Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism最新文献_第9页

Faith, Liberation, and Revolution in Fire From the Mountain by Omar Cabezas 奥马尔·卡贝萨斯《来自山的火焰中的信仰、解放与革命》

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.446

J. Mantero

{"title":"Faith, Liberation, and Revolution in Fire From the Mountain by Omar Cabezas","authors":"J. Mantero","doi":"10.5195/ct/2020.446","DOIUrl":"https://doi.org/10.5195/ct/2020.446","url":null,"abstract":"Publicado en 1982, el testimonio La montaña es más que una inmensa estepa verde (La montaña) de Omar Cabezas sigue generando interés en el campo de la literatura latinoamericana, particularmente entre la crítica que se dedica al testimonio y el posttestimonio. Reconocida como una de las obras fundamentales del testimonio contemporáneo, La montaña describe el despertar político e ideológico de Cabezas antes de la revolución sandinista (1977-1979) en Nicaragua, los orígenes de su relación con el Frente Sandinista de Liberación Nacional y sus esfuerzos en la lucha contra la dictadura de Anastasio Somoza. A lo largo del texto hay frecuentes referencias a la propia fe del narrador, el catolicismo y Dios a la vez que llega a comprender la realidad del pueblo nicaragüense y considera la autoridad moral de la revolución al intentar destituir a Somoza. Nuestra intención es demostrar que, en La montaña, Cabezas implícitamente considera la influencia de su fe, el catolicismo y Dios en la lucha revolucionaria. Primero contextualizaremos nuestro estudio dentro de las discusiones sobre el testimonio latinoamericano y procederemos a aproximarnos a La montaña desde una perspectiva liberacional que emplea la teología de la liberación como punto de referencia teórico.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"8 1","pages":"221-248"},"PeriodicalIF":0.0,"publicationDate":"2020-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49043726","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

El testamento literario de un antipoeta 反教士的文学遗嘱

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.425

Juan Manuel Leal Funes

引用次数: 0

A Poetic of Beauty: Nature, Memory and Resilience in El Botón de Nacar/The Pearl Button (2015) 美丽的诗:El Botón de Nacar的自然、记忆和韧性/珍珠纽扣(2015)

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.421

M. Melgarejo

{"title":"A Poetic of Beauty: Nature, Memory and Resilience in El Botón de Nacar/The Pearl Button (2015)","authors":"M. Melgarejo","doi":"10.5195/ct/2020.421","DOIUrl":"https://doi.org/10.5195/ct/2020.421","url":null,"abstract":"One of the pillars of the history of Latin American documentary filmmaking is undoubtedly the Chilean director Patricio Guzman. During more than five decades of film production, he has given an account of Chile's political history, specifically dealing with the meaning of the Chilean dictatorship for the country's past, present and future, as well as its relevance in the Latin American context. His films undoubtedly represent one of the most relevant testimonies to the continent's history in the 20th century, with hundreds of hours of footage of the high points in the violent transition process between the Allende and Pinochet governments. His film proposal will take a radical turn in his last two productions : Nostalgia de la Luz ([2010] 2011) and El Boton de Nacar (2015), which are part of a trilogy - the latter film is currently in production. Its aesthetic proposal is revolutionary in the sense that it resignifies the relationship between memory and history by establishing a connection between nature, cosmology and historical memory. In this trilogy he deals separately in each film with the desert, the sea and the mountain, leading the viewer to a reflection that, through poetic language and a meditative tone, proposes a new look at history and memory. In this essay I analyze three elements that define his film El Boton de Nacar and that open the possibilities for a new type of theoretical reflection on the documentary genre: the relationship between nature, narration and history, history understood as genealogical memory and the new type of visual aesthetic that the director is proposing, which I call \"poetry of beauty\".","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"8 1","pages":"143-163"},"PeriodicalIF":0.0,"publicationDate":"2020-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47140862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Invenciones de Caliban: cultura, humanismo y posoccidentalismo en Roberto Fernández Retamar 卡利班的发明:罗伯托fernandez Retamar的文化、人文主义和后西方主义

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.424

C. Aguirre

{"title":"Invenciones de Caliban: cultura, humanismo y posoccidentalismo en Roberto Fernández Retamar","authors":"C. Aguirre","doi":"10.5195/ct/2020.424","DOIUrl":"https://doi.org/10.5195/ct/2020.424","url":null,"abstract":"Este trabajo analiza diferentes dimensiones críticas de la escritura de Roberto Fernández Retamar. La hipótesis que nos guía es que en los textos anticoloniales del poeta cubano se intuye una lectura heterogénea y no esencialista de la cultura latinoamericana, la cual se imbrica con una elaboración del concepto-metáfora de Caliban capaz de desorganizar las dicotomías culturales de la modernidad colonial. En la primera parte constatamos cómo la particularidad de su “Caliban” consiste en su capacidad de resistir a cualquier derivación cultural y escritural unilineal, logrando discurrir en sintonía con lo que Jacques Derrida define como la différance. Después reflexionamos sobre el humanismo tejido por Fernández Retamar con el mentado tropo: un humanismo anticolonial ideado desde una relación de agresividad entre lo “propio” y lo “ajeno”. Finalmente analizamos el impacto de la noción de “posoccidentalismo” propuesta por el cubano en los principales resortes críticos del poscolonialismo latinoamericano. Concluimos cómo Caliban, en tanto símbolo, no es una autoridad de lo absoluto. Por el contrario, es una herramienta que busca deshacer los modos escriturales y epistemológicos ofrecidos por la cultura occidental, y que toma forma, dentro de la obra de Fernández Retamar, en un humanismo anticolonial y posoccidental aún en ciernes.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"8 1","pages":"1-26"},"PeriodicalIF":0.0,"publicationDate":"2020-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42772060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Exilios impropios y peregrinación profana: Juan José Saer y Witold Gombrowicz 不当流放和亵渎朝圣：胡安·何塞·赛尔和维托尔德·贡布罗维奇

