有条不紊的预测:安部惠子

Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts Pub Date : 2023-01-30 DOI:10.31926/but.pa.2022.15.64.2.10

Sorin Rotaru

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引用次数: 0

摘要

演奏者面临的挑战之一是演奏和解决作品的变体，这直接取决于演奏者必须表演的各种实体(音乐会、考试或录音)。Abe Keiko的《Michi》是一部可以根据三个实体进行不同处理的作品。这部作品的目的是对一部著名的马林巴琴作品进行分析(除了现代，马林巴琴并没有从广泛的曲目中受益)，其结构突出了作曲家的个性和分析作品的风格细节。

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Methodical Projections: KEIKO ABE – MICHI

One of the challenges facing a performer is the variants of performing and addressing a work, depending directly on the various hypostases in which the instrumentalist has to perform (concert, exam, or recording). Michi by Keiko Abe is a work that can be addressed differently depending on the three hypostases. The purpose of the work is to expose the analysis of a famous work dedicated to the marimba (which does not benefit from a wide repertoire except in modern times), and its structure highlights the composer's personality and the stylistic details of the analyzed work.

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Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts

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