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Estética de la (in)diferencia: Las canciones de las sociedades carnavalescas afroporteñas de la segunda mitad del siglo XIX de cara al proyecto nacional eurocentrado 差异的美学:19世纪下半叶非洲狂欢节社会的歌曲面对以欧洲为中心的国家项目
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2015-11-11 DOI: 10.7560/LAMR36202
Norberto Pablo Cirio
{"title":"Estética de la (in)diferencia: Las canciones de las sociedades carnavalescas afroporteñas de la segunda mitad del siglo XIX de cara al proyecto nacional eurocentrado","authors":"Norberto Pablo Cirio","doi":"10.7560/LAMR36202","DOIUrl":"https://doi.org/10.7560/LAMR36202","url":null,"abstract":"Se analiza la dimensión discursiva de las canciones de las sociedades carnavalescas afroporteñas de la segunda mitad del siglo XIX a partir de la disputa de sentido de sus cultores. Tal sentido fue plasmado en la prensa afroporteña contemporánea y hace foco en qué estética suscribir, la cual puede entenderse como un campo de tensión tradición (africanía) versus modernidad (europeísmo). Denomino a esta modalidad estética de la (in)diferencia a fin de abogar por un equilibrio entre las perspectivas eurocentristas y las afrocentristas. Desde esta perspectiva, este estudio permite problematizar la emergencia de un nuevo sujeto histórico, el criollo, producto del mestizaje biológico-cultural que signó la occidentalización de América a partir de la intrusión europea.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"170 - 193"},"PeriodicalIF":0.1,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 7
Danza y devoción en el desierto: Obreros e indígenas en la fiesta de la Virgen del Carmen de La Tirana, Norte de Chile (siglo XX) 沙漠中的舞蹈和奉献:智利北部地拉那卡门圣母节上的工人和土著居民(20世纪)
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2015-11-11 DOI: 10.7560/LAMR36201
A. Araya, Paulo Lanas Castillo
{"title":"Danza y devoción en el desierto: Obreros e indígenas en la fiesta de la Virgen del Carmen de La Tirana, Norte de Chile (siglo XX)","authors":"A. Araya, Paulo Lanas Castillo","doi":"10.7560/LAMR36201","DOIUrl":"https://doi.org/10.7560/LAMR36201","url":null,"abstract":"Este artículo examina las prácticas devocionales de indígenas y obreros en el desierto de Atacama, quienes insertos en un escenario complejo de identidades nacionales, proletarización y secularización, se movilizan en sus actos entre la tradición y la modernidad. Buscando detenerse en las expresiones cúlticas, el trabajo profundiza las ceremonias de los obreros, quienes congregados ritualmente en la fiesta del Santuario de la Virgen del Carmen de La Tirana, reeditan una serie de performance de carácter religioso, donde la danza y la música permitieron durante el tiempo sagrado de la fiesta, alterar el duro trabajo en las oficinas salitreras del Tamarugal y atenuar el conflicto por las nacionalidades.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"145 - 169"},"PeriodicalIF":0.1,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339315","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
John Donald Robb’s Imperative to Collect: Toward an Archival Ethnography of the Robb Archive for Southwestern Music 约翰·唐纳德·罗伯收集的必要性:罗伯西南音乐档案的档案民族志
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2015-11-11 DOI: 10.7560/LAMR36204
Raquel Z. Rivera
{"title":"John Donald Robb’s Imperative to Collect: Toward an Archival Ethnography of the Robb Archive for Southwestern Music","authors":"Raquel Z. Rivera","doi":"10.7560/LAMR36204","DOIUrl":"https://doi.org/10.7560/LAMR36204","url":null,"abstract":"John Donald Robb (1892–1989) was a composer, music professor, and University of New Mexico administrator who for decades enthusiastically collected Southwestern folk music—in particular Spanish-language nuevo mexicano music. His correspondence as well as other archived documents provide fascinating glimpses into his methods of collecting music and establishing an archive. These glimpses, in turn, help us understand not only Robb and his overall oeuvre better but also, specifically, the way his music collection was assembled—a key endeavor since, as various scholars have argued, an archival collection’s degree of usefulness increases as users understand the way the archive was put together. This article is an exercise in “archival ethnography”: my aim is to explore and contextualize Robb as one individual involved in a wider academic culture of musical and cultural preservation through archival collections.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"231 - 258"},"PeriodicalIF":0.1,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Silvestre Revueltas’s Colorines vis-à-vis US Musical Modernisms: A Dialogue of the Deaf? 西尔维斯特·雷韦尔塔斯的《色彩之旅》-à-vis美国音乐现代主义:聋人的对话?
