Amenizar, sincronizar, significar: Música y cine silente en Chile, 1910–1930

IF 0.1 3区 艺术学 0 MUSIC
Fernando Purcell, J. González
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引用次数: 2

Abstract

This article deals with discussions and debates about the relationship between music and silent cinema in Chile. During the 1910s and 1920s music altered cinema’s functionality. It shifted from the role of enlivening cinematic spectacles to a more complex one in which the challenge was synchronizing the content of images with appropriate music. The analysis here makes clear that this was part of a global phenomenon that included Chile. This becomes evident through analysis of Erno Rapée’s 1924 compilation that synthesized cinematic musical practices that are possible to trace not just in the United States but in different Chilean cities.
柔和,同步,意义:智利无声的音乐和电影,1910 - 1930
这篇文章是关于智利音乐与无声电影之间关系的讨论与辩论。在20世纪10年代和20年代,音乐改变了电影的功能。它从活跃电影场景的角色转变为更复杂的角色,其中的挑战是将图像内容与适当的音乐同步。这里的分析清楚地表明,这是包括智利在内的全球现象的一部分。通过分析Erno rap 1924年的合集,这一点变得很明显,它综合了电影音乐实践,不仅在美国,而且在智利的不同城市都可以找到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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