La mirada borrosa: poéticas del desenfoque y visiones oblicuas en la narrativa hispánica contemporánea

IF 0.2 0 LITERARY THEORY & CRITICISM
Marta Pascua Canelo
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引用次数: 4

Abstract

The sense of sight has been established as the preferred cognitive model in our culture; however, ?what happens when the visual order seems to be fallible?, ?what implications and meanings acquires the presence of some eye diseases that generate defective views in the most recent narrative? This paper addresses, from the perspective of gender and cultural studies, the work of several Latin American female writers who have articulated in their narrative different optical disorders as myopia, strabismus or diplopia. From this approach, it is pretended to demonstrate that the repeated presence of eye diseases has configured a literary motive which is directly related to the emergence of a new aesthetic positioning. The deficient visions are discovered, nowadays, as the manifestation of a different look that was required from the female discourse to be against the ocularcentric and male regime.
模糊的目光:当代西班牙裔叙事中的模糊和斜视角诗学
在我们的文化中,视觉已经被确立为首选的认知模式;然而,当视觉顺序似乎是错误的,会发生什么?在最近的叙述中,一些眼病的存在会产生有缺陷的观点,这意味着什么?本文从性别和文化研究的角度探讨了几位拉丁美洲女作家的作品,她们在叙事中表达了不同的视障碍,如近视、斜视或复视。从这种方法,它是假装证明,反复出现的眼病已经配置了一个文学动机,这是直接关系到一个新的审美定位的出现。缺陷的视觉被发现,如今,作为一种不同的外观的表现,这是女性话语所需要的,以反对以眼为中心的男性政权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
23
审稿时长
31 weeks
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