{"title":"Diego Trelles Paz的Bioy中的暴力和叙事多样性","authors":"Pedro Mármol Ávila","doi":"10.5195/ct/2019.405","DOIUrl":null,"url":null,"abstract":"This article presents a study about violence in the novel Bioy (2012), by Diego Trelles Paz, by means of two axes: time and narrative voices. Both structure a narration characterised by its narrative multiplicity, correlated with the complexity of the violence that the text explores, emerged from Peru at the end of the 20th century and beginning of the 21st century. The aim is to elucidate the coordinates of the violence in the text through the two mentioned axes .","PeriodicalId":40660,"journal":{"name":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","volume":"7 1","pages":"110-145"},"PeriodicalIF":0.2000,"publicationDate":"2020-01-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Violencia y multiplicidad narrativa en Bioy, de Diego Trelles Paz\",\"authors\":\"Pedro Mármol Ávila\",\"doi\":\"10.5195/ct/2019.405\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article presents a study about violence in the novel Bioy (2012), by Diego Trelles Paz, by means of two axes: time and narrative voices. Both structure a narration characterised by its narrative multiplicity, correlated with the complexity of the violence that the text explores, emerged from Peru at the end of the 20th century and beginning of the 21st century. The aim is to elucidate the coordinates of the violence in the text through the two mentioned axes .\",\"PeriodicalId\":40660,\"journal\":{\"name\":\"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism\",\"volume\":\"7 1\",\"pages\":\"110-145\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-01-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5195/ct/2019.405\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Catedral Tomada-Revista de Critica Literaria Latinoamericana-Journal of Latin American Literary Criticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5195/ct/2019.405","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Violencia y multiplicidad narrativa en Bioy, de Diego Trelles Paz
This article presents a study about violence in the novel Bioy (2012), by Diego Trelles Paz, by means of two axes: time and narrative voices. Both structure a narration characterised by its narrative multiplicity, correlated with the complexity of the violence that the text explores, emerged from Peru at the end of the 20th century and beginning of the 21st century. The aim is to elucidate the coordinates of the violence in the text through the two mentioned axes .