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Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts最新文献

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Structural Elements in Music Therapy Sessions for Small Groups of Young Adults 青少年小团体音乐治疗课程的结构要素
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.20
V. Pomazan
{"title":"Structural Elements in Music Therapy Sessions for Small Groups of Young Adults","authors":"V. Pomazan","doi":"10.31926/but.pa.2022.15.64.3.20","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.20","url":null,"abstract":"During a music therapy session, the therapist must meet the needs of the clients/therapeutic indications-goals. The following general stages of a music therapy session have been identified: focus of attention, regulation of interest-arousal level, dialogue, and conclusions. This paper presents a case study with practical description of the structure of a music therapy session for a group of young adults, how the input data for the group members is analysed, how the therapeutic objectives are established, depending on the strengths of each member and how the structural elements are managed, from the point of view of the content. Working techniques are described, to address psychodynamic aspects and how to assess the members and the group evolutions.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115483589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial News: At the piano with Alfred Cortot. Artists from Cluj at the Ecole Normale de Musique 社论新闻:与阿尔弗雷德·科托特在钢琴旁。来自克鲁日音乐师范学院的艺术家
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.18
C. Pascu
{"title":"Editorial News: At the piano with Alfred Cortot. Artists from Cluj at the Ecole Normale de Musique","authors":"C. Pascu","doi":"10.31926/but.pa.2022.15.64.3.18","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.18","url":null,"abstract":"Starting from the premise that the topic of the Romanian descendants of the French interpretative school has not yet been approached in a scientific and integrative manner, the book At the piano with Alfred Cortot. Artists from Cluj at the École Normale de Musique presents a documented view on this major line of development that capitalized on the technical and artistic knowledge acquired by the Romanian musicians who attended the École Normale de Musique de Paris. As such, the express purpose of this paper is to highlight the noble descent of the Romanian pianistic school, represented by six Romanian piano teachers who enhanced their skills and knowledge in the elevated Parisian setting, at the institution founded by the famous pianist and teacher Alfred Cortot. In the order of their arrival at the Cluj Conservatory, these teachers are Ecaterina Fotino-Negru, George Ciolac, Eliza Ciolan, Alexandru Demetriad, Viorica Adelina Radu and Gabriela Țereanu.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123348376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Evaluating cross-cultural Connections within the Modal Structure of Iranian Music 评价伊朗音乐情态结构中的跨文化联系
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.17
Mehdi Panahi
{"title":"Evaluating cross-cultural Connections within the Modal Structure of Iranian Music","authors":"Mehdi Panahi","doi":"10.31926/but.pa.2022.15.64.3.17","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.17","url":null,"abstract":"The structure of Iranian music is unique. It does not conform to the system of tonal hierarchies that characterized European classical music between the seventeenth and nineteenth centuries. This paper focuses on successful music compositions that have cross-cultural connections in the contemporary era. It has shown that Iranian music by conserving its unique characteristics, has been able to combine with the music of other nations. Also, Iranian music can adopt modern compositions.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125934082","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tout… a la mesure ! Qu’est-ce que c’est que l’Aksak ? 一切都是量身定做的!什么是aksak ?
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.8
Virgil Iaru
{"title":"Tout… a la mesure ! Qu’est-ce que c’est que l’Aksak ?","authors":"Virgil Iaru","doi":"10.31926/but.pa.2022.15.64.3.8","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.8","url":null,"abstract":"Lors d’un echange d’experience au cadre d’un programme COMENIUS, etant  demande par un partenaire Qu’est-ce que c’est l’Aksak ?, j’ai realise a quel point notre  folklore, il est inconnu, avec tout son spectre de rythmes asymetriques, de mesures  composees homogenement et heterogenement, a quel point nous, les Roumains, sommes  les riches heritiers d’un compositeur de taille mondiale, pedagogue, musicologue et  ethnomusicologue a la fois, fondateur et scientifique de l’Archive Internationale de Musique  Populaire de Geneve, Constantin Brailoiu, celui qui a ete le premier a parler de l’aksak, a  quel point sommes – nous pareils a ceux du Proche Orient- ayant tant d’influences  musicales de cette partie du monde, en tant que fief de l’Empire Ottoman! Autant aux  eleves arrives en neuvieme, certains d’eux etant peut-être pour la premiere fois en contact  avec la notation rigoureuse de la musique, qu’a ceux de la section theorique et de canto  populaire, j’explique concretement les mesures composees heterogenement par des  exemples de l’univers immediat, tout d’abord par ceux qui me sont familiers et qui leur  deviennent proches au fur et a mesure, toujours par de multiples et varies exemples  repetitifs ! Par la denomination concrete des chansons, il nous reste la mesure composee  heterogenement comme realite vivante, aisement reconnue a toute repetition ulterieure, a  laquelle se superposeront les accents des exemples assimiles ! C’est ainsi que mes eleves  peuvent calculer plus facilement dans une eventuelle notation de tout morceau entendu,  parfois la mesure et le mode populaire en etant suffisants. Voici le gain des renseignements  theoriques qui evoluent en quelque chose de concret dans le progres des eleves, voire de  certains etudiants. ","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116630360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An Overview of the Codes and Conventions of Drama Film Music 戏剧电影音乐的规范与惯例概述
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.27
Emanuela Izabela Vieriu
{"title":"An Overview of the Codes and Conventions of Drama Film Music","authors":"Emanuela Izabela Vieriu","doi":"10.31926/but.pa.2022.15.64.3.27","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.27","url":null,"abstract":"This article is, a part of a larger chapter, which treats the analysis of also other drama soundtracks , with various plots, directing visions and kinds of typologies in order to draw a line between the conventions and codes in music. Still, it is hard, since the final result is mostly an eclecticism between program music, large types of audio layouts, applied accordingly to the script and the personal craft of the composer. I identified some general approaches in drama film music, such as: the large usage of strings, or the highlight of melodic parameter, the minor keys and so on. I believe, for a composer it is essential to know the tools one needs to choose before writing music for a film. Even more, the codes found in an soundtrack are necessary because of the fact that they „talk” about the composer s style, his trademark. ","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121506193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Adapter une œuvre baroque sur un autre instrument dans une perspective historiquement informée. Traduttore tradittore ? 从历史的角度将巴洛克作品改编成另一种乐器。翻译公司?
