Pilar Quintana y Melba Escobar. Disensos y consensos en las novelas La perra (2017) y La mujer que hablaba sola (2019).

Abstract

The poetics of Pilar Quintana (1972) and Melba Escobar (1976) place the reader in a recognizable space and time: they are rooted in regions of Colombia and in contemporary social problems. Both authors are interested in creating the aesthetics of their fiction by focusing on the point of view of women and their differentiation on the social scale for reasons of race and class. However, we affirm that the ethical-esthetic proposal of each of the authors is very different and that each of them sets up a particular way of understanding violence and the role of women in social conflicts. Going to ideas and concepts derived from feminism, this article aims to expose the affinities and differences between the poetics of each of the authors and interpret the dissents (Ranciere) or ways in which each of them reconfigures in his work of fiction hierarchies, frames of references, forms of interpretation or traditional representations of women.