisational character. The two-part inventions that we have focused on (the first six), true jewels in terms of perfection of form, Bach's fundamental works for the piano, do not contain features of outward virtuosity, but music full of content and depth, the various thematic hypostases emphasizing their emotional substance. Another important aspect is the didactic function of this music, Bachian inventions constantly accompanied the training and improvement of pianists, being ideal due to their complexity, for deepening musical thinking.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"32 3-4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139273904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Importance of Diction in the Art of Singing 唱腔在歌唱艺术中的重要性
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-02-01 DOI: 10.31926/but.pa.2022.15.64.3.5
R. Fagarasan
{"title":"The Importance of Diction in the Art of Singing","authors":"R. Fagarasan","doi":"10.31926/but.pa.2022.15.64.3.5","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.5","url":null,"abstract":"The idea for this article’s subject started from the importance of diction that accompanies the music. It’s essential to be able to understand very well the words that are sung, because they give the “tone” of the entire lyrical-dramatical action. The listeners will perceive the emotion that is conveyed through the verses, and the music, as a unity. I have listened to various interpretations of singers that approached arias, leads, etc, who don’t have good diction, therefore in their musical discourse I could hear the predominance of the vowels A - E - O - U, and I could barely hear the consonants. This way, instead of following the lyrical-dramatic action itself, brought by the music and the words, I was experiencing auditory discomfort. In order to bring their own interpretation to the musical language, and to express mastery, the artist must have theoretical knowledge, and technical training and use them precisely. This way they would be able to reach high performances of the vocal tract, which will lead to the harmonious delineation of a singing style that matches the demands of the musical piece.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"250 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131948787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Dobrudjan Traditional Ballad Dobrudjan传统民谣
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.21
A. Roșu
{"title":"The Dobrudjan Traditional Ballad","authors":"A. Roșu","doi":"10.31926/but.pa.2022.15.64.3.21","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.21","url":null,"abstract":"Among the countless categories of works entitled “ballad”, we have structured this paper - for both objective and subjective reasons - around the one which distinctly represents the epic creation to which we are referring, from a certain area of the Romanian territory, i.e., Dobrudja. On the one hand, the subject is too generous in terms of the number and value of the information it entails so as to approach it by referencing a larger area than the one between the Danube and the Black Sea, and on the other hand, as a Dobrudjan, we have naturally considered the references to field recordings, which allowed the creation of collections of texts and the production of melody transcriptions of these pearls of Romanian millenary traditional genre.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115708303","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Developing Communication in People with ASD, with the Help of Music 在音乐的帮助下发展ASD患者的沟通能力
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.16
I. Negrilă
{"title":"Developing Communication in People with ASD, with the Help of Music","authors":"I. Negrilă","doi":"10.31926/but.pa.2022.15.64.3.16","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.16","url":null,"abstract":"The development of communication is a fundamental pillar in the development of the child and necessary for the development of social skills. Research over the decades has been devoted to understanding the connection between music and our cognitive processes, such as learning, language, and symbolic understanding. They showed that this therapy facilitates the development of speech in patients with autistic spectrum disorders. There are two types of music therapy: active and passive. If in active therapy the subject plays an instrument, sings, or dances; Passive therapy aims to induce the patient into a state that allows a complete process for the person through listening sessions of 20 to 30 minutes in which vibrations and musical waves help regulate the frequencies of the brain. ","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121870132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mancini vs. Manfredini, or the Tril Controversy 曼奇尼对曼弗雷迪尼，或审判之争
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.1
Mihaela-Elena Bajea-Stanciu
