De masculinidades, distorsiones y fracturas. Una mirada a tres obras de dramaturgas colombianas

IF 0.2 0 LITERARY THEORY & CRITICISM
Karen Michell Cabezas Sarmiento
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引用次数: 0

Abstract

The man’s behavior in society is regulated by the concept of masculinity. This is a cultural concept which varies according to the place where the man grows up. In Colombia, the masculinity concept is permeated by the reality of armed conflict. In this context, masculinity has three fundamental characteristics: heterosexual, vigorous, provider/protector. In this article, the Colombian masculinity concept is analyzed in three contemporary Colombian plays written by women. This analysis allows for understanding the theater as the scenery where the masculinity concept can be broken. Also, a scenery where the society can recognize the multiplicity of masculinities which live in men.
男性气概,扭曲和骨折。哥伦比亚女剧作家的三部作品
男性在社会中的行为受到男性气质概念的制约。这是一个文化概念,根据男人成长的地方而不同。在哥伦比亚,男子气概的概念充斥着武装冲突的现实。在这种情况下,男子气概有三个基本特征:异性恋、精力充沛、供养者/保护者。本文分析了哥伦比亚当代三部女性戏剧中的男子气概观念。这种分析有助于将剧院理解为可以打破男子气概概念的场景。此外,在这里,社会可以认识到男性身上存在的男性气质的多样性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
23
审稿时长
31 weeks
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