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Evita, el Che, Gardel y el gol de Victorino: Funciones y significados del sampleo en el tango electrónico Evita, el Che, Gardel和el gol de Victorino:电子探戈中采样的功能和意义
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-10-01 DOI: 10.7560/LAMR35203
María Emilia Greco, R. Cano
{"title":"Evita, el Che, Gardel y el gol de Victorino: Funciones y significados del sampleo en el tango electrónico","authors":"María Emilia Greco, R. Cano","doi":"10.7560/LAMR35203","DOIUrl":"https://doi.org/10.7560/LAMR35203","url":null,"abstract":"En el tango electrónico se insertan, con mucha frecuencia sampleos de discursos de políticos, crónicas de fútbol, marcas sonoras de espacios urbanos, diálogos de filmes, programas de radio y tangos antiguos o actuales. Los sampleos dotan de significación específica a temas con o sin letra; vinculan el nuevo tango con los sonidos, voces y grabaciones del tango clásico; orientan políticamente el mensaje de las bandas colaborando a construir su imagen pública; y se articulan con otros recursos para propiciar mecanismos específicos de interpelación identitaria. En este trabajo se analizan casos específicos de utilización de sampleo para detectar sus modos de operación, sus significados para músicos y público, y se mapean sus estrategias de interpelación así como las narrativas identitarias que se detonan, fortifican o eluden por medio de éstos.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"228 - 259"},"PeriodicalIF":0.1,"publicationDate":"2014-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35203","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Cultural Positioning of the Banda de Músicos in the Central Andes of Peru 秘鲁安第斯山脉中部班达Músicos的文化定位
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-10-01 DOI: 10.7560/LAMR35204
Joshua Katz-Rosene
{"title":"The Cultural Positioning of the Banda de Músicos in the Central Andes of Peru","authors":"Joshua Katz-Rosene","doi":"10.7560/LAMR35204","DOIUrl":"https://doi.org/10.7560/LAMR35204","url":null,"abstract":"The banda de músicos (brass band) is ubiquitous in the Andes. Researchers have documented the banda’s displacement of traditional ensembles and shown how its dissemination has been a source of tension, while others have argued that the ensemble represents an element of change that is grounded in tradition. I assess the cultural positioning of the banda in the central Andes of Peru from the perspective of musicians’ statements regarding their repertoire and claims of versatility, and through the imagery used in promotional materials. I evaluate how the music performed at patron-saint fiestas fits with articulated categories such as central Andean folclor, the music of Peru, and foreign genres. Considering the region’s strong sense of identity and openness to outside influences, I illustrate how the banda mediates between different cultural positions.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"260 - 288"},"PeriodicalIF":0.1,"publicationDate":"2014-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35204","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Forging a Cosmopolitan Ideal: Mario Lavista’s Early Music 打造世界性的理想:马里奥·拉维斯塔的早期音乐
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-10-01 DOI: 10.7560/LAMR35201
Ana R. Alonso-Minutti
{"title":"Forging a Cosmopolitan Ideal: Mario Lavista’s Early Music","authors":"Ana R. Alonso-Minutti","doi":"10.7560/LAMR35201","DOIUrl":"https://doi.org/10.7560/LAMR35201","url":null,"abstract":"During the second half of the twentieth century a group of Mexican composers was consciously avoiding nationalist models that had been carried over from the time of the Revolution (1910–1920s), instead favoring an “international avant-garde.” For Mario Lavista (b. 1943), this turn was accompanied by a cosmopolitan ideal—a site in which he could navigate among the expectations placed on him by a consolidated artistic and intellectual elite. In focusing on his works from the late 1960s and early 1970s, my intention is to show how this cosmopolitan ideal informed Lavista’s compositional decisions and how it played a role in the establishment of his public persona.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"169 - 196"},"PeriodicalIF":0.1,"publicationDate":"2014-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35201","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El arte de adecentar los sonidos: Huellas de las operaciones de normalización del tango argentino, 1900–1920 调整声音的艺术:阿根廷探戈正常化操作的痕迹，1900 - 1920
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-05-12 DOI: 10.7560/LAMR35102
María Mercedes Liska
