Antichthon最新文献_第4页

Egnatius the Epicurean: The Banalization of Philosophy in Catullus 伊壁鸠鲁学派的伊格内修斯:卡图卢斯的哲学平庸化

IF 0.2 3区历史学

Antichthon Pub Date : 2021-01-01 DOI: 10.1017/ann.2021.3

James Uden

引用次数: 1

Shameful Kisses: A History of the Reception – and Rejection – of Homoeroticism in Catullus 可耻的吻:卡图卢斯对同性恋的接受与拒绝的历史

IF 0.2 3区历史学

Antichthon Pub Date : 2021-01-01 DOI: 10.1017/ann.2021.6

Maxine Lewis, Christina Robertson

{"title":"Shameful Kisses: A History of the Reception – and Rejection – of Homoeroticism in Catullus","authors":"Maxine Lewis, Christina Robertson","doi":"10.1017/ann.2021.6","DOIUrl":"https://doi.org/10.1017/ann.2021.6","url":null,"abstract":"Abstract The history of Catullus’ reception has been one of exclusion as much as inclusion. Since the seventeenth century, many Anglophone writers have used Catullus as inspiration for their translations, poetic adaptations, and novels. A great deal of these works occluded the role that male homoeroticism played in the Latin poems, especially by omitting Catullus’ male love object, Juventius. Writers have employed various techniques to deal with Catullus’ ‘problematic’ pagan mores: choosing to ignore the suite of poems associated with homoeroticism (for example, Wilder 1948); bowdlerising homoerotic language (such as Nott 1795, Cranstoun 1867, and Macnaghten 1899); and performing ‘gender swaps’ to portray male-male relationships as male-female (a technique employed to memorable effect by de La Chapelle in 1680, and later by Lamb in 1821). Excision of whole poems or bowdlerisation of obscene terms was also often used to deal with Catullus’ depictions of male-on-male sexual violence, a topic regularly entwined with the gentler homoerotic content. This article surveys, analyses, and explains this aspect of Catullus’ reception in English from 1659–1915.","PeriodicalId":41516,"journal":{"name":"Antichthon","volume":"55 1","pages":"172 - 193"},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56966881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Conquering Ida: An Ecofeminist Reading of Catullus’ Poem 63 征服艾达:卡图卢斯诗歌的生态女性主义解读

IF 0.2 3区历史学

Antichthon Pub Date : 2021-01-01 DOI: 10.1017/ann.2021.5

Leah O'Hearn

{"title":"Conquering Ida: An Ecofeminist Reading of Catullus’ Poem 63","authors":"Leah O'Hearn","doi":"10.1017/ann.2021.5","DOIUrl":"https://doi.org/10.1017/ann.2021.5","url":null,"abstract":"Abstract Many have recognised poem 63 as a study in contrasts – light versus darkness, masculine versus feminine, rationality versus madness, animal versus human, culture versus nature. Caught between these polarities is the figure of Attis, removed from everything bright, male, sane, human, and civilised by one impassioned act. The poem suggests that it is partly the nature of the place, its quasi-Hippocratic airs, waters, and places, that emasculates Attis, making him like a notha mulier, iuvenca, and famula. This article will use ecofeminist theory – in particular, Val Plumwood's Feminism and the Mastery of Nature – to investigate the logic of domination running between the poem's polarities and to show how a foreign ‘Eastern’ wilderness effeminises Greek Attis. Moreover, it will be shown that the characterisation of Attis and the galli as a dux and his comites associates the story with the Roman imperial endeavour, suggesting that we can read the poem alongside others that portray conquest (11, 29) and the experience of young men abroad on provincial cohorts (10, 28, 47). In this way, Catullus implies that the imperial project is also made weak and feminine by its very contact with foreign places.","PeriodicalId":41516,"journal":{"name":"Antichthon","volume":"1198 1","pages":"116 - 135"},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56966560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Masculine Redemption in Carl Orff's Catulli Carmina (1943) 卡尔·奥尔夫《卡图利·卡米纳》中的男性救赎

IF 0.2 3区历史学

Antichthon Pub Date : 2021-01-01 DOI: 10.1017/ann.2021.9

J. Wallis

引用次数: 0

Dismembering Cominius: Political Violence and Iambic Aggression in Catullus 108 肢解科米纽斯:卡图卢斯的政治暴力和抑扬格人的侵略108

