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Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts最新文献

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Is the Interpretation of the Tenor in “Tombe degli avi miei” from “Lucia di Lammermoor” by G. Donizetti, Lyric or Dramatic? 多尼采蒂《拉默摩尔的露西娅》中男高音的诠释是抒情的还是戏剧的?
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.11
Marcos Santos
{"title":"Is the Interpretation of the Tenor in “Tombe degli avi miei” from “Lucia di Lammermoor” by G. Donizetti, Lyric or Dramatic?","authors":"Marcos Santos","doi":"10.31926/but.pa.2022.15.64.2.11","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.11","url":null,"abstract":"This study is an analysis of the tenor interpretation of the aria Tombe degli avi miei from Lucia di Lammermoor by G. Donizetti. It studies 4 different recordings of tenors with 30 years approximately between them. It analyses the interpretation perspective of them. Should it be more dramatic or lyric? there have been both tenors performing this role with acclaimed reviews. The dramatic tenor has an easiness on showing the drama and the passion aspect of the aria. The lyric tenor has a refined phrasing and beauty of line that fits well the character and the belcanto style.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127071309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Spinto Soprano Voice and Comparative Analysis Aria “Vissi d`arte” from the opera “Tosca” by Giacomo Puccini 普契尼歌剧《托斯卡》中的咏叹调《艺术之歌》
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.3
Mădălina Bourceanu
{"title":"The Spinto Soprano Voice and Comparative Analysis Aria “Vissi d`arte” from the opera “Tosca” by Giacomo Puccini","authors":"Mădălina Bourceanu","doi":"10.31926/but.pa.2022.15.64.2.3","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.3","url":null,"abstract":"In the works of Giacomo Puccini, the spinto soprano voice can be compared to a musical instrument that can reach its fullness when it becomes an instrument capable of any expressive availability. The drawn portrait of the puccinian heroine is based on the sound explosions that are closely related to the intensity of the orchestral commentary, emitting brilliant sonorous sounds of a unique expressiveness. In terms of vocal and artistic qualities, the singer's skills consist of singing nuanced depending on the word, color variations (light or dark), the use of contrasting intensities combined with vocal polychromy, psychological knowledge of the character and self for a complete, successful mastery. These considerations cannot be dominated by the effort made in supporting the verist repertoire. The depth of his musical thinking reflects the significance of revelation through musical expressiveness, melody, rhythm, tempo and drama.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115225990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Quarter-tones, Glissandi and their Benefits in Flute Embouchure and Tuning 四分音、滑音及其在长笛口型和调音中的作用
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.12
Monika Streitová
{"title":"Quarter-tones, Glissandi and their Benefits in Flute Embouchure and Tuning","authors":"Monika Streitová","doi":"10.31926/but.pa.2022.15.64.2.12","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.12","url":null,"abstract":"For the elaboration of this article, different compositions and exercises employing quarter tones and glissandi have been selected and applied to effectively resolve various problems in sound production in contemporary, as well as classical music. The objective was to prove that there was a better control of the changes between the flute registers after the application of quarter tones and glissandi. Beyond that, greater control of the tuning and development of the ability to react quickly in the process of correction during a concert was observed with this pedagogical approach. The research has been conducted systematically with the aim to deepen the theoretical knowledge and practical skills of the students, learn contemporary flute techniques and add them to their daily studies.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114231139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music as Metaphor – A Therapeutic Approach 音乐作为隐喻——一种治疗方法
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.2
M. Rucsanda, A. Belibou
{"title":"Music as Metaphor – A Therapeutic Approach","authors":"M. Rucsanda, A. Belibou","doi":"10.31926/but.pa.2022.15.64.2.2","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.2","url":null,"abstract":"The present article talks about a model of analysis and interpretation of music through the metaphorical translation of each musical parameter. In order for music to be a therapeutic means, we believe that it must become a musical experience and facilitate access to deep areas of the self, as well as raise questions and problems of extra-musical origin. Thus, the music that has become a metaphor can resonate with questions that the therapist can use in the health promotion process, the final and central goal of music therapy. Metaphors, above all, can be used in everyday life to add depth, richness, and meaning to our worlds, being a figure of speech that is used in order to help people understand complex or abstract concepts in a more relatable or understandable way.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130541300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Musical Depiction of Chaos and Creation in Jean-Féry Rebel’s “Les Éléments” 让-费里-雷贝尔的 "Les Éléments "中对混沌与创造的音乐描述
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.7
N. Karácsony, I. Filip
{"title":"The Musical Depiction of Chaos and Creation in Jean-Féry Rebel’s “Les Éléments”","authors":"N. Karácsony, I. Filip","doi":"10.31926/but.pa.2022.15.64.2.7","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.7","url":null,"abstract":"The Creation of the Universe is a theme that inspired artists and musicians throughout the ages. However, it was not only the idea of creation that aroused the interest of these artists, but also the existence of Chaos, which is believed to have preceded the act of creation. In the France of Louis XIV, arts and music were profoundly influenced by Classical Antiquity, as proven by the artworks of this era. Artists and composers sought to depict the creation of the Universe, often resorting to the theory of elements – however, this was subordinated to the ideas of the Catholic doctrine. An interesting musical representation of Chaos and the creation of the Universe belongs to Jean-Féry Rebel (1666- 1747), who played an important part in the evolution of the French Baroque. In the simfonie nouvelle for orchestra Les Élements (1737-1738), the composer evokes the state of chaos that preceded the act of creation, using certain harmonic, melodic, and rhythmic constructions. The entire work reflects the aesthetic ideal of the French Baroque, that approaches art as harmonious imitation of nature. In Rebel’s work the primordial elements gradually become distinct, each receives a clear musical and rhythmic profile, allowing them to be easily identified throughout the work. Rebel also associates these elements to certain dances, as can be observed in the musical numbers that follow the Chaos, the fluidity and grace of the music reflecting the balanced and refined dance movements of the period. Rebel’s musical evocation points to future representations of this theme, at the same time containing several features that prove the composer’s visionary musical imagination.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129160139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The role of Amelia in Giuseppe Verdi’s “Un ballo in maschera” - Vocality and Technical-interpretative Coordinates 在朱塞佩·威尔第的“在maschera的unballo”中阿米莉亚的角色-声乐和技术解释坐标
