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Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism最新文献

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Roberto Arlt, un “cronista universal”
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.377
P. Cimadevilla
{"title":"Roberto Arlt, un “cronista universal”","authors":"P. Cimadevilla","doi":"10.5195/ct/2019.377","DOIUrl":"https://doi.org/10.5195/ct/2019.377","url":null,"abstract":"El articulo explora como la columna que Roberto Arlt configuro en 1937, luego de su viaje como corresponsal por Espana y Africa, funciona dentro de El Mundo como una suerte de “bisagra” que conecta el material informativo de la seccion cablegrafica (centrado en las novedades belicas del momento) con las notas literarias que se publicaban en la pagina seis, convirtiendo asi al autor de las afamadas “Aguafuertes portenas” en un “cronista universal”. Se analiza el modo en que el trabajo de Arlt se vincula tanto con las producciones estilizadas de algunos escritores reconocidos que publicaban “al margen” de la seccion de noticias, asi como tambien con las notas de ciertos corresponsales que enviaban sus impresiones sobre la guerra desde los frentes de batalla.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"202-2228"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43518803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La mirada borrosa: poéticas del desenfoque y visiones oblicuas en la narrativa hispánica contemporánea 模糊的目光：当代西班牙裔叙事中的模糊和斜视角诗学
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.408
Marta Pascua Canelo
{"title":"La mirada borrosa: poéticas del desenfoque y visiones oblicuas en la narrativa hispánica contemporánea","authors":"Marta Pascua Canelo","doi":"10.5195/ct/2019.408","DOIUrl":"https://doi.org/10.5195/ct/2019.408","url":null,"abstract":"The sense of sight has been established as the preferred cognitive model in our culture; however, ?what happens when the visual order seems to be fallible?, ?what implications and meanings acquires the presence of some eye diseases that generate defective views in the most recent narrative? This paper addresses, from the perspective of gender and cultural studies, the work of several Latin American female writers who have articulated in their narrative different optical disorders as myopia, strabismus or diplopia. From this approach, it is pretended to demonstrate that the repeated presence of eye diseases has configured a literary motive which is directly related to the emergence of a new aesthetic positioning. The deficient visions are discovered, nowadays, as the manifestation of a different look that was required from the female discourse to be against the ocularcentric and male regime.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"178-201"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46777296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Desacralizando el espacio de lo narrable: (pos)memoria, autoficción y mercado editorial en Los topos y 76 de Félix Bruzzone 淡化可叙述的空间：（POS）费利克斯·布鲁佐内的《鼹鼠》和《76》中的记忆、自我小说和出版市场
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.406
Jonatán Martín Gómez
{"title":"Desacralizando el espacio de lo narrable: (pos)memoria, autoficción y mercado editorial en Los topos y 76 de Félix Bruzzone","authors":"Jonatán Martín Gómez","doi":"10.5195/ct/2019.406","DOIUrl":"https://doi.org/10.5195/ct/2019.406","url":null,"abstract":"El objetivo de este articulo es presentar la novela Los topos y el libro de relatos 76 de Felix Bruzzone como los textos que inician un nuevo espacio narrativo publico donde la generacion de los hijos de los desaparecidos articulan su propia perspectiva sobre el trauma en Argentina. Propongo una lectura doble de ese nuevo espacio a partir de estos dos textos: primero, realizo un analisis de la reconfiguracion del campo literario argentino despues de 2001 y como el caso de Bruzzone, con un transito organicamente fluido entre circuitos editoriales independientes y comerciales y locales e internacionales, abre el camino para otros autores posteriores con un posicionamiento estetico e ideologico similar; posteriormente, analizo en detalle como Bruzzone propone desacralizar el espacio de lo narrable desde la parodia e incluso el dialogo con generos como el policial y el fantastico, y el uso de la autoficcion como mecanismo para subvertir los limites de la realidad y la ficcion y negar la posibilidad de construir representaciones absolutas. Ademas, argumento que el objetivo de estas dos obras es crear una linea continua entre la represion y las desapariciones de la dictadura y la violencia del presente.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"75-109"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43914256","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gothic Childbearing, Monstrous Reproduction, and a Science Fiction Turn: Rosario Ferré’s “La muñeca menor” and Pedro Cabiya’s “Relato del piloto” 哥特式的生育、怪异的生育和科幻的转向:罗萨里奥·费雷尔的《muñeca男人》和佩德罗·卡比亚的《飞行员的关系》