{"title":"El arte de adecentar los sonidos: Huellas de las operaciones de normalización del tango argentino, 1900–1920","authors":"María Mercedes Liska","doi":"10.7560/LAMR35102","DOIUrl":"https://doi.org/10.7560/LAMR35102","url":null,"abstract":"Current academic interpretations of the process of transformation within tango music and dance during the first two decades of the twentieth century focus on the consolidation of a canon concerning poetical and body issues, leaving open the question about the stylistic changes in music, and its connection to the social conditions of its production. Using an interdisciplinary approach, this article analyzes the changes in tango music as a consequence of the intervention of several discourses that promoted regulation of the experience. The proposal tries to explain how the tango became a key element of Argentine popular culture and its contribution to the production and reproduction of social relationships.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"25 - 49"},"PeriodicalIF":0.1,"publicationDate":"2014-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35102","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339081","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Las músicas de Betty, la fea 丑女贝蒂的音乐
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-05-12 DOI: 10.7560/LAMR35101
María Edurne Zuazu, Rubén López Cano
{"title":"Las músicas de Betty, la fea","authors":"María Edurne Zuazu, Rubén López Cano","doi":"10.7560/LAMR35101","DOIUrl":"https://doi.org/10.7560/LAMR35101","url":null,"abstract":"The Colombian telenovela Yo soy Betty, la fea (1999–2001) had unprecedented and outstanding diffusion all over the world, both in its original form and through the manifold national adaptations that sprang forth throughout the 2000s, making it the most successful telenovela in history. Although the phenomenon has attracted scholarly attention, the role of music in the trajectories and transformations of this telenovela has largely been overlooked. Yet the soundtrack design and music were fundamental elements at the core of Betty’s successful worldwide circulation. The series’ soundtrack—its opening theme, source music, and popular songs—was mobilized in Yo soy Betty, la fea and in its manifold adaptations to habilitate the international circulation and local adaptation of the series, to address local audiences, to fashion the basic plot, to define the series’ aesthetics, and to adjust Betty’s ugliness-otherness to the different sociocultural realities and media contexts in which it was produced and consumed. Popular songs also participated in the promotion and commercialization of the series while extending the telenovela’s world beyond its televisual context.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"1 - 24"},"PeriodicalIF":0.1,"publicationDate":"2014-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35101","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Amenizar, sincronizar, significar: Música y cine silente en Chile, 1910–1930 柔和，同步，意义:智利无声的音乐和电影，1910 - 1930
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-05-12 DOI: 10.7560/LAMR35104
Fernando Purcell, J. González
{"title":"Amenizar, sincronizar, significar: Música y cine silente en Chile, 1910–1930","authors":"Fernando Purcell, J. González","doi":"10.7560/LAMR35104","DOIUrl":"https://doi.org/10.7560/LAMR35104","url":null,"abstract":"This article deals with discussions and debates about the relationship between music and silent cinema in Chile. During the 1910s and 1920s music altered cinema’s functionality. It shifted from the role of enlivening cinematic spectacles to a more complex one in which the challenge was synchronizing the content of images with appropriate music. The analysis here makes clear that this was part of a global phenomenon that included Chile. This becomes evident through analysis of Erno Rapée’s 1924 compilation that synthesized cinematic musical practices that are possible to trace not just in the United States but in different Chilean cities.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"56 1","pages":"114 - 88"},"PeriodicalIF":0.1,"publicationDate":"2014-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35104","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Música y negritud en Chile: De la ausencia presente a la presencia ausente 智利的音乐与黑人:从现在的缺席到缺席的存在
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-05-12 DOI: 10.7560/LAMR35103
Víctor Rondón
