特兰西瓦尼亚空间神圣音乐的特点。上下文。这门课程。代表人物

George Vasilache
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摘要

从19世纪下半叶到20世纪,特兰西瓦尼亚音乐文化发展的政治、社会甚至宗教背景导致了一种特殊艺术景观的形成,具有特定的身份声音,不同于该国其他历史省份。种族和忏悔的马赛克产生了对神圣歌唱的影响,对于东方教会来说,拜占庭音乐代表了世俗的类比圣歌,融入并框架到教会传统中,这受到了区域影响,创造了特定文化区域的音乐精神。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Specifics of Sacred Music of the Transylvanian Space. The Context. The Course. Representative Figures
The political, social and even religious context in which the Transylvanian musical culture developed beginning with the second half of the 19th century until the 20th century, led to the shaping of a special artistic landscape, with specific identitary sounds, different from the other historical provinces of the country. Ethnical and confessional mosaic generated influences regarding sacred singing, for the Eastern Church Byzantine music representing the secular analogion chant, integrated and framed into the church tradition, which was touched by the regional influences that created the musical ethos of a particular cultural area. 
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