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.414
D. Rivera
{"title":"Gothic Childbearing, Monstrous Reproduction, and a Science Fiction Turn: Rosario Ferré’s “La muñeca menor” and Pedro Cabiya’s “Relato del piloto”","authors":"D. Rivera","doi":"10.5195/ct/2019.414","DOIUrl":"https://doi.org/10.5195/ct/2019.414","url":null,"abstract":"The thirty years between the 1972 publication of Rosario Ferre’s short story “La muneca menor” and Pedro Cabiya’s 2003 novella “Relato del piloto que dijo adios con la mano” span the cultural, political, and economic “shift” from a “regulatory state” to a neoliberal global order that, per Rebekah Sheldon’s analysis, has articulated and contextualized similar contrasting takes on biological and material reproduction. Focusing on their transformed imaginary of “monstrous” reproduction, I explore in this paper how the texts’ Gothic and SF modalizations refract local conditions as well as critical elements of that shift, full of increasingly urgent and extreme consequences in Puerto Rico, and even farther afield.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"281-326"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48400928","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contornos de la memoria y textura del olvido en Tierra y tiempo (2015) de Juan José Morosoli Juan jose Morosoli的《Tierra y tiempo》(2015)中的记忆轮廓和遗忘纹理
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.396
Ó. Garay
{"title":"Contornos de la memoria y textura del olvido en Tierra y tiempo (2015) de Juan José Morosoli","authors":"Ó. Garay","doi":"10.5195/ct/2019.396","DOIUrl":"https://doi.org/10.5195/ct/2019.396","url":null,"abstract":"This article analyzes the book  Tierra y tiempo  by Uruguayan Juan Jose Morosoli, by identifying elements of narrative construction from what is remembered and what is forgotten that lay the supports of the fictional apparatus that uses rurality to create an identity that can surpass frontiers. The land stops being a space to become a symbolic place where territories are unacknowledged by power. The memory in the characters of this author from Minas is marked by loneliness. The countryside, as a signifier, the stage of conjunction of the land, is what condemns and absolves, like what has been forgotten.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"229-252"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44719000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reescrituras de la tragedia en el teatro latinoamericano contemporáneo. El caso Antígona 当代拉丁美洲戏剧中的悲剧重写。安提戈涅案
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.407
Lía Noguera
{"title":"Reescrituras de la tragedia en el teatro latinoamericano contemporáneo. El caso Antígona","authors":"Lía Noguera","doi":"10.5195/ct/2019.407","DOIUrl":"https://doi.org/10.5195/ct/2019.407","url":null,"abstract":"En el presente articulo nos proponemos realizar un analisis de diversas reescrituras que desde Latinoamerica se han realizado a partir del texto Antigona de Sofocles, tomando como corpus de analisis: Antigona Velez (1951-Argentina) de Leopoldo Marechal, Antigona furiosa (1986-Argentina) de Griselda Gambaro, La pasion segun Antigona Perez (1968-Puerto Rico) de Luis Rafael Sanchez, Antigona (1999- Peru) de Jose Watanabe, Antigonon. Un contingente epico (2013-Cuba) de Rogelio Orizondo y Antigonas. Tribunal de mujeres (2014-Colombia) de Carlos Satizabal. Partimos del supuesto de que este teatro acude a esta reescritura como una forma de repensar los pasados y presentes nacionales y, en especial, como una manera de no olvidar  las experiencias muchas veces traumaticas que estos territorios han experimentado.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"54-74"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46758507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tres problemas para la neo-vanguardia argentina: herencia, genealogía, legitimidad 阿根廷新先锋派面临的三个问题：遗产、家谱、合法性
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.395
Guido Herzovich
