Philological Class最新文献

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The symbol of the “house” as a driver of linguistic creativity in V. Shakhrin's song “from the war” 沙赫林歌曲《来自战争》中“房子”的象征作为语言创造力的驱动力
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-13
Ivan Anatolyevich Avdeenko
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引用次数: 0
Linguocultural image of Iran as a constantly changing cognitive space in Russian language world picture 伊朗语言文化形象作为俄语世界图景中不断变化的认知空间
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-03-06
V. Shaklein, Mona Afshar
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引用次数: 0
А history of Russian literature: foreign scholars about the Russian novel (A review of the book by Andrew Kahn, Mark Lipovetsky, Irina Reyfman, And Stephanie Sandler. A History of Russian Literature. Oxford University Press, 2018. 960 p.) А俄罗斯文学史:外国学者对俄罗斯小说的看法(安德鲁·卡恩、马克·利波维茨基、伊琳娜·雷夫曼和斯蒂芬妮·桑德勒的书评)。《俄罗斯文学史》牛津大学出版社,2018年。960 p)。
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-03-18
S. Kazakova
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引用次数: 0
Tertium non datur: a problem of the ternary system in Yuri M. Lotman's semiotics Tertium non - datur: Yuri M. Lotman符号学中的三元系统问题
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-07
M. Lipovetsky
{"title":"Tertium non datur: a problem of the ternary system in Yuri M. Lotman's semiotics","authors":"M. Lipovetsky","doi":"10.51762/1fk-2022-27-01-07","DOIUrl":"https://doi.org/10.51762/1fk-2022-27-01-07","url":null,"abstract":"even by the means of the Aesopian language. In the work of post-Soviet period Culture and the Explosion, the ternary model has been finally applied to political processes yet at the same time Lotman simultaneously declared it unrealizable. The paper will attempt to explain why Lotman’s concept of Russian culture has ejects ternary models, despite earnest attempts to embed them in cultural tradition, and how this “stutter” w as reflective of internal limitations of the late Soviet self-conceptualization (meta-description) through the Moscow-Tartu semiotics. “Culture .","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"12 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82207651","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“under the Hill” by Aubrey Beardsley and “South wind” by Norman Douglas: to the problem of reception 奥布里·比尔兹利的《山下》和诺曼·道格拉斯的《南风》:关于接收问题
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-19
Irina Alexandrovna Novokreshchennykh
{"title":"“under the Hill” by Aubrey Beardsley and “South wind” by Norman Douglas: to the problem of reception","authors":"Irina Alexandrovna Novokreshchennykh","doi":"10.51762/1fk-2022-27-01-19","DOIUrl":"https://doi.org/10.51762/1fk-2022-27-01-19","url":null,"abstract":"and intertextual, as well as historico-poetological research methods. Douglas’ novel “The South Wind” has not been studied before in the aspect of historico-literary problem of reception. As a result of the analysis, the author comes to the conclusion that Douglas’ reception of Beardsley’s novel “Under the Hill”, especially the image of the main character Denis Phipps, stems from a similar attempt to free the characters from the conventions of their time. The works bring together the traditions of the novel genre, aestheticism, hedonism and irony. In Beardsley’s novel “Under the Hill”, the image of Tannhauser is created through the description of his external aestheticized appearance. In Douglas’ novel “South Wind”, Denis is presented as a character thinking, asking questions, and captured by pantheistic and Christian ideas. In Beardsley’s novel, the entire action takes place in a cave under the Hill of Venus. For Douglas, the episode with the cave is a step in the development of the protagonist. The © Новокрещенных И. А., 2022 PHILOLOGICAL CLASS. Vol. 27. No. 1 180 path of Tannhauser’s life and his love adventures are defined by the subtitle to the novel, pretexts and legend. Denis goes along the path of disappointment in the ideas of poetic creativity, aestheticism, and love; he does not realize the desire to become an artist in the spirit of early German Romanticism. After the third visit to the cavetavern, the character renounces bacchanalia and dionysianism and finds severity and intellectual fullness, which Douglas interprets in an ironic light. The name of Denis, as a reflection of the name of Dionysus, speaks