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SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies最新文献

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English travelers in early modern Cyprus: Piety, commerce and anti-Ottoman sentiment 近代早期塞浦路斯的英国旅行者:虔诚、商业和反奥斯曼情绪
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2021-01-01 DOI: 10.34136/sederi.2021.5
José Ruiz Mas
{"title":"English travelers in early modern Cyprus: Piety, commerce and anti-Ottoman sentiment","authors":"José Ruiz Mas","doi":"10.34136/sederi.2021.5","DOIUrl":"https://doi.org/10.34136/sederi.2021.5","url":null,"abstract":"English travelers in Lusignan and Venetian Cyprus saw the island as the last obligatory stop on their maritime pilgrimage route to the Holy Land. After the Ottoman conquest of Cyprus (1571) the island was visited almost exclusively by English merchants on the lookout for the construction of factories on Eastern Mediterranean shores. They were attracted by Cyprus’s famed fertility and by the abundance of much-valued products to trade with. In the sixteenth and seventeenth centuries English traders were nevertheless issued with warnings by English travel accounts. These dealt with the danger of over-trusting the paradise-like prospects of the island and remaining there for good, with the subsequent risk of “turning Turk.” In order to discourage English travelers and residents from becoming renegades in Cyprus, travel accounts included abundant morbid information on the brutal repression applied by the Great Turk upon Cypriot cities in the Wars of Cyprus and upon other anti-Ottoman Christian insurrections.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"115 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77986335","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Truth and Wonder in Richard Head’s Geographical Fictions 理查德·黑德地理小说中的真理与奇迹
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2020-12-01 DOI: 10.34136/sederi.2020.6
Sonia Villegas López
{"title":"Truth and Wonder in Richard Head’s Geographical Fictions","authors":"Sonia Villegas López","doi":"10.34136/sederi.2020.6","DOIUrl":"https://doi.org/10.34136/sederi.2020.6","url":null,"abstract":"In line with the method prescribed by members of the Royal Society for natural history and travel writing, Richard Head explored the limits of verisimilitude associated with geographical discourse in his three fictions The Floating Island (1673), The Western Wonder (1674) and O-Brazile (1675). In them he argues in favor of the existence of the mysterious Brazile island and uses the factual discourse of the travel diarist to present a semi-mythical place whose very notion stretches the limits of believability. In line with recent critical interpretations of late seventeenth-century fiction as deceptive, and setting the reading of Head’s narrations in connection with other types of travel writing, I argue that Head’s fictions are a means of testing the readers’ gullibility at a time when the status of prose, both fictional and non-fictional, is subject to debate.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"3 1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78091116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Representing Creation, Experiencing the Sublime: The Longinian Tradition in Tasso and Milton 代表创造，体验崇高:塔索与弥尔顿的朗吉尼传统
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2020-01-01 DOI: 10.34136/sederi.2020.4
I. Montori
{"title":"Representing Creation, Experiencing the Sublime: The Longinian Tradition in Tasso and Milton","authors":"I. Montori","doi":"10.34136/sederi.2020.4","DOIUrl":"https://doi.org/10.34136/sederi.2020.4","url":null,"abstract":"This essay aims to demonstrate how Tasso and Milton were conscious of the Longinian tradition and aware of fashioning a poetry of the sublime when rewriting the story of creation. The author of Il mondo creato incorporates the Longinian model of sublime ekstasis into his concept of meraviglia to construct his own poetics of artistic creation. Despite Milton’s indebtedness to Tasso, in Paradise Lost the English poet distances himself from a full commitment to Longinian ekstasis and locates the sublime in a more dialogical, if not dialectical, compositional model of poetic creation. From a broader perspective, this paper aims to illustrate the centrality of the sublime in fashioning early modern literary poetics.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"10 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76376284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Secrets of Alexis in Glasgow University Library MS Ferguson 7 格拉斯哥大学图书馆亚历克西斯的秘密
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2020-01-01 DOI: 10.34136/sederi.2020.2
I. D. L. Cruz-Cabanillas
{"title":"The Secrets of Alexis in Glasgow University Library MS Ferguson 7","authors":"I. D. L. Cruz-Cabanillas","doi":"10.34136/sederi.2020.2","DOIUrl":"https://doi.org/10.34136/sederi.2020.2","url":null,"abstract":"This article deals with a handwritten, hitherto unexplored copy of a printed text, The Secrets of Reverend Alexis of Piedmont, held in Glasgow University Library, MS Ferguson 7, which dates to 1565. The manuscript includes a collection of secrets by an anonymous compiler from the English translation of De’ Secreti del reverendo donno Alessio de Piemontese, a highly popular book of secrets published in Venice in 1555 and immediately rendered into other languages, including English. The handwritten compilation proves to be a dynamic artifact which is personalized to suit the compiler’s needs and ultimately becomes an independent new product. KEYWORDS: early modern manuscript studies; Books of Secrets; MS Ferguson 7; Secrets of Alexis of Piedmont; Girolamo Ruscelli; William Warde.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"33 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82152370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The limner’s art in Shakespeare’s Macbeth 莎士比亚《麦克白》中的绘画艺术
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2019-01-01 DOI: 10.34136/sederi.2019.3
Sophie Chiari
