{"title":"John Donald Robb’s Imperative to Collect: Toward an Archival Ethnography of the Robb Archive for Southwestern Music","authors":"Raquel Z. Rivera","doi":"10.7560/LAMR36204","DOIUrl":null,"url":null,"abstract":"John Donald Robb (1892–1989) was a composer, music professor, and University of New Mexico administrator who for decades enthusiastically collected Southwestern folk music—in particular Spanish-language nuevo mexicano music. His correspondence as well as other archived documents provide fascinating glimpses into his methods of collecting music and establishing an archive. These glimpses, in turn, help us understand not only Robb and his overall oeuvre better but also, specifically, the way his music collection was assembled—a key endeavor since, as various scholars have argued, an archival collection’s degree of usefulness increases as users understand the way the archive was put together. This article is an exercise in “archival ethnography”: my aim is to explore and contextualize Robb as one individual involved in a wider academic culture of musical and cultural preservation through archival collections.","PeriodicalId":41979,"journal":{"name":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","volume":"36 1","pages":"231 - 258"},"PeriodicalIF":0.1000,"publicationDate":"2015-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"LATIN AMERICAN MUSIC REVIEW-REVISTA DE MUSICA LATINOAMERICANA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/LAMR36204","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
John Donald Robb (1892–1989) was a composer, music professor, and University of New Mexico administrator who for decades enthusiastically collected Southwestern folk music—in particular Spanish-language nuevo mexicano music. His correspondence as well as other archived documents provide fascinating glimpses into his methods of collecting music and establishing an archive. These glimpses, in turn, help us understand not only Robb and his overall oeuvre better but also, specifically, the way his music collection was assembled—a key endeavor since, as various scholars have argued, an archival collection’s degree of usefulness increases as users understand the way the archive was put together. This article is an exercise in “archival ethnography”: my aim is to explore and contextualize Robb as one individual involved in a wider academic culture of musical and cultural preservation through archival collections.
约翰·唐纳德·罗伯(John Donald Robb, 1892-1989)是一位作曲家、音乐教授和新墨西哥大学的管理人员,几十年来他一直热衷于收集西南部的民间音乐,尤其是西班牙语的新墨西哥音乐。他的信件以及其他存档文件提供了他收集音乐和建立档案的方法的迷人一瞥。这些一瞥,反过来,不仅帮助我们更好地理解罗布和他的全部作品,而且,特别是,他的音乐收藏的组合方式——这是一个关键的努力,因为,正如许多学者所争论的那样,当用户理解档案的组合方式时,档案收藏的有用程度就会增加。这篇文章是一个“档案人种学”的练习:我的目的是通过档案收藏来探索和将罗布作为一个参与更广泛的音乐和文化保护学术文化的个体。