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.6
Jean-Christophe Frisch
{"title":"Adapter une œuvre baroque sur un autre instrument dans une perspective historiquement informée. Traduttore tradittore ?","authors":"Jean-Christophe Frisch","doi":"10.31926/but.pa.2022.15.64.3.6","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.6","url":null,"abstract":"From the perspective of historically informed performance, the question of transcribing a baroque musical work onto an instrument for which it was not intended by the composer. Without judging what is legitimate or not, every musician is free to make his or her own choices, a musical work is not just an arrangement of notes on a sheet. It is a sound object. Changing the instrument, using other means of expression, is therefore not a neutral change. The answer is very different depending on whether it is a question of moving from one historical instrument to another, or from an ancient instrument to the modern one.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133974481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Predominant Mental Processes in Musical Activities 音乐活动中的主要心理过程
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.19
Anamaria Pavel
{"title":"Predominant Mental Processes in Musical Activities","authors":"Anamaria Pavel","doi":"10.31926/but.pa.2022.15.64.3.19","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.19","url":null,"abstract":"Considering the complexity of knowledge that lies between science and art but  also that of self - knowledge and human creation, with a direct impact which is music, the  main role is taken by the teacher. This one has to have a clear vision of how he teach each  student starting with picking up the violin, from the earliest possible age, to the concert with  a symphony orchestra both as a soloist and as a member of the orchestra. It is the teacher's  duty to nourish and under his/her direct surveillance, with patience and professionalism to  improve the student's skills. The evolution of the young instrumentalist depends on the tact  of the pedagogue and the way of handling mental processes ","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128308883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Attitude towards School of the Children who Study a Musical Instrument, Compared to the Attitude of the Children who Do not 学习乐器的儿童与不学习乐器的儿童对学校的态度
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.25
Cristina Catalina Tudorie
{"title":"The Attitude towards School of the Children who Study a Musical Instrument, Compared to the Attitude of the Children who Do not","authors":"Cristina Catalina Tudorie","doi":"10.31926/but.pa.2022.15.64.3.25","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.25","url":null,"abstract":"Music has positive effects on the physical, emotional and cognitive development of children. Playing a musical instrument activates multiple areas and networks of the brain, facilitating super memory. Music is visibly effective in the therapy of the children with special educational needs. Studying music requires ambition, discipline, dedication, focusing, coordination, time, a lot of practice, competitiveness, communication abilities, conscientiousness, and perseverance. It also leads to increased self-esteem, self-control, self-discipline, inner harmony and creativity. This paper aims to observe the impact of music on children and whether there is a significant relationship between playing a musical instrument and the general attitude of the students towards school. We will argue that playing an instrument significantly enhances the attitude of the students towards school.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123743621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Role of the Piano in Romanticism Approached by Serbian Composers 塞尔维亚作曲家探讨钢琴在浪漫主义中的作用
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-31 DOI: 10.31926/but.pa.2022.15.64.3.24
Virđinia Totan
{"title":"The Role of the Piano in Romanticism Approached by Serbian Composers","authors":"Virđinia Totan","doi":"10.31926/but.pa.2022.15.64.3.24","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.3.24","url":null,"abstract":"Serbian piano literature can be divided, quite meaningfully, into several categories if one takes into account the classification criteria: a) the origin of the compositions, b) the level of their content and c) the level of success of the piano performance. Piano performance survived for several decades as the only form of creative expression of Serbian citizens.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131592174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Inspired by the Sea: A Musical Parallel between “The Sea” by C. Debussy and “A Sea symphony” by R. V. Williams 受海洋启发的音乐:德彪西的《海洋》和威廉姆斯的《海洋交响曲》的音乐对比
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.4
Petruța-Maria Coroiu
{"title":"Music Inspired by the Sea: A Musical Parallel between “The Sea” by C. Debussy and “A Sea symphony” by R. V. Williams","authors":"Petruța-Maria Coroiu","doi":"10.31926/but.pa.2022.15.64.2.4","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.4","url":null,"abstract":"The sea has always represented a source of inspiration in art (especially in the visual arts), but also in music – which borrows many attributes, such as evanescence and fluency, specific to musical Impressionism. Music also took over the metaphor of the sea, especially through the Impressionist music of Claude Debussy (The Sea) and A Sea Symphony by R. V. Williams, composers who will be celebrated at 160 and 150 years, respectively, from their birth. The purpose of the work is to stylistically compare the compositional details of the marine theme in the two proposed repertoire elements, from the 20th century. The work is structured in such a way that it involves a brief analysis of each of them, ending with comparative elements.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126855447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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