{"title":"塞尔维亚作曲家探讨钢琴在浪漫主义中的作用","authors":"Virđinia Totan","doi":"10.31926/but.pa.2022.15.64.3.24","DOIUrl":null,"url":null,"abstract":"Serbian piano literature can be divided, quite meaningfully, into several categories if one takes into account the classification criteria: a) the origin of the compositions, b) the level of their content and c) the level of success of the piano performance. Piano performance survived for several decades as the only form of creative expression of Serbian citizens.","PeriodicalId":440876,"journal":{"name":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","volume":"32 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Role of the Piano in Romanticism Approached by Serbian Composers\",\"authors\":\"Virđinia Totan\",\"doi\":\"10.31926/but.pa.2022.15.64.3.24\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Serbian piano literature can be divided, quite meaningfully, into several categories if one takes into account the classification criteria: a) the origin of the compositions, b) the level of their content and c) the level of success of the piano performance. Piano performance survived for several decades as the only form of creative expression of Serbian citizens.\",\"PeriodicalId\":440876,\"journal\":{\"name\":\"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts\",\"volume\":\"32 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31926/but.pa.2022.15.64.3.24\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31926/but.pa.2022.15.64.3.24","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Role of the Piano in Romanticism Approached by Serbian Composers
Serbian piano literature can be divided, quite meaningfully, into several categories if one takes into account the classification criteria: a) the origin of the compositions, b) the level of their content and c) the level of success of the piano performance. Piano performance survived for several decades as the only form of creative expression of Serbian citizens.