代表创造，体验崇高:塔索与弥尔顿的朗吉尼传统

IF 0.1 3区社会学 0 LITERATURE, BRITISH ISLES

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Pub Date : 2020-01-01 DOI:10.34136/sederi.2020.4

I. Montori

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引用次数: 0

摘要

这篇文章旨在证明塔索和弥尔顿是如何意识到Longinian传统，并意识到在重写创世故事时塑造了一首崇高的诗歌。《创造的世界》的作者将朗尼安的崇高超然模式融入到他的meraviglia概念中，构建了自己的艺术创作诗学。尽管弥尔顿亏欠塔索，但在《失乐园》中，这位英国诗人远离了对朗吉尼式宁静的完全承诺，并将崇高定位于一种更对话的，如果不是辩证的，诗歌创作的构图模式。本文旨在从更广阔的视角阐释崇高在塑造早期现代文学诗学中的中心地位。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Representing Creation, Experiencing the Sublime: The Longinian Tradition in Tasso and Milton

This essay aims to demonstrate how Tasso and Milton were conscious of the Longinian tradition and aware of fashioning a poetry of the sublime when rewriting the story of creation. The author of Il mondo creato incorporates the Longinian model of sublime ekstasis into his concept of meraviglia to construct his own poetics of artistic creation. Despite Milton’s indebtedness to Tasso, in Paradise Lost the English poet distances himself from a full commitment to Longinian ekstasis and locates the sublime in a more dialogical, if not dialectical, compositional model of poetic creation. From a broader perspective, this paper aims to illustrate the centrality of the sublime in fashioning early modern literary poetics.

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来源期刊

SEDERI-Yearbook of the Spanish and Portuguese Society for English Renaissance Studies Multiple-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.