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2015-11-11 DOI: 10.7560/LAMR36203
Roberto Kolb-Neuhaus
{"title":"Silvestre Revueltas’s Colorines vis-à-vis US Musical Modernisms: A Dialogue of the Deaf?","authors":"Roberto Kolb-Neuhaus","doi":"10.7560/LAMR36203","DOIUrl":"https://doi.org/10.7560/LAMR36203","url":null,"abstract":"This article contrasts cultural hybridity in Colorines (1932), a musical collage by composer Silvestre Revueltas, with the exoticist or modernistic expectations implied or explicitly formulated in four articles about the Mexican composer by contemporary US composers Henry Cowell, Aaron Copland, Paul Bowles, and Virgil Thomson. Deeply ironic, Revueltas’s collage contests such expectations by musically embodying an ontological position of no-place regarding both essentialist discourses and precepts of modernity current in Mexico and the United States at the time.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"194 - 230"},"PeriodicalIF":0.1,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rupturas con las tradiciones musicales de la modernidad a través del mestizaje y lo real maravilloso: Una conversación con el compositor Paul Desenne 通过融合和奇妙的现实打破现代音乐传统:与作曲家保罗·德森的对话
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2015-05-08 DOI: 10.7560/LAMR36102
H. Hudde, Paul Desenne
{"title":"Rupturas con las tradiciones musicales de la modernidad a través del mestizaje y lo real maravilloso: Una conversación con el compositor Paul Desenne","authors":"H. Hudde, Paul Desenne","doi":"10.7560/LAMR36102","DOIUrl":"https://doi.org/10.7560/LAMR36102","url":null,"abstract":"Paul Desenne is a Latin American composer whose musical mestizaje is the essence of the richness and creativity behind his music. This conversation is an invitation to Paul Desenne to reflect more on the experiences and philosophies that have shaped his artistic life. From a composer’s point of view, Desenne shares his opinions about magical realism, his radio program Alzheimer, urban music, Latin American musics, the employment of humor in music, and postmodernism in some of his works.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"40 - 67"},"PeriodicalIF":0.1,"publicationDate":"2015-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR36102","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
¿Una nueva y gloriosa nación?: Retórica y subjetividad en la Marcha patriótica rioplatense de 1813 一个新的光荣的国家?: 1813年里奥普拉滕爱国游行中的修辞与主体性
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2015-05-08 DOI: 10.7560/LAMR36101
Bernardo Illari
{"title":"¿Una nueva y gloriosa nación?: Retórica y subjetividad en la Marcha patriótica rioplatense de 1813","authors":"Bernardo Illari","doi":"10.7560/LAMR36101","DOIUrl":"https://doi.org/10.7560/LAMR36101","url":null,"abstract":"Parera and López’s 1813 Patriotic March (present-day Argentine national anthem) did not represent a yet-to-be-produced nationality but constructed it. The March passed along Enlightenment ideals cherished by certain 1810 revolutionaries while also establishing value distinctions between Patriots and Royalists, and projecting a sense of “national” unity, centered in Buenos Aires, by means of Hispanic patriotic musical topics later than 1808. Most topics reinforce the poem, yet some seemingly contradict it. They thus open a window onto the subjectivity of a composer whose agreement with his work does not seem complete and whose positioning vis-à-vis the “new nation” of which he sings is ambivalent.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"1 - 39"},"PeriodicalIF":0.1,"publicationDate":"2015-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR36101","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Un peu de bonheur: Jocelyne Béroard and Her Lyrics about Love 一点点幸福:乔斯林beroard和她关于爱的歌词
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2015-05-08 DOI: 10.7560/LAMR36104
B. Berrian
{"title":"Un peu de bonheur: Jocelyne Béroard and Her Lyrics about Love","authors":"B. Berrian","doi":"10.7560/LAMR36104","DOIUrl":"https://doi.org/10.7560/LAMR36104","url":null,"abstract":"Jocelyne Béroard, member of Kassav’, is the first professional woman zouk singer from Martinique to compose and sing her own songs. For more than thirty years, she has expressed her thoughts about various notions of love that affect French Caribbean people in France and the islands of the Caribbean.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"115 - 94"},"PeriodicalIF":0.1,"publicationDate":"2015-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR36104","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Of Orchestras, Mythos, and the Idealization of Symphonic Practice: The Orquesta Sinfónica de Venezuela in the (Collateral) History of El Sistema 管弦乐队，神话和交响实践的理想化:Orquesta Sinfónica委内瑞拉在El Sistema(附属)历史
