{"title":"维尼亚夫斯基的《传奇》和埃内斯库的《亡灵》:浪漫主义与新古典主义的对立","authors":"Sorana Mănăilescu","doi":"10.31926/but.pa.2022.15.64.2.8","DOIUrl":null,"url":null,"abstract":"The present paper examines stylistic change in musical history by comparing the treatment of the same motif, the ill-starred lovers, in a romantic piece, Wieniawski’s Legende, Op. 17, and a post-Wagnerian composition by George Enescu: Strigoii (The Undead) Oratory, setting to music Eminescu’s homonymous legend, which in its turn, draws on Bidu’s Tower legend. Whereas Wieniawski was writing a grieving soul’s complaint in the manner of romantic self-expressionism, Enescu was attached to the national poet, to his people’s ancient past and to folk legends in the spirit of the neoclassical aesthetics of a part, the most prolific one of musical modernism.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Wieniawski’s “Legende” and Enescu’s “The Undead”: a Romantic-Neoclassical Dyad\",\"authors\":\"Sorana Mănăilescu\",\"doi\":\"10.31926/but.pa.2022.15.64.2.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The present paper examines stylistic change in musical history by comparing the treatment of the same motif, the ill-starred lovers, in a romantic piece, Wieniawski’s Legende, Op. 17, and a post-Wagnerian composition by George Enescu: Strigoii (The Undead) Oratory, setting to music Eminescu’s homonymous legend, which in its turn, draws on Bidu’s Tower legend. Whereas Wieniawski was writing a grieving soul’s complaint in the manner of romantic self-expressionism, Enescu was attached to the national poet, to his people’s ancient past and to folk legends in the spirit of the neoclassical aesthetics of a part, the most prolific one of musical modernism.\",\"PeriodicalId\":440876,\"journal\":{\"name\":\"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts\",\"volume\":\"25 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31926/but.pa.2022.15.64.2.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31926/but.pa.2022.15.64.2.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Wieniawski’s “Legende” and Enescu’s “The Undead”: a Romantic-Neoclassical Dyad
The present paper examines stylistic change in musical history by comparing the treatment of the same motif, the ill-starred lovers, in a romantic piece, Wieniawski’s Legende, Op. 17, and a post-Wagnerian composition by George Enescu: Strigoii (The Undead) Oratory, setting to music Eminescu’s homonymous legend, which in its turn, draws on Bidu’s Tower legend. Whereas Wieniawski was writing a grieving soul’s complaint in the manner of romantic self-expressionism, Enescu was attached to the national poet, to his people’s ancient past and to folk legends in the spirit of the neoclassical aesthetics of a part, the most prolific one of musical modernism.
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