{"title":"智利的音乐与黑人:从现在的缺席到缺席的存在","authors":"Víctor Rondón","doi":"10.7560/LAMR35103","DOIUrl":null,"url":null,"abstract":"This article proposes a long-term view on the question of musical “blackness” in Chile, starting with its current manifestations and reaching back to earlier facts on black musical practice that the historical record has forgotten over the decades. Both moments are articulated by a process of ethnic homogenization that distinguishes three phases: the colonial period with an increasing expansion of black musical expertise, the period of independence with its invisible African ancestry, and a contemporary period that represents and invokes a lost blackness.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"50 - 87"},"PeriodicalIF":0.1000,"publicationDate":"2014-05-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35103","citationCount":"4","resultStr":"{\"title\":\"Música y negritud en Chile: De la ausencia presente a la presencia ausente\",\"authors\":\"Víctor Rondón\",\"doi\":\"10.7560/LAMR35103\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article proposes a long-term view on the question of musical “blackness” in Chile, starting with its current manifestations and reaching back to earlier facts on black musical practice that the historical record has forgotten over the decades. Both moments are articulated by a process of ethnic homogenization that distinguishes three phases: the colonial period with an increasing expansion of black musical expertise, the period of independence with its invisible African ancestry, and a contemporary period that represents and invokes a lost blackness.\",\"PeriodicalId\":41979,\"journal\":{\"name\":\"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA\",\"volume\":\"35 1\",\"pages\":\"50 - 87\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2014-05-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.7560/LAMR35103\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/LAMR35103\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/LAMR35103","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Música y negritud en Chile: De la ausencia presente a la presencia ausente
This article proposes a long-term view on the question of musical “blackness” in Chile, starting with its current manifestations and reaching back to earlier facts on black musical practice that the historical record has forgotten over the decades. Both moments are articulated by a process of ethnic homogenization that distinguishes three phases: the colonial period with an increasing expansion of black musical expertise, the period of independence with its invisible African ancestry, and a contemporary period that represents and invokes a lost blackness.