Predominant Mental Processes in Musical Activities

Anamaria Pavel
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Abstract

Considering the complexity of knowledge that lies between science and art but  also that of self - knowledge and human creation, with a direct impact which is music, the  main role is taken by the teacher. This one has to have a clear vision of how he teach each  student starting with picking up the violin, from the earliest possible age, to the concert with  a symphony orchestra both as a soloist and as a member of the orchestra. It is the teacher's  duty to nourish and under his/her direct surveillance, with patience and professionalism to  improve the student's skills. The evolution of the young instrumentalist depends on the tact  of the pedagogue and the way of handling mental processes 
音乐活动中的主要心理过程
考虑到科学和艺术之间的知识复杂性,以及自我认识和人类创造之间的知识复杂性,直接影响音乐的主要角色是教师。这个老师必须有一个清晰的愿景,他如何教每个学生,从最早的年龄开始,拿起小提琴,到交响乐团的音乐会,无论是作为独奏家还是作为乐团的一员。教师有责任在他/她的直接监督下,以耐心和专业的态度来培养和提高学生的技能。年轻乐器演奏者的发展取决于教师的机智和处理心理过程的方式
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