莎士比亚《麦克白》中的绘画艺术

IF 0.1 3区 社会学 0 LITERATURE, BRITISH ISLES
Sophie Chiari
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引用次数: 0

摘要

《麦克白》是一部图形化的作品,其视觉修辞反映了苏格兰荒原的外部氛围和名义人物的内在心理。本文探讨了《麦克白》中早期的现代视觉实践,并结合线条艺术来说明,在象征邪恶的黑暗背景下,剧作家用金色和艳丽的色调作为一面镜子,反映了麦克白不安的心灵。最后,剧中的色斑被苏格兰荒原的白雾“覆盖”了。因此,莎士比亚诉诸于特定的颜色代码,以创造一种视觉交响乐,其中“肮脏”变成了“公平”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The limner’s art in Shakespeare’s Macbeth
Macbeth is a graphic work whose visual rhetoric mirrors the outside atmosphere of the Scottish heath and the inner psyche of the titular characters. This article explores the early modern visual praxis in Macbeth in connection with the art of limning to show that, against a dark background symbolizing evil, the playwright uses golden and gaudy hues as a mirror reflecting Macbeth’s perturbed mind. Eventually, the colour spots in the play are “diapered over” by the white fog of the Scottish heath. Shakespeare thus resorts to specific colour codes in order to create a visual symphony where “foul” becomes “fair.”
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: SEDERI, Yearbook of the Spanish and Portuguese Society for English Renaissance Studies, is an annual open-access publication devoted to current criticism and scholarship on English Renaissance Studies. It is peer-reviewed by external referees, following a double-blind policy.
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