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2015-05-08 DOI: 10.7560/LAMR36103
L. Pedroza
{"title":"Of Orchestras, Mythos, and the Idealization of Symphonic Practice: The Orquesta Sinfónica de Venezuela in the (Collateral) History of El Sistema","authors":"L. Pedroza","doi":"10.7560/LAMR36103","DOIUrl":"https://doi.org/10.7560/LAMR36103","url":null,"abstract":"El Sistema defines itself as a “social organism of the Venezuelan State” whose goal is the “collective” instruction of music “through the symphonic orchestra and choir as instruments of social organization and communitarian development.” Historical accounts describe a revolutionary phenomenon whose main achievements since 1975 are the “democratization of music” and the “transformation of society.” These suprahistories under-state the pre-1975 musical panorama of the country and the role of the Orquesta Sinfónica de Venezuela as a forerunner of El Sistema. Closer scrutiny of these epic histories and the omitted ties to the legacy of the nationalist school indicates that El Sistema’s story relies on the idealization of symphonic practice as “universal” practice and on Abreu’s hyperidealization of the same as “transformative” tool.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"68 - 93"},"PeriodicalIF":0.1,"publicationDate":"2015-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR36103","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza, with Jonathan Clark and Chris Strachwitz (review) 阿胡利基金会的Strachwitz-Frontera墨西哥和墨西哥裔美国人录音集，作者Agustín Gurza，Jonathan Clark和Chris Strachwitz（评论）
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-12-18 DOI: 10.5860/choice.50-2410
Donald Henriques
{"title":"The Arhoolie Foundation’s Strachwitz Frontera Collection of Mexican and Mexican American Recordings by Agustín Gurza, with Jonathan Clark and Chris Strachwitz (review)","authors":"Donald Henriques","doi":"10.5860/choice.50-2410","DOIUrl":"https://doi.org/10.5860/choice.50-2410","url":null,"abstract":"","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"296 - 298"},"PeriodicalIF":0.1,"publicationDate":"2014-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71140062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“They’re Stealing Our Music”: The Argentinísima Controversy, National Culture Boundaries, and the Rise of a Bolivian Nationalist Discourse “他们偷走了我们的音乐”:Argentinísima争议、民族文化边界，以及玻利维亚民族主义话语的兴起
IF 0.1 3区 艺术学
LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA Pub Date : 2014-10-01 DOI: 10.7560/LAMR35202
Fernando Rios
{"title":"“They’re Stealing Our Music”: The Argentinísima Controversy, National Culture Boundaries, and the Rise of a Bolivian Nationalist Discourse","authors":"Fernando Rios","doi":"10.7560/LAMR35202","DOIUrl":"https://doi.org/10.7560/LAMR35202","url":null,"abstract":"The Bolivian perception that foreigners often misrepresent the true national origin of many local folkloric musical expressions has long been prevalent. This article examines the conditions within which that perception initially became widespread, by discussing the uproar that ensued in 1973 in response to Jaime Torres’s performance in the film Argentinísima. I argue that this Bolivian reaction was linked not only to local nationalist apprehensions over Argentine musical folklorists’ Andean-inspired repertoire but also to urban Bolivian musicians’ assimilation of Argentine folkloric-popular music practices. My goals are to offer a critical analysis of the Argentinísima controversy and to illuminate the historical context within which Bolivia’s presently ubiquitous nationalist discourse concerning transnational musical appropriation arose.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"35 1","pages":"197 - 227"},"PeriodicalIF":0.1,"publicationDate":"2014-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.7560/LAMR35202","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71339203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
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