Philological Class最新文献

{"title":"INTERPRETATION SPHERE OF THE AUTHOR’S VOCABULARY (ON THE MATERIAL OF THE BOOK “STONE” BY O. E. MANDELSTAM)","authors":"V. A. Glazyrin, Yuri V. Kazarin","doi":"10.51762/1fk-2021-26-02-10.","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-02-10.","url":null,"abstract":"The scope of research in the article includes author’s vocabulary, or the vocabulary of the language of O. E. Mandelstam (based on the book of poems “Stone”). The research object is an author’s vocabulary entry as a system that has a structure and its own units. The basic research method is the method of poetic ideography as a kind of literary ideography and a type of general ideography in lexicographical perspective. The units under study are heterogeneous and diverse: these are units of a quantum and metafunctional nature. The former include units of prosody, lexical and conceptual units; the latter comprise units of a poetological and prosodic nature, as well as conceptual formations. The study reveals and characterizes typological features of the author’s vocabulary (of the language of O. Mandelstam), and introduces new features: poetological, prosodic, and interpretative. In general, the investigation is carried out within the framework of lexicography, ideography, textual studies, text linguistics, text hermeneutics, and text decoding (interpretation). The article establishes the operational order of description of poem units (the arrangement of the material in the author’s vocabulary is text-related), which corresponds to the set of systemic areas of the poetic text analyzed in the vocabulary entry: textual, poetological, prosodic, lexico-semantic, denotative, ideographic, and interpretative (based on the analysis of the system of functional-semantic field of vocabulary in a particular poem as the title unit of a vocabulary entry) spheres. The results of poetic-ideographical analysis correlate with the specific features of the poetic worldview of O. Mandelstam. The study suggests, illustrates, and analyzes a model and structure of a vocabulary entry of O. Mandelstam’s language. The degree of subjectivity/objectivity of the content of the interpretation sphere of a vocabulary entry is also determined. Furthermore, the authors conceptualize the nature, character, and structure of the interpretative sphere of a vocabulary entry. They analyze O. Mandelstam’s poem “Silentium”. The vocabulary entry contains eight structural elements. The logic of description and analysis of the units of the poetic text (by stanzas) is as follows: the title unit of the vocabulary entry – the poem → poetological information → prosodic information → semantic-denotative-ideographic information → interpretative sphere of the vocabulary entry. Interpretation of textual, general lexicographic, and ideographic information is performed with reference to the identification and analysis of paradigmatic (causative) series of conceptual formations implemented in the text word by word, line by line, and stanza by stanza (the units of interpretative analysis – vocabulary, phrase, utterance, complex syntactic construction and complex syntactic unity). Interpretation of conceptual formations is carried out taking into account the polysemy of the vocabulary. The interpretative sp","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73421141","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE TOPOS HOME AS HETEROTOPY IN THE NOVEL BY M. PETROSYAN “THE HOUSE IN WHICH…”","authors":"A. Bulgakova","doi":"10.51762/1fk-2021-26-02-14.","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-02-14.","url":null,"abstract":"The article is devoted to the study of the topos home as a stable image with spatial characteristics in the book by M. Petrosyan “House in Which ...”. The aim of the article is to identify the possibility of functioning of the topos home in the novel as a heterotopy, i.e. a space that is outside other places, but certainly interacts with them according to the principle of juxtaposition or opposition. To achieve the aim, a complex method was used, including structural-semiotic, mythological, cultural-historical methods, which made it possible to describe the structural and semantic features of the topos home (basic binary oppositions and metaphors that make up the core of the topos), as well as its role on the real, perceptual and conceptual levels of artistic space. The main results of the study include the following statements. The topos home in the book of M. Petrosyan is presented both as a place of action of the characters, as an anthropomorphized environment, and as a space of the author’s consciousness, and as an image-symbol, a space of memory. The concept of “house“ is associated with all aspects of human existence, and therefore the main oppositions that form the structure of the topos home in the novel reveal ontological, axiological, social, psychological, epistemological problems. The topos home approaches the topos world and the paradigm of its subtopos (world is a book, world is a temple, world is a garden, world is a person) and performs a world-modeling function that is actualized in the transitional periods of historical and cultural development. It functions as a heterotopy, overcoming the principle of binarity, suggesting the “opening of time” (a break with traditional, real time, the emergence of perceptual and mythological time), isolation and at the same time permeability of spaces (House, appearance, wrong side are only relatively closed and suggest the possibility of communication), which raises the question of the degree of reality or illusory nature of space through the creation of places-heteroclites (in the novel, this is the exterior, the wrong side, the forest, the mirror, human consciousness, etc.).","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"59 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74674818","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE USE OF MEDIA TEXTS IN RUSSIAN LANGUAGE TEACHING","authors":"Andrea Spisiakova, O. Iermachkova, Lukas Gajarsky","doi":"10.51762/1fk-2021-26-02-21.","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-02-21.","url":null,"abstract":"At present, we observe active development of new methods and strategies of teaching foreign languages, in which mass media materials play an important role because they provide authentic resources that offer natural language environment and enrich the curriculum and syllabus. These resources can be easily adapted to suit different levels of language proficiency, interests and needs of the students. The study attempts to substantiate the necessity and importance of using various types of authentic media materials in the classroom and analyzes the challenges teachers may face in the process of teaching. The aim of the study is to address both the theoretical background and the practical issues of application of media texts at the lessons of Russian as a foreign language. They enhance not only language but and socio-cultural proficiency of the students and their understanding of linguistic phenomena such as various stylistic figures of speech, phraseological units, linguistic means of manipulation, etc. Mass media resources can be used to develop media literacy, critical thinking and analytical skills. This study is based on the use of general scientific methods such as analysis, description and interpretation. The authors fall back on scholarly literature and their personal experience of teaching Russian. The article suggests using practical media-based approaches to develop language skills and psychological properties, such as memory, prediction skills, and speed of response to linguistic stimuli in undergraduate university students of Russian as a second language. The opportunities and methods regarded in the study can be used in any other classroom of Russian as a second language.","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81165204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE NOVELLA OF I. S. SHMELEV “THE MAN FROM THE RESTAURANT”: THE GENESIS OF THE INTENTION","authors":"A. Skoropadskaya","doi":"10.51762/1fk-2021-26-01-19","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-01-19","url":null,"abstract":"А н н о т а ц и я . Статья посвящена исследованию становления замысла повести И. С. Шмелева «Человек из ресторана». Материалом для исследования послужили сохранившиеся черновые материалы к повести. Актуальность работы обусловлена необходимостью более глубокого изучения дореволюционного творчества писателя, так как именно в этот период закладываются основы его творческого метода, получившего определение «духовный реализм». Расшифрованы и проанализированы не публиковавшиеся редакции повести, что определяет новизну исследования. Проведено сопоставление всех имеющихся вариантов начала повести. Использованные методы текстологического анализа позволяют реконструировать этапы формирования идейно-художественного замысла. Повесть «Человек из ресторана» традиционно считалась образцом нового реализма, а ее герой – лакей в перворазрядном ресторане, – примером художественного осмысления темы «маленького человека». Проведенный сопоставительный анализ показал, что Шмелев методично подбирал сюжетные и образные детали, позволяющие максимально точно передать не только рабочие и семейные будни официанта, но и его внутренний мир. Повествовательная стратегия с самого начала ориентирована на сказовую форму. В ранних редакциях наиболее ярко выражен социальный аспект жизни героя. Автор сосредоточивается на сравнении лакея и «благородных» посетителей ресторана. Сравнение делает сам герой, наблюдая отражение себя и клиентов в зеркале. В ранней редакции именно зеркало становится для Скороходова поводом взглянуть на себя и свою жизнь со стороны. Но в процессе поиска причин, пробудивших самосознание героя, Шмелев останавливается на отношении его сына к отцовскому ремеслу: в поздней редакции обидная для Скороходова фраза, высказанная сыном о его профессии, становится импульсом к развитию действия повести. Таким образом, социальная проблематика приобретает духовно-психологическую направленность. Подбираемые варианты начала повести свидетельствуют о поисках автором психологически верного посыла, открывающего герою путь к духовному прозрению: в социальном и бытовом плане он терпит сокрушительные потери, зато обретает духовную мудрость и душевное умиротворение.","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"4 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81939939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Kairotization of time in “Crime and punishment” by F. M. Dostoevsky","authors":"Nikolay Mihailov Neychev","doi":"10.51762/1fk-2021-26-04-03","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-04-03","url":null,"abstract":". Applying the method of Orthodox axeology, the present work tries to answer the following question: how the