J. S. 巴赫的二部曲发明,主题序曲

Corina Ibănescu
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引用次数: 0

摘要

约翰-塞巴斯蒂安-巴赫(Johann Sebastian Bach)可以说是前古典时期最伟大的键盘乐器(尤其是钢琴)作曲家,他的作品在音乐会节目单中随处可见。此外,J.S.巴赫还具有丰富的教学经验,他的作品在音乐教育方面也具有重要意义:二部曲和三部曲《发明》(1723 年)。发明曲是一首自由形式的小型复调作品,采用模仿风格,具有明显的即兴特点。我们所关注的二部发明曲(前六部)是巴赫钢琴作品中形式完美的瑰宝,也是巴赫钢琴的基础作品,它们并不包含外在的技巧性,而是充满内涵和深度的音乐,各种主题的叠加强调了音乐的情感内涵。另一个重要方面是这些音乐的说教功能,巴赫的发明一直伴随着钢琴家的训练和提高,因其复杂性而成为深化音乐思维的理想选择。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Two-part Inventions by J. S. Bach, Thematic Hypostases
Johann Sebastian Bach can be considered the greatest pre-classical composer of keyboard instruments, respectively piano, his works being universally present in concert programs. Also, due to his experience as a teacher, the creation of J. S. Bach also has a great pedagogical importance: among the compositions intended for musical education, we mention: Two- and Three-part Inventions (1723). The invention is a small free-form polyphonic composition, written in an imitative style, with a pronounced improvisational character. The two-part inventions that we have focused on (the first six), true jewels in terms of perfection of form, Bach's fundamental works for the piano, do not contain features of outward virtuosity, but music full of content and depth, the various thematic hypostases emphasizing their emotional substance. Another important aspect is the didactic function of this music, Bachian inventions constantly accompanied the training and improvement of pianists, being ideal due to their complexity, for deepening musical thinking.
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