{"title":"Tres problemas para la neo-vanguardia argentina: herencia, genealogía, legitimidad","authors":"Guido Herzovich","doi":"10.5195/ct/2019.395","DOIUrl":"https://doi.org/10.5195/ct/2019.395","url":null,"abstract":"Tradition has been a key problem for artistic practices and theory since the beginning of Modernity. That means, by the same token, that it has been a vastly productive one. In the 1960s, the iconoclastic avant-gardes of the interwar period were reframed as the culmination of a great modern tradition; at the same time, a diversity of apparently “post-modern” practices were now posited, once again, to be a break in historical continuity. The three Argentine episodes discussed here belong to a constellation of problems mobilized by the imaginary of rupture. First, the problem of heritage in critic and curator Jorge Romero Brest’s reflexions on art. Second, that of genealogy in Borges and Bioy Casares’ satirical  Cronicas de Bustos Domecq . Third, that of legitimacy in several texts and a “happening” by young critic Oscar Masotta. My goal, together with bringing together a series of apparently disparate episodes and problems, is to highlight the geopolitical and classist undertones that have marked this key issue of modern art in a cultural scene marked by its peripheral position and rapid social change.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"253-280"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44646873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Violencia y multiplicidad narrativa en Bioy, de Diego Trelles Paz Diego Trelles Paz的Bioy中的暴力和叙事多样性
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.405
Pedro Mármol Ávila
{"title":"Violencia y multiplicidad narrativa en Bioy, de Diego Trelles Paz","authors":"Pedro Mármol Ávila","doi":"10.5195/ct/2019.405","DOIUrl":"https://doi.org/10.5195/ct/2019.405","url":null,"abstract":"This article presents a study about violence in the novel  Bioy  (2012), by Diego Trelles Paz, by means of two axes: time and narrative voices. Both structure a narration characterised by its narrative multiplicity, correlated with the complexity of the violence that the text explores, emerged from Peru at the end of the 20th century and beginning of the 21st century. The aim is to elucidate the coordinates of the violence in the text through the two mentioned axes .","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"110-145"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46441135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Saldar la cuenta. Teorías, políticas y estrategias expresivas de la literatura latinoamericana en español (1973-2018) 支付账单。西班牙语拉丁美洲文学的理论、政策和表达策略(1973-2018)
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.439
José Antonio Paniagua García
{"title":"Saldar la cuenta. Teorías, políticas y estrategias expresivas de la literatura latinoamericana en español (1973-2018)","authors":"José Antonio Paniagua García","doi":"10.5195/ct/2019.439","DOIUrl":"https://doi.org/10.5195/ct/2019.439","url":null,"abstract":"Presentation Dossier","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"1-1"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42388003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
“Nos llevó el ensanche”: Medellín en las novelas urbanas de Manuel Mejía Vallejo “我们被扩大了”:medellin in Manuel mejia Vallejo的城市小说
Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-01-08 DOI: 10.5195/ct/2019.410
Eliana Urrego Arango
{"title":"“Nos llevó el ensanche”: Medellín en las novelas urbanas de Manuel Mejía Vallejo","authors":"Eliana Urrego Arango","doi":"10.5195/ct/2019.410","DOIUrl":"https://doi.org/10.5195/ct/2019.410","url":null,"abstract":"The Colombian writer Manuel Mejia Vallejo published between 1973 and 1987 a series of urban novels about the image of his city: Medellin. This paper analyzes the narration of urban space around three central motifs: progress, uprooting and nostalgia. It also studies how the novelist narrates the symbolic erased of the citizen and the devastation of the traditional city due to the expansion of the streets and the uncontrolled demolition of the neighborhoods. For the characters of these novels, memory is the only way to maintain their identity within the logic of a modern city.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"1-24"},"PeriodicalIF":0.0,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48003267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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