everyday time (chronos) in the calendar chronology of the novel “Crime and Punishment” is transformed into a qualitative spiritual being (kairos). The possibility of changing the ideological discourse in Dostoevsky’s work from pagan to Christian through the influence of the hagiographic corps of Cheti Minei is studied. It is shown how the biographical texts, intended for reading on a specific date, coinciding with the calendar time from the development of the novel plot, influence the change of thoughts and actions of a given character and explain the inner meaning of the event. The novelty of the study lies in the idea that not only the great Christian holidays prepare the hero to embark on the path of salvation, but this is achieved through the hagiographical texts in Cheti Minei, which serve as a kind of “palimpsest” for Dostoevsky’s novel and cairotize every day from the calendar cycle and thus show the way for the transformation of human biography into a hagiographical legend.","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"27 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85018995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Specifics features of the “Frame text” in the books of M. A. Zenkevich “Wild purple mantle ” and “Under the meat purple mantle”","authors":"Lyubov Gennadievna Kihney, A. V. Lamzina","doi":"10.51762/1fk-2021-26-03-10","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-03-10","url":null,"abstract":"","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"87 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85314090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A NOVEL CHARACTER IN EPIC DISCOURSE (To the Issue of Reception of the Novel “The Precipice” by Goncharov)","authors":"S. Kazakova","doi":"10.51762/1fk-2021-26-01-17","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-01-17","url":null,"abstract":"","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83266739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Social and psychological contexts of the soviet period in Latvian detective novels","authors":"A. Romanovska","doi":"10.51762/1fk-2021-26-04-17","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-04-17","url":null,"abstract":"K e y w o r d s : detective novel; crime; social and psychological context; Soviet period; popular literature СОЦИАЛЬНО-ПСИХОЛОГИЧЕСКИЕ КОНТЕКСТЫ СОВЕТСКОГО ПЕРИОДА В ЛАТЫШСКИХ ДЕТЕКТИВНЫХ РОМАНАХ Романовска А. Даугавпилсский университет (Даугавпилс, Латвия) ORCID ID: https://orcid.org/0000-0001-7048-4352 А н н о т а ц и я . Особенности советской идеологии означают, что литературные произведения должны следовать определенному канону, отражающему позитивный образ советского общества. Стремясь Романовская А. Социально-психологические контексты советского периода в латышских... 196 отразить разнообразие и противоречия этого общества, многие писатели предпочитали делать упор на психологизм, тем самым также диверсифицируя форму литературных произведений. Детективные романы стали одним из видов советской социально-психологической прозы. Развитие детективной литературы, определяемой идеологической системой, обусловило появление ее специфических черт – акцент сместился с раскрытия преступной интриги на причины совершения преступления. В результате на первый план вышел социально-психологический контекст советского периода. Романы часто не заканчиваются раскрытием детективной интриги, а продолжаются до тех пор, пока не достигнут полной ясности о дальнейшей жизни персонажей и дополнительных сюжетных линиях, включая исторические, психологические и социально-экономические контексты. Цель исследования – проанализировать особенности латышского детективного романа советского периода и рассмотреть, как советская идеологическая система определила его развитие. В латышской литературе советского периода детективные романы занимают второстепенное место, поскольку в этом жанре работает относительно небольшое количество авторов; к тому же опубликованные работы не стали популярны у читателей. В это время только одному латышскому писателю – Андрису Колбергсу – удалось стать популярным, разработав свою версию социально-психологического детектива, используя послание, предлагаемое советской идеологией. Несмотря на то, что социально-психологические детективы Колбергса можно считать определенным исключением в развитии истории латышской литературы, они во многом соответствуют традициям русского советского социально-психологического детектива, который особенно интенсивно стал развиваться в 50–60 годы XX века. К л ю ч е в ы е с л о в а : детективный роман; социально-психологический контекст; советский период; популярная литература Д л я ц и т и р о в а н и я : Романовская, А. Социально-психологические контексты советского периода в латышских детективных романах / А. Романовская // Филологический класс. – 2021. – Т. 26, No 4. – С. 195–205. – DOI: 10.51762/1FK-2021-26-04-17. F o r c i t a t i o n : Romanovska, A. (2021). Social and Psychological Contexts of the Soviet Period in Latvian Detective Novels. In Philological Class. Vol. 26. No. 4, pp. 195–205. DOI: 10.51762/1FK-2021-26-04-17. Introduction The genre of detective fiction is one of the most popular literary genres, but lit","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84948597","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Porfiry Petrovich and Raskolnikov: hermeneutics of doubles","authors":"H. Manolakev","doi":"10.51762/1fk-2021-26-04-04","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-04-04","url":null,"abstract":"K e y w o r d s : Dostoevsky; “Crime and Punishment”; Porfiry Petrovich; duality; Napoleonic idea; murder plot Manolakev H. Porfiry Petrovich and Raskolnikov: Hermeneutics of Doubles 51 Д л я ц и т и р о в а н и я : Манолакев, Х. Порфирий Петрович и Раскольников: герменевтика двойничества // Филологический класс. – 2021. – Т. 26, No 4. – С. 50–62. – DOI: 10.51762/1FK-2021-26-04-04. 