{"title":"Quarter-tones, Glissandi and their Benefits in Flute Embouchure and Tuning","authors":"Monika Streitová","doi":"10.31926/but.pa.2022.15.64.2.12","DOIUrl":null,"url":null,"abstract":"For the elaboration of this article, different compositions and exercises employing quarter tones and glissandi have been selected and applied to effectively resolve various problems in sound production in contemporary, as well as classical music. The objective was to prove that there was a better control of the changes between the flute registers after the application of quarter tones and glissandi. Beyond that, greater control of the tuning and development of the ability to react quickly in the process of correction during a concert was observed with this pedagogical approach. The research has been conducted systematically with the aim to deepen the theoretical knowledge and practical skills of the students, learn contemporary flute techniques and add them to their daily studies.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31926/but.pa.2022.15.64.2.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
For the elaboration of this article, different compositions and exercises employing quarter tones and glissandi have been selected and applied to effectively resolve various problems in sound production in contemporary, as well as classical music. The objective was to prove that there was a better control of the changes between the flute registers after the application of quarter tones and glissandi. Beyond that, greater control of the tuning and development of the ability to react quickly in the process of correction during a concert was observed with this pedagogical approach. The research has been conducted systematically with the aim to deepen the theoretical knowledge and practical skills of the students, learn contemporary flute techniques and add them to their daily studies.