IF 0.2 3区历史学

Antichthon Pub Date : 2021-01-01 DOI: 10.1017/ann.2021.4

Robert Cowan

{"title":"Dismembering Cominius: Political Violence and Iambic Aggression in Catullus 108","authors":"Robert Cowan","doi":"10.1017/ann.2021.4","DOIUrl":"https://doi.org/10.1017/ann.2021.4","url":null,"abstract":"Abstract Carmen 108 is one of the most neglected and unloved in the Catullan corpus. When it is mentioned in scholarship, it is either as a distastefully extreme instance of iambic invective or the object of a prosopographical exercise in identifying the addressee, Cominius. Gnilka alone has tried to situate it in the context of late Republican political violence, in particularly public lynching. Instead of isolating these two aspects of the poem from each other, this article argues that c. 108 is a self-conscious exploration of the interaction between poetic form and hors-texte. The terms of the invective situate it firmly within the tradition of Archilochean and Hipponactean iambos and it may even allude directly to a fragment of the latter. Yet the threats of violence are transformed when recontextualized within the world of the late Republic, where such literary violence was very much a reality. The poem performs a symbolic dismemberment of Cominius’ body, but one that cannot be safely separated from acts of mob violence in the period. The pragmatics of Catullan iambos explores the limits of verbal violence as speech-act and the point at which hate-speech becomes indistinguishable from the violence it incites.","PeriodicalId":41516,"journal":{"name":"Antichthon","volume":"55 1","pages":"53 - 73"},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56966487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Catullus’ Fantastical Memories – Poem 68 and Writing Trauma 卡图卢斯的梦幻回忆——第68首诗与写作创伤

IF 0.2 3区历史学

Antichthon Pub Date : 2021-01-01 DOI: 10.1017/ann.2021.8

Marguerite Johnson

引用次数: 0

Catullus’ Priapean Poem (c. 17) 卡图卢斯的Priapean诗(约17年)

IF 0.2 3区历史学

Antichthon Pub Date : 2021-01-01 DOI: 10.1017/ann.2021.10

Lindsay C. Watson

引用次数: 0

Virgil and the Conquest of Chaos 维吉尔与混沌的征服

IF 0.2 3区历史学

Antichthon Pub Date : 2020-10-27 DOI: 10.1017/S0066477400004627

N. Horsfall

引用次数: 35

Women and Genre in Calpurnius Siculus’ Eclogues Calpurnius Siculus牧歌中的女性与体裁

IF 0.2 3区历史学

Antichthon Pub Date : 2020-01-01 DOI: 10.1017/ann.2020.3

George C. Paraskeviotis

{"title":"Women and Genre in Calpurnius Siculus’ Eclogues","authors":"George C. Paraskeviotis","doi":"10.1017/ann.2020.3","DOIUrl":"https://doi.org/10.1017/ann.2020.3","url":null,"abstract":"Abstract This article aims to examine the ways in which the Calpurnian text converses with the earlier pastoral tradition focusing on the women identified in the collection. Leaving aside the mythical female figures who are also traced in the collection (e.g. Pales and Venus), this study focuses on all the female characters mentioned by male figures, trying to show that women in the Eclogues, among other elements (such as subjects, motifs, intertexts, language and style), constitute a significant means by which Calpurnius shows originality and generic evolution. It is argued that the female characters in Calpurnian pastoral are the erotic objects of the herdsmen and the recipients of their songs and in that sense they recall the pastoral tradition (Greek and Roman) that Calpurnius inherited. What is more, they are central metapoetic elements which show Calpurnius’ metaliterary engagement with gender in a collection that stresses the originality of the Neronian pastoral. Most importantly, however, they incorporate features and elements from other literary genres (mostly from Roman comedy and love elegy) and in that sense they constitute a significant means by which Calpurnius maintains the generic tensions employed by his literary antecedents (i.e. Vergil) and broadens the limits of pastoral.","PeriodicalId":41516,"journal":{"name":"Antichthon","volume":"43 1","pages":"103 - 126"},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/ann.2020.3","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"56966660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cherchez la femme? Fadia in Plutarch's Life of Antony 在找那个女人?《安东尼的普鲁塔克生活》中的法迪亚

IF 0.2 3区历史学

Antichthon Pub Date : 2020-01-01 DOI: 10.1017/ann.2020.1

W. Tatum

引用次数: 0