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.1
E. Adetu
{"title":"The role of Amelia in Giuseppe Verdi’s “Un ballo in maschera” - Vocality and Technical-interpretative Coordinates","authors":"E. Adetu","doi":"10.31926/but.pa.2022.15.64.2.1","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.1","url":null,"abstract":"Like all of Verdi's mature works, the opera “Un ballo in maschera” demonstrates notable progress in both vocal and orchestral writing. In terms of the vocality of the characters, Verdi creates remarkable solo roles, adapted to the various dramaturgical requirements. The role of Amelia is a key character, being assigned an extensive vocal discourse. Her vocality reflects a noticeable difference from the Verdian patterns used in the construction of female roles, up to “Il Trovatore”. The suppression of the well-known “cabaletta”, the abandonment of the demonstrations of vocal virtuosity and the intensification of the vocal writing in the middle register, offer a plus of uniqueness to this role. Thus, a new vocal pattern is materialized among the female characters representative in Giuseppe Verdi’s work, leaving behind the vocal portraits of the heroines inspired from the belcanto singing “tradition”. In this study we will analyze from a structural and interpretive point of view the main solo moments of the role.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126934280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musical Repertoire Written for Military Bands. Marches 为军乐队创作的音乐曲目。游行
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.6
C. Ioan
{"title":"Musical Repertoire Written for Military Bands. Marches","authors":"C. Ioan","doi":"10.31926/but.pa.2022.15.64.2.6","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.6","url":null,"abstract":"The musical repertoire accompanying military and official ceremonies is made up of works belonging to the genres of ostrich music: marches, hymns and odes. Ceremonial performances follow clear legislative specifications and are held on national holidays. These ceremonies are held in all the major cities of the country, in the presence of official and military officials and the general public. To the sound of brass band music, the highestranking officials are honoured and troops from the area's garrisons march past. The atmosphere becomes festive, solemn, commemorative and evocative.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"188 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123399441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rhythmic Therapy for Communications Improvement for the Hearing-Impaired Children 节奏疗法改善听障儿童的沟通
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.9
V. Pomazan
{"title":"Rhythmic Therapy for Communications Improvement for the Hearing-Impaired Children","authors":"V. Pomazan","doi":"10.31926/but.pa.2022.15.64.2.9","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.9","url":null,"abstract":"The paper presents a set of techniques using the music and rhythm to emphasize or speed up the general individual process of learning and using speech, providing spontaneity and confidence in vocal and verbal expression, improving vocal quality. The paper describes the materials/resources used, the way the activity is carried out, methods of monitoring and evaluation, benefits/advantages of the application of the intervention. The techniques presented target the listening and improving/educating the reaction to sound stimuli, the differentiation of sounds, according to duration, frequency, intensity, the differentiation of verbalized sounds in cases of anacusis, cophosis - profound hearing loss, deafness - over 90 dB, symmetrical, pre- and post-linguistic. The activities are described for participants between 6-14 years old, but the techniques presented are suitable, easily adapted, for any age older than 3 years.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125790535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Methodical Projections: KEIKO ABE – MICHI 有条不紊的预测:安部惠子
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.10
Sorin Rotaru
{"title":"Methodical Projections: KEIKO ABE – MICHI","authors":"Sorin Rotaru","doi":"10.31926/but.pa.2022.15.64.2.10","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.10","url":null,"abstract":"One of the challenges facing a performer is the variants of performing and addressing a work, depending directly on the various hypostases in which the instrumentalist has to perform (concert, exam, or recording). Michi by Keiko Abe is a work that can be addressed differently depending on the three hypostases. The purpose of the work is to expose the analysis of a famous work dedicated to the marimba (which does not benefit from a wide repertoire except in modern times), and its structure highlights the composer's personality and the stylistic details of the analyzed work.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"75 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115562813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Wieniawski’s “Legende” and Enescu’s “The Undead”: a Romantic-Neoclassical Dyad 维尼亚夫斯基的《传奇》和埃内斯库的《亡灵》:浪漫主义与新古典主义的对立
Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI: 10.31926/but.pa.2022.15.64.2.8
Sorana Mănăilescu
{"title":"Wieniawski’s “Legende” and Enescu’s “The Undead”: a Romantic-Neoclassical Dyad","authors":"Sorana Mănăilescu","doi":"10.31926/but.pa.2022.15.64.2.8","DOIUrl":"https://doi.org/10.31926/but.pa.2022.15.64.2.8","url":null,"abstract":"The present paper examines stylistic change in musical history by comparing the treatment of the same motif, the ill-starred lovers, in a romantic piece, Wieniawski’s Legende, Op. 17, and a post-Wagnerian composition by George Enescu: Strigoii (The Undead) Oratory, setting to music Eminescu’s homonymous legend, which in its turn, draws on Bidu’s Tower legend. Whereas Wieniawski was writing a grieving soul’s complaint in the manner of romantic self-expressionism, Enescu was attached to the national poet, to his people’s ancient past and to folk legends in the spirit of the neoclassical aesthetics of a part, the most prolific one of musical modernism.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114921780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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