秘鲁安第斯山脉中部班达Músicos的文化定位

IF 0.1 3区 艺术学 0 MUSIC
Joshua Katz-Rosene
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引用次数: 4

摘要

banda de músicos(铜管乐队)在安第斯山脉随处可见。研究人员记录了班达对传统合奏的取代,并展示了它的传播如何成为紧张局势的根源,而其他人则认为,合奏代表了一种基于传统的变革因素。我评估了班达在秘鲁安第斯山脉中部的文化定位,从音乐家关于他们的曲目和多功能性的声明的角度出发,并通过宣传材料中使用的图像。我评估了在守护神节上演奏的音乐是如何与安第斯中部民俗、秘鲁音乐和外国流派等明确的类别相匹配的。考虑到该地区强烈的认同感和对外界影响的开放性,我说明了班达如何在不同的文化立场之间进行调解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Cultural Positioning of the Banda de Músicos in the Central Andes of Peru
The banda de músicos (brass band) is ubiquitous in the Andes. Researchers have documented the banda’s displacement of traditional ensembles and shown how its dissemination has been a source of tension, while others have argued that the ensemble represents an element of change that is grounded in tradition. I assess the cultural positioning of the banda in the central Andes of Peru from the perspective of musicians’ statements regarding their repertoire and claims of versatility, and through the imagery used in promotional materials. I evaluate how the music performed at patron-saint fiestas fits with articulated categories such as central Andean folclor, the music of Peru, and foreign genres. Considering the region’s strong sense of identity and openness to outside influences, I illustrate how the banda mediates between different cultural positions.
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