{"title":"The limner’s art in Shakespeare’s Macbeth","authors":"Sophie Chiari","doi":"10.34136/sederi.2019.3","DOIUrl":"https://doi.org/10.34136/sederi.2019.3","url":null,"abstract":"Macbeth is a graphic work whose visual rhetoric mirrors the outside atmosphere of the Scottish heath and the inner psyche of the titular characters. This article explores the early modern visual praxis in Macbeth in connection with the art of limning to show that, against a dark background symbolizing evil, the playwright uses golden and gaudy hues as a mirror reflecting Macbeth’s perturbed mind. Eventually, the colour spots in the play are “diapered over” by the white fog of the Scottish heath. Shakespeare thus resorts to specific colour codes in order to create a visual symphony where “foul” becomes “fair.”","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"20 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74250999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ovid’s urban metamorphosis 奥维德的城市蜕变
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2019-01-01 DOI: 10.34136/sederi.2019.4
C. Hulse
{"title":"Ovid’s urban metamorphosis","authors":"C. Hulse","doi":"10.34136/sederi.2019.4","DOIUrl":"https://doi.org/10.34136/sederi.2019.4","url":null,"abstract":"In Book XV of Ovid’s Metamorphoses, Pythagoras meditates on the rise and fall of cities and foresees that the survival of Rome requires turning from war to the “arts of peace.” Once ancient Rome has fallen, its urban imagery hybridizes with a Biblical counter-imagery in which God wills the ruination of Rome and other centers of wickedness. Through this Ovidian/Pythagorean lens, this essay then examines how Spenser confronts the fall and rise and possible fall again of early modern London, with glances also at Shakespeare and Dryden. This Ovidian model creates challenges of identity, belief, and ethical obligation that result in an “outward turn” of the theme of metamorphosis toward its social boundary.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"26 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91278146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
William Forrest: Poetry, politics, script and power 威廉·福雷斯特:诗歌、政治、剧本和权力
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2019-01-01 DOI: 10.34136/sederi.2019.7
A. Edwards
{"title":"William Forrest: Poetry, politics, script and power","authors":"A. Edwards","doi":"10.34136/sederi.2019.7","DOIUrl":"https://doi.org/10.34136/sederi.2019.7","url":null,"abstract":"This article examines the poetic and scribal activities of the sixteenth-century poet and scribe William Forrest. Forrest’s works survive in a number of manuscripts that he prepared himself, some for presentation to specific individuals, some for less definable purposes. The article assesses his achievements as a scribe and manuscript producer over several decades.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"88 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81265911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The blurring of genus, genre, and gender in Margaret Cavendish’s utopias 玛格丽特·卡文迪什乌托邦中属、体裁和性别的模糊
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2019-01-01 DOI: 10.34136/sederi.2019.2
Delilah Bermudez Brataas
{"title":"The blurring of genus, genre, and gender in Margaret Cavendish’s utopias","authors":"Delilah Bermudez Brataas","doi":"10.34136/sederi.2019.2","DOIUrl":"https://doi.org/10.34136/sederi.2019.2","url":null,"abstract":"The Blazing World was the first utopia in English written by a woman, and likely, the first science fiction text in English. Yet it was not Margaret Cavendish’s only utopic text. The separatist spaces of her plays, and the virtual communities of her epistolary collections, were earlier utopias that contributed to her construction of Blazing World. Cavendish established the characteristics of utopian literature through the transgression of categories and hybridity. I consider her blurring of genus, genre and gender in two of her utopic texts, Sociable Letters and Blazing World, and her strategic development of the blurring of these categories.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"95 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85718499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare's stage 窒息的母亲，被刺的姐妹，溺死的女儿:莎翁舞台上的女性选择死亡
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2019-01-01 DOI: 10.34136/sederi.2019.5
Elizabeth Mazzola
{"title":"Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare's stage","authors":"Elizabeth Mazzola","doi":"10.34136/sederi.2019.5","DOIUrl":"https://doi.org/10.34136/sederi.2019.5","url":null,"abstract":"Women who choose death on Shakespeare’s stage often overturn ideas about tragedy as well as challenge the politics which establish which lives are worth sacrificing and which ones are not. Radically altering the relation between bios and zoe, female suicides collapse the divisions between things that grow, breathe, and love, and those things that block such living. In this essay, I draw on thinking about biopolitics along with feminist readings of Shakespeare in order to explore how characters like Goneril, Gertrude, and Juliet refuse the rules which determine how women’s blood must flow or be shed.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87505829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation 列斯科夫对《麦克白夫人》的改写及改编与挪用过程
IF 0.2 3区 社会学
SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2019-01-01 DOI: 10.34136/sederi.2019.1
Manel Bellmunt-Serrano
{"title":"Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation","authors":"Manel Bellmunt-Serrano","doi":"10.34136/sederi.2019.1","DOIUrl":"https://doi.org/10.34136/sederi.2019.1","url":null,"abstract":"This article tries to provide a thorough analysis of Nikolai Leskov’s rewriting of Lady Macbeth, the Shakespearean character, in the novella Lady Macbeth of the Mtsensk District, from the perspective of Translation and Adaptation Studies. The focus will be placed on the ideology of the author who, with full knowledge, rewrites a previous work to adapt it to a specific context. Apart from Leskov’s work, attention will be also paid to two of its subsequent adaptations: Dmitri Shostakovich’s homonymous opera and William Oldroyd’s filmic version, Lady Macbeth. Finally, the importance of these processes for the development of target literary systems will be discussed and emphasized.","PeriodicalId":41004,"journal":{"name":"SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies","volume":"139 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79950818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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