of the character being opposed to the cult of the ancient Greek god, whose symbols were wandering and phallic cults. The uncertainty of the character provides a possibility for his development and change. Denis stops being a poet, does not become an artist or a follower of Bacchanalian cults. His character is solved in a realistic way. The cave of Mercury, associated with the development of Denis, is replaced by a tavern, the bacchanalian meaning of which is interpreted ironically. K e y w o r d s : novels; receptions; English literature; English writers; literary creative activity; literary genres; literary plots; literary images. F o r c i t a t i o n : Novokreshchennykh, I. A. (2022). “Under the Hill” by Aubrey Beardsley and “South Wind” by Norman Douglas: to the Problem of Reception. In Philological Class. Vol. 27. No. 1, pp. 179-193. Интерес литературоведения к проблемам рецепции словесных и визуальных произведений обусловливает актуальность интермедиальных взаимодействий. Творчество английского художника Обри Бердсли (Aubrey Beardsley, 1872–1898), основателя стиля модерн в графике, создавшего листы к собственным литературным произведениям и произведениям мировой литературы, оказало значительное влияние не только на изобразительное искусство [Стернин 1984: 98, 99; Вязова 2009: 229-231; Оскар Уайльд. Обри Бердслей. Взгляд из Росс","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78697751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Orthodoxy inside-out: how certain Orthodox ideas are reflected in Lev Tolstoi's religious thinking 由内而外的正统思想:列夫·托尔斯泰的宗教思想是如何体现某些正统思想的
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-01
P. Kolstø
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引用次数: 0
Methods resources for e-learning students of philology 方法:文献学在线学习资源
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-03-12
N. P. Terentieva, E. Galitskikh
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引用次数: 0
Gastronomic text in teaching the Russian to foreigners: semiotic projection 对外俄语教学中的美食文本:符号学投射
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-23
N. V. Labunets, E. N. Ertner
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引用次数: 0
The theme of “Hermitage” in Samuel Johnson’s essay “The vision of Theodore, the hermit of Teneriffe, found in his cell” 塞缪尔·约翰逊散文《特内里菲岛隐士西奥多的幻境》中的“隐士”主题
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-03-10
Lyudmila Yur’evna Makarova
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引用次数: 0
Yu. M. Lotman and the problems of theoretical literary criticism 余。罗特曼与理论文学批评的问题
Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-05
Yu. V. Shatin
{"title":"Yu. M. Lotman and the problems of theoretical literary criticism","authors":"Yu. V. Shatin","doi":"10.51762/1fk-2022-27-01-05","DOIUrl":"https://doi.org/10.51762/1fk-2022-27-01-05","url":null,"abstract":"concepts of literary theory, which, along with the study of the problems of culture studies and the history of Russian literature, played an extremely important role in philological science. Among the large number of monographs and articles written by the scholar from Tartu, “Lectures on Structural Poetics” (1964) and “Culture and Explosion” (1992) stand out. According to the author of this article, it was in these works that the main break through took place, which put up an end to the rule of dogmatic literary criticism and opened up new opportunities in the field of philology. In particular, in the first book, the concept of structure as an epistemological category was postulated for the first time, in contrast to composition, which represents the material embodiment of the structure in text. In the last study, Lotman largely develops a number of new ideas, in which the text is understood as a field of relationships between systemic and non-systemic elements and suggests the possibility of various options for its development. In “Culture and Explosion”, the scholar presented a set of ideas that largely coincide with the thoughts of European poststructuralists, but differ in the interpretation of the main features of the literary process. K e y w o r d s : structuralism; text structure; rhizome; post-structuralism; literature theory; literary studies spe-","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78209028","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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