Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism最新文献_第7页

Perspectivas múltiples del conflicto paramilitar en dos novelas colombianas recientes: Viaje al interior de una gota de Sangre (2011) de Daniel Ferreira y El espantapájaros de Ricardo Silva Romero (2012) 哥伦比亚最近两部小说中准军事冲突的多重视角：丹尼尔·费雷拉的《一滴血的内心之旅》（2011年）和里卡多·席尔瓦·罗梅罗的《稻草人》（2012年）

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.486

I. Urgelles, Danilo Santos

{"title":"Perspectivas múltiples del conflicto paramilitar en dos novelas colombianas recientes: Viaje al interior de una gota de Sangre (2011) de Daniel Ferreira y El espantapájaros de Ricardo Silva Romero (2012)","authors":"I. Urgelles, Danilo Santos","doi":"10.5195/ct/2020.486","DOIUrl":"https://doi.org/10.5195/ct/2020.486","url":null,"abstract":"In this article we explore the paramilitary representation as a form of narrative violence of the so-called Internal Armed Conflict in Colombia in two XXI century novels: Viaje al interior de una gota de Sangre (2011) by Daniel Ferreira and El espantapajaros by Ricardo Silva Romero (2012). Both texts tell about the massacre of peoples, with the indiscriminate extermination of men, women, children and elderly men and women. The stories are articulated from multiple perspectives, which include both the victims and the murderers as enunciators. This swarm of voices establishes a connection with the massacre as an experience of collective extermination in which perspectivism allows for the inclusion of victimizing masculinities, particularly the paramilitary group. This article seeks to highlight the ‘literarized” element from multiperspectivism by which these Colombian novelists face the disaster of the massacre, providing an implicit reading of ideological evaluation to the saturated explicitness of the literary procedure.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"8 1","pages":"121-147"},"PeriodicalIF":0.0,"publicationDate":"2021-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46282038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

De masculinidades, distorsiones y fracturas. Una mirada a tres obras de dramaturgas colombianas 男性气概，扭曲和骨折。哥伦比亚女剧作家的三部作品

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.471

Karen Michell Cabezas Sarmiento

引用次数: 0

Del sonido del Pueblo a los ecos del pasado. Las versiones de La pasión según Trelew, de Tomás Eloy Martínez (1973-2009) 从村庄的声音到过去的回声。《Trelew的激情》，tomas Eloy martinez (1973-2009)

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.483

Victoria García

{"title":"Del sonido del Pueblo a los ecos del pasado. Las versiones de La pasión según Trelew, de Tomás Eloy Martínez (1973-2009)","authors":"Victoria García","doi":"10.5195/ct/2020.483","DOIUrl":"https://doi.org/10.5195/ct/2020.483","url":null,"abstract":"La pasión según Trelew occupies a paradoxical place in the work of Tomás Eloy Martínez. On the one hand, it is the book that changed the author's life, as he himself has described it, and the only one whose writing process went through practically all the stages of his literary work: it originally appeared in 1973 and was re-edited in 1997 and 2009, each time with textual variations introduced by the author. On the other hand, the book seems to constitute the crystallization of a concept of writing, based on trust in absolutes and on the militant confrontation between the true and the false, from which the writer sought to distance himself in later on his career. In this article, we propose to analyze the way in which this displacement is reflected in the different versions of the book. We will see that the versions of 1997 and 2009 tend to dilute the confrontation between truth and falsehood that initially shaped the account of the events that took place in Trelew in 1972. Likewise, the rewritings detract from the People's role as a collective subject that provided the basis for the confrontation between truth and lie that organized the text.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70729134","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pilar Quintana y Melba Escobar. Disensos y consensos en las novelas La perra (2017) y La mujer que hablaba sola (2019). 皮拉尔·昆塔纳和梅尔巴·埃斯科瓦尔。小说《La perra》(2017)和《La mujer que hablar sola》(2019)中的异议和共识。

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.489

Janneth Español Casallas

引用次数: 0

Recepción de series sobre narcotráfico en México 接收墨西哥贩毒系列

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.449

Ainhoa Montserrat Vásquez Mejías

引用次数: 1

Reseña. Ramiro Zó. El corazón de la escritura: la novela latinoamericana. Mendoza: Facultad de Filosofía y Letras de la Universidad Nacional de Cuyo, 2019 回顾。Ramiro Zó。《写作的心脏:拉丁美洲小说》。门多萨:Cuyo国立大学哲学与文学学院，2019年

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.452

V. Torres

引用次数: 0

Reseña. Carlos Aguasaco. The New York City Subway Poems/Poemas del metro de Nueva York. Ashland Poetry Press, 2020 回顾。卡洛斯·阿瓜萨科。纽约市地铁诗歌/纽约地铁诗歌。阿什兰诗歌出版社，2020年

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.470

Priscilla Gac-Artigas

引用次数: 0

El nombre propio como modulador de vínculos sexo-afectivos y genealógicos en las novelas de Armonía Somers: una poética de la suplementariedad nominal 在和谐的萨默斯小说中，专有名称作为性别情感和谱系联系的调节器:名义补充的诗学

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.453

Ulla Szaszak Bongartz

{"title":"El nombre propio como modulador de vínculos sexo-afectivos y genealógicos en las novelas de Armonía Somers: una poética de la suplementariedad nominal","authors":"Ulla Szaszak Bongartz","doi":"10.5195/ct/2020.453","DOIUrl":"https://doi.org/10.5195/ct/2020.453","url":null,"abstract":"This article explore the potential of the proper name as a contingent identity modulator in the Uruguayan author Armonia Somers’ novels, and, specifically, of nominal supplementarity (the act of twisting, overprinting, displacing or substituting sometimes momentarily the \"original\" or \"legal\" name of the characters for another(s), as a form of nominal drift). This operation is presented as a producer of subjective transformations of the characters, as verified in certain areas of Latin American literary discourse in the 20th century. Among these are three novels by Somers: The naked woman (1950), Solo los elefantes encuentran mandragora (1986) and Viaje al corazon del dia: elegia por un secreto amor (1986), which participate in this nominal poetics. In these texts, the nominal displacements cause the reconfiguration or even an inauguration of new forms of relationship between the characters. So the use of this thematic, structural, and subjective resource exceeds the mere change of nomenclature and reveals itself as a pole of subjective and intersubjective production.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"8 1","pages":"356-394"},"PeriodicalIF":0.0,"publicationDate":"2021-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47586252","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Silencios y repeticiones de la violencia en Colombia. La novela histórica como ontología crítica del presente 哥伦比亚的沉默和暴力的重复。历史小说是对当下的批判本体论

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.472

Jorge Enrique Blanco García

引用次数: 0

Giro rural y memorias del conflicto armado en la novela colombiana del siglo XXI 21世纪哥伦比亚小说中的乡村转折与武装冲突记忆

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2021-01-05 DOI: 10.5195/ct/2020.479

Sebastián Saldarriaga Gutiérrez

引用次数: 1