智利的音乐与黑人:从现在的缺席到缺席的存在

IF 0.1 3区 艺术学 0 MUSIC
Víctor Rondón
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引用次数: 4

摘要

本文提出了一种关于智利音乐“黑人”问题的长期观点,从其当前的表现开始,回溯到几十年来历史记录所遗忘的黑人音乐实践的早期事实。这两个时刻都是通过种族同质化的过程来表达的,这一过程区分了三个阶段:殖民时期,黑人音乐专业知识不断扩大,独立时期,其无形的非洲血统,以及代表和唤起失落的黑人的当代时期。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Música y negritud en Chile: De la ausencia presente a la presencia ausente
This article proposes a long-term view on the question of musical “blackness” in Chile, starting with its current manifestations and reaching back to earlier facts on black musical practice that the historical record has forgotten over the decades. Both moments are articulated by a process of ethnic homogenization that distinguishes three phases: the colonial period with an increasing expansion of black musical expertise, the period of independence with its invisible African ancestry, and a contemporary period that represents and invokes a lost blackness.
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