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.393

Carolina Maranguello

{"title":"Exilios impropios y peregrinación profana: Juan José Saer y Witold Gombrowicz","authors":"Carolina Maranguello","doi":"10.5195/ct/2020.393","DOIUrl":"https://doi.org/10.5195/ct/2020.393","url":null,"abstract":"After having moved to France in 1968 and having written a large part of his work abroad, Juan José Saer begins to periodically return to Argentina from the eighties, and writes a series of texts on the subject of return and of exile in which he alludes to the figure of Witold Gombrowicz. In this work we will investigate the links, correspondences and differences between the two writers. As we will see, Saer places Gombrowicz in two series of travelers and intellectuals. On the one hand, an anachronistic and timeless series that connects him with travelers from dissimilar times and which highlights his unique perception of the national landscape; on the other, a historical series that returns the Polish writer to the literary rivalries of his time (Borges, Caillois and the Sur group). Each of these inscriptions opens a suggestive contemporaneity between the poetics and the improper exiles of Saer and Gombrowicz. The latter's “outside perspective” will allow Saer to radicalize an exiled and eccentric writer figure capable of resisting both the “infallible” values of Europe and the duties of national identification; and also configure disruptive ways of perceiving the zona’s landscape on his returns to the country.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"8 1","pages":"88-119"},"PeriodicalIF":0.0,"publicationDate":"2020-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49016318","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La escucha (en la) crónica de Juan Villoro 胡安·维罗罗编年史上的窃听

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.422

Julieta Viú Adagio

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Utopía distópica. La “falsa calma” de las ciudades fantasma de la Patagonia. 乌托邦distópica。巴塔哥尼亚鬼城的“虚假平静”。

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.413

Mirko Covacevich Pérez

引用次数: 0

Reseña. Marina Garone Gravier y María Andrea Giovine Yáñez (eds.) Bibliología e iconotextualidad. Estudios interdisciplinarios sobre las relaciones entre textos e imágenes. Editorial de la Universidad Nacional de México, 2019 回顾。Marina Garone Gravier和maria Andrea Giovine yanez(编)参考书目和肖像文本。文本与图像关系的跨学科研究。墨西哥国立大学社论，2019年

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.444

María de los Ángeles Mascioto

引用次数: 0

“Deutsches Requiem”, de Borges. El ascetismo del sujeto fascista 博尔赫斯的《德国安魂曲》。法西斯主体的禁欲主义

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.392

Luis J. Bautista

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Sobre los inicios de un revisionismo filosófico en Argentina y sus derivas políticas: Homero Guglielmini, Saúl Taborda y Carlos Astrada 关于阿根廷哲学修正主义的开始及其政治根源：荷马·古列尔米尼、索尔·塔博达和卡洛斯·阿斯特拉达

Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism Pub Date : 2020-08-07 DOI: 10.5195/ct/2020.420

Lucas Domínguez Rubio

{"title":"Sobre los inicios de un revisionismo filosófico en Argentina y sus derivas políticas: Homero Guglielmini, Saúl Taborda y Carlos Astrada","authors":"Lucas Domínguez Rubio","doi":"10.5195/ct/2020.420","DOIUrl":"https://doi.org/10.5195/ct/2020.420","url":null,"abstract":"This article analyzes the theoretical and ideological interests of the first philosophical essays in Argentina from an intellectual-history perspective. Saúl Taborda (1885-1943), Homero Guglielmini (1903-1968) and Carlos Astrada (1894-1971) had similar theoretical and political trajectories. From the 1920s, when they were in charge of incipient philosophical and avant-garde magazines, they were influenced by the writings of Nietzsche and Sorel. Later, they were interested in German romanticism and Heidegger's work, in the moment when Astrada and Guglielmini became two of the most important intellectuals of Juan Domingo Perón's government. While the so-called historical revisionism has received a remarkable attention, we only have a few works on this philosophical revisionism in Argentina. It is necessary, thus, to differentiate these early revisionist writings from their counterparts dedicated to history. The philosophers did not react to the continuous waves of immigration but rather to liberal political innovations taken as \"foreign ideas\". They focused especially on the figure of the gaucho and proposed a non-Catholic reading of Hispanicism. In a nutshell, they argued against individualism and forth theoretical tools to think a collective subject. Therefore, this work describes a theoretical trajectory that is well known at the European level, ranging from vitalist and aestheticist irrationalism to nationalist and strongly anti-individualist organisationalist positions.","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"8 1","pages":"60-87"},"PeriodicalIF":0.0,"publicationDate":"2020-08-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41437148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0