1 Т. Миджиферджян воспринимает Порфирия Петровича одновременно со Свидригайловым как семантическую проекцию Раскольникова. В сложной смысловой связанности троих раскрывается сущность теории Раскольникова [Миджиферджян 1987: 67]. Различные мнения по этому вопросу прослеживаются подробно Н. Тарасовой [Тарасова 2015: 103–105]. F o r c i t a t i o n : Manolakev, H. (2021). Porfiry Petrovich and Raskolnikov: Hermeneutics of Doubles. In Philological Class. Vol. 26. No. 4, pp. 50–62. DOI: 10.51762/1FK-2021-26-04-04. Одним из самых дискутируемых образов романа «Преступление и наказание» является образ следователя, Порфирия Петровича. Как персонаж он укутан плотной герменевтической тенью многих почему, из лабиринта которых с трудом можно выйти с ясным представлением о герое. Порфирий Петрович – семантизируется полностью в сюжете убийства [Manolakev 2012]. Его профессия следователя [Поддубная 1971: 51] заставляет играть разные «роли», о которых нельзя с уверенностью сказать насколько они ему интенционально присущи. Например, можно ли считать Порфирия своеобразным протагонистом автора [Зунделович 1963: 26–27, 29–31, 37–38; Димитров 2018: 68]. Мы узнаем о статье Раскольникова, благодаря его читательской впечатлительности, и таким образом реконструируем предысторию Идеи Родиона Романовича. На самом деле Порфирий Петрович ей противопоставлен, только его отношение к ней не проявляется однозначно, а меняется в зависимости от обстоятельств. Нельзя сказать с уверенностью, насколько предпринятое им дискредитирование идеи выражает позицию автора, следует ли толковать героя в дискурсе официальной законности [Белов 1985: 124–125; Поддубная 1971: 48–50], или поведение Порфирия следовало бы рассматривать единственно в координатах сюжетного столкновения с Раскольниковым. Расходятся и понимания его характера, в котором находим и позитивные, и негативные проявления. Сложность толкования образа продиктована невозможностью понять, как сам Порфирий, будучи институциональной фигурой, воспринимает и осмысляет сюжет убийства. Его разговоры с Раскольниковым далеко не сводятся только к исполнению служебных обязательств, но в них раскрывается его собственное представление о преступлении. Целостный сюжет встреч героев дает достаточно оснований соединить в оппозиционную пару профессию и человека. Кодом, на котором основана эта оппозиция, является Наполеоновская идея. Отсюда и вытекает цель настоящей работы – показать, что Порфирий Петрович проявляет себя как идейный двой ник Раскольникова именно в ее смысловой орбите 1. Именно Наполеоновская идея является звеном, которое соединяет обоих героев в символике","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89801559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EMOTION DETECTION AND SEMANTICS OF EMOTIVES: DISTRESS AND ANGER IN ANNOTATED TEXT DATASET","authors":"A. Kolmogorova","doi":"10.51762/1fk-2021-26-02-06.","DOIUrl":"https://doi.org/10.51762/1fk-2021-26-02-06.","url":null,"abstract":"The article explores the ways of making emotional lexemes semantic description consistent with interpretative intuition of the ordinary language speaker. The research novelty is determined by the fact that it is based on the data retrieved from the emotional assessment of 3920 internet-texts in Russian made by informants via using a specially designed computer interface. When applied this interface, we can aggregate the weight of 8 emotions (distress, enjoyment, anger, surprise, shame, excitement, disgust, fear) in text. Thus, the data we have used for this publication includes two sets of 150 internet-texts assessed by 2000 informants with the highest score of emotions of distress or anger. The scope of the study covers the semantics of two mentioned above lexemes (grust’ and gnev) analyzed through the prism of collective introspection of informants. The article purpose is to discuss the case when a semantic description of emotives is given by an expert, which largely uses “the best texts” of corresponding emotions, according to the collective opinion of informants. Our methods include psycholinguistic experiment, corpus and semantic analysis. The research led us to three main conclusions. Firstly, the semantic descriptions of emotives grust’ and gnev obtained in proposed way represent prototypical scenarios of living an emotion in social context and take into account not only the introspective sensations of an expert-linguist, but the interpretative strategies of language users. Secondly, such semantic explanation provides us with keys for explaining, why machine learning technologies are better at detecting anger than sadness in text. Finally, it creates a precedent in using new technologies for making an ecological semantic description of emotive vocabulary. The research results can find application in emotiology, lexicographic practice and didactics.","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"96 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72430906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}