{"title":"Música y negritud en Chile: De la ausencia presente a la presencia ausente","authors":"Víctor Rondón","doi":"10.7560/LAMR35103","DOIUrl":"https://doi.org/10.7560/LAMR35103","url":null,"abstract":"This article proposes a long-term view on the question of musical “blackness” in Chile, starting with its current manifestations and reaching back to earlier facts on black musical practice that the historical record has forgotten over the decades. Both moments are articulated by a process of ethnic homogenization that distinguishes three phases: the colonial period with an increasing expansion of black musical expertise, the period of independence with its invisible African ancestry, and a contemporary period that represents and invokes a lost blackness.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"50 - 87"},"PeriodicalIF":0.1,"publicationDate":"2014-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35103","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Bomba, danza, calipso y merengue: Creación del espacio social en las fiestas de Santiago Apóstol de Loíza Bomba, danza, calipso和merengue:在loiza的圣地亚哥apostol节日中创造社交空间
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-05-12 DOI: 10.7560/LAMR35105
Jaime O. Bofill Calero
{"title":"Bomba, danza, calipso y merengue: Creación del espacio social en las fiestas de Santiago Apóstol de Loíza","authors":"Jaime O. Bofill Calero","doi":"10.7560/LAMR35105","DOIUrl":"https://doi.org/10.7560/LAMR35105","url":null,"abstract":"Every year the people of Loiza reaffirm their religious devotion and Afro–Puerto Rican identity during the Fiesta de Santiago Apostol (Feast of St. James). The celebration culminates in Carnavalesque processions in which masked characters and devotees parade the image of the saint to bomba, calypso, merengue, and calypso music. As with many folk Catholic rituals, devotion to Santiago (St. James) is expressed through both the religious and profane, which often makes it hard to distinguish one from the other. This article demonstrates the active role that music plays in the formation of public spaces where the juxtaposition of the religious and profane creates a framework for the performance of the fiesta.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"115-138"},"PeriodicalIF":0.1,"publicationDate":"2014-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35105","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El compositor uruguayo Coriún Aharonián: Música, ideología y el rol del compositor en la sociedad 乌拉圭作曲家科林·阿哈罗尼安：音乐、意识形态和作曲家在社会中的作用
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2013-12-06 DOI: 10.7560/LAMR34205
Eduardo Herrera
{"title":"El compositor uruguayo Coriún Aharonián: Música, ideología y el rol del compositor en la sociedad","authors":"Eduardo Herrera","doi":"10.7560/LAMR34205","DOIUrl":"https://doi.org/10.7560/LAMR34205","url":null,"abstract":"For the past forty years, composer Coriún Aharonián (b. 1940) has been one of the most significant figures of contemporary music composition in Uruguay and Latin America. In this article I provide a biography that connects his historical context to his musical production, and I explain the tenacious manner in which his compositions look to seamlessly incorporate aspects of politics, ethics, and ideology, giving particular insight into the role of the composer in postcolonial Latin American society.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"34 1","pages":"254 - 285"},"PeriodicalIF":0.1,"publicationDate":"2013-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR34205","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Heitor Villa-Lobos e Getúlio Vargas: Doutrinando crianças por meio da educação musical Heitor Villa-Lobos和getulio Vargas:通过音乐教育灌输孩子
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2013-12-06 DOI: 10.7560/LAMR34202
G. Ferraz
{"title":"Heitor Villa-Lobos e Getúlio Vargas: Doutrinando crianças por meio da educação musical","authors":"G. Ferraz","doi":"10.7560/LAMR34202","DOIUrl":"https://doi.org/10.7560/LAMR34202","url":null,"abstract":"In Brazil, from 1932 to 1945, Heitor Villa-Lobos participated in the authoritarian regime of Getúlio Vargas as music educator and what could be construed as an indoctrinator of the regime’s ideologies. Villa-Lobos implemented a program of music education in schools that sought to promote discipline among children while socializing them and educating them about aspects of the ethnic and socio-cultural formation of Brazilian people. Although Villa-Lobos had sketched his program of music education with ostensibly purely educational intentions, Vargas appropriated Villa-Lobos’s program and used it as a tool to homogenize the government’s nationalistic ideologies among children. This article demonstrates that, despite Villa-Lobos’s original educational intentions, he increasingly aligned his program with the government’s nationalistic ideologies and consciously instilled these ideologies in the minds of children, becoming, in essence, an indoctrinator of the regime.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"34 1","pages":"162 - 195"},"PeriodicalIF":0.1,"publicationDate":"2013-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR34202","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339005","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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