{"title":"接收墨西哥贩毒系列","authors":"Ainhoa Montserrat Vásquez Mejías","doi":"10.5195/ct/2020.449","DOIUrl":null,"url":null,"abstract":"TV series on drug trafficking have been subject of debate due their contents; however, there are no studies about the Mexican audience's reception of them. This qualitative research seeks to know the opinion of the Mexican youth regarding this type of series. It is concluded that viewers receive entertainment and information bonuses, while also infringing criticism on governmental institutions.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2021-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Recepción de series sobre narcotráfico en México\",\"authors\":\"Ainhoa Montserrat Vásquez Mejías\",\"doi\":\"10.5195/ct/2020.449\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"TV series on drug trafficking have been subject of debate due their contents; however, there are no studies about the Mexican audience's reception of them. This qualitative research seeks to know the opinion of the Mexican youth regarding this type of series. It is concluded that viewers receive entertainment and information bonuses, while also infringing criticism on governmental institutions.\",\"PeriodicalId\":40660,\"journal\":{\"name\":\"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-01-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/ct/2020.449\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/ct/2020.449","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
TV series on drug trafficking have been subject of debate due their contents; however, there are no studies about the Mexican audience's reception of them. This qualitative research seeks to know the opinion of the Mexican youth regarding this type of series. It is concluded that viewers receive entertainment and information bonuses, while also infringing criticism on governmental institutions.