{"title":"Mancini vs. Manfredini, or the Tril Controversy","authors":"Mihaela-Elena Bajea-Stanciu","doi":"10.31926/but.pa.2022.15.64.3.1","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.1","url":null,"abstract":"Giambattista Mancini and Vincenzo Manfredini, two great masters of the art of singing, engaged in a long-running controversy at the height of the 18th century over the training of the voice, but especially over how to perform the trill. Their dispute, which lasted more than twenty years, demonstrates the growing interest in the method of balancing the inventiveness generated by the use of ornamental formulas with the acquisition of vocal stability based on rigor and competence. The methods of applying these fundamental principles set a precedent for intense controversy, which ultimately proved to be both constructive and creative, with the happy consequence of a significant evolutionary leap in interpretive variety.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"1 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128847450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Organizational Culture within Cultural Institutions 文化机构内的组织文化
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.7
Emilia Giol-Calefariu
{"title":"Organizational Culture within Cultural Institutions","authors":"Emilia Giol-Calefariu","doi":"10.31926/but.pa.2022.15.64.3.7","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.7","url":null,"abstract":"Organizational culture is a special element, which only with the passage of time contributes to remarkable results for an institution with a cultural purpose. This represents the effort of several generations of managers / leaders, who have continuously contributed, over the decades, to increasing the quality of the artistic act within the cultural organizations that they led with determination and with a very clear vision both for the organization, but also for the way culture is perceived internationally. Success or failure, the degradation of a cultural institution can thus be evaluated.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"184 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126144690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le Festival International de Musique de Chambre de Brasov 1970-1999 1970-1999年布拉索夫国际室内乐节
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.2
Liliana Bizineche
{"title":"Le Festival International de Musique de Chambre de Brasov 1970-1999","authors":"Liliana Bizineche","doi":"10.31926/but.pa.2022.15.64.3.2","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.2","url":null,"abstract":"Ce document entend honorer le festival de musique de chambre de Braşov (1970- 1999), en relevant les interpretes de l'ensemble de musique ancienne Cantus Serenus, avec lequel j'ai eu le plaisir de collaborer dans les concerts entre 1979 et 1999. Ce texte commence par une introduction ou je presente l'essentiel de l'histoire musicale de la ville roumaine depuis le XVIe siecle. Dans les chapitres suivants, je me consacre aux activites liees au festival et au groupe Cantus Serenus. \u0000 \u0000","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129399262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Specifics of Sacred Music of the Transylvanian Space. The Context. The Course. Representative Figures 特兰西瓦尼亚空间神圣音乐的特点。上下文。这门课程。代表人物
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.26
George Vasilache
{"title":"The Specifics of Sacred Music of the Transylvanian Space. The Context. The Course. Representative Figures","authors":"George Vasilache","doi":"10.31926/but.pa.2022.15.64.3.26","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.26","url":null,"abstract":"The political, social and even religious context in which the Transylvanian musical culture developed beginning with the second half of the 19th century until the 20th century, led to the shaping of a special artistic landscape, with specific identitary sounds, different from the other historical provinces of the country. Ethnical and confessional mosaic generated influences regarding sacred singing, for the Eastern Church Byzantine music representing the secular analogion chant, integrated and framed into the church tradition, which was touched by the regional influences that created the musical ethos of a particular cultural area. ","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126942874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Silence in Music: L. van Beethoven and J. S. Bach. Aesthetic Approach 音乐中的沉默:贝多芬和巴赫。审美的方法
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.3
Petruța-Maria Coroiu
{"title":"Silence in Music: L. van Beethoven and J. S. Bach. Aesthetic Approach","authors":"Petruța-Maria Coroiu","doi":"10.31926/but.pa.2022.15.64.3.3","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.3","url":null,"abstract":"Music can bring us to light, when it is not dissonant, not dominated by an aggressive rhythm, by congestion of timbres, or by… consumerism that consumes everything – including our values and tranquility. Spiritual tranquility is a sign of spiritual health; it influences our inner thoughts and emotions, representing an essential aspect in cultivating one’s spiritual life. This is the whisper of the mystical and transcendental Arietta in the last Beehovenian sonata for piano, her secret, variational message: the last part of the last sonata which seems open, unfinished, concluded however with an evanescent melody that searches its identity at unsuspected heights. The aim of the work is to evidence a first analysis of the postures of silence in musical art, and its structure highlights the stylistic characteristics of Beethoven's masterpiece in this sense.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"151 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124364656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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