Bomba, danza, calipso和merengue:在loiza的圣地亚哥apostol节日中创造社交空间

IF 0.1 3区 艺术学 0 MUSIC
Jaime O. Bofill Calero
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引用次数: 0

摘要

每年,洛伊萨人民在圣雅各节期间重申他们的宗教信仰和非裔波多黎各人的身份。庆祝活动在狂欢节式的游行中达到高潮,在游行中,蒙面人物和虔诚的信徒伴随着邦巴、卡利普索、梅伦格和卡利普索音乐游行圣人的形象。与许多民间天主教仪式一样,对圣地亚哥(圣詹姆斯)的忠诚是通过宗教和世俗两种方式表达的,这往往使其难以区分。这篇文章展示了音乐在公共空间的形成中所扮演的积极角色,在公共空间中,宗教和世俗的并置为节日的表演创造了一个框架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bomba, danza, calipso y merengue: Creación del espacio social en las fiestas de Santiago Apóstol de Loíza
Every year the people of Loiza reaffirm their religious devotion and Afro–Puerto Rican identity during the Fiesta de Santiago Apostol (Feast of St. James). The celebration culminates in Carnavalesque processions in which masked characters and devotees parade the image of the saint to bomba, calypso, merengue, and calypso music. As with many folk Catholic rituals, devotion to Santiago (St. James) is expressed through both the religious and profane, which often makes it hard to distinguish one from the other. This article demonstrates the active role that music plays in the formation of public spaces where the juxtaposition of the religious and profane creates a framework for the performance of the fiesta.
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