Forging a Cosmopolitan Ideal: Mario Lavista’s Early Music

IF 0.1 3区 艺术学 0 MUSIC
Ana R. Alonso-Minutti
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引用次数: 0

Abstract

During the second half of the twentieth century a group of Mexican composers was consciously avoiding nationalist models that had been carried over from the time of the Revolution (1910–1920s), instead favoring an “international avant-garde.” For Mario Lavista (b. 1943), this turn was accompanied by a cosmopolitan ideal—a site in which he could navigate among the expectations placed on him by a consolidated artistic and intellectual elite. In focusing on his works from the late 1960s and early 1970s, my intention is to show how this cosmopolitan ideal informed Lavista’s compositional decisions and how it played a role in the establishment of his public persona.
打造世界性的理想:马里奥·拉维斯塔的早期音乐
在二十世纪下半叶,一群墨西哥作曲家有意识地避免了从革命时期(1910 - 1920)遗留下来的民族主义模式,而是倾向于“国际前卫”。对于生于1943年的马里奥·拉维斯塔(Mario Lavista)来说,这种转变伴随着一种世界主义的理想——他可以在一个统一的艺术和知识精英对他的期望中导航。通过关注他在20世纪60年代末和70年代初的作品,我的目的是展示这种世界主义的理想是如何影响拉维斯塔的创作决定的,以及它是如何在他的公众形象的建立中发挥作用的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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