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Motifs of Apocalypse in I. S. Shmelev's novel “Sun of the dead” 什梅廖夫小说《死者之日》的启示母题

Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-14

J. Dohnal, I. Cintula

{"title":"Motifs of Apocalypse in I. S. Shmelev's novel “Sun of the dead”","authors":"J. Dohnal, I. Cintula","doi":"10.51762/1fk-2022-27-01-14","DOIUrl":"https://doi.org/10.51762/1fk-2022-27-01-14","url":null,"abstract":"to the Civil War in Russia as one of the most critical periods in Russian history. The text of the work, considered by the authors of the article to be an expression of “a story told”, thematizes, for example, the relationship between the Bolsheviks and the Church, the purposeful destruction of the intelligentsia, the use of hunger as a tool of the population control, the barbaric treatment of the civilian population, the disrespect for the workers on whose behalf the Bolsheviks incited the revolution and the depreciation of human life and material wealth. The novel also accuses Europe of having idly watched the destruction of the remnants of old Russia. The analysis is based mainly on historical and comparative methods, with the help of which the text of the work is associated with historical events, on the one hand, and with the biblical New Testament text, primarily with the “Revelation to St. John”, on the other. The analysis carried out shows that the writer’s creative plan is based on the belief that the Civil War represents the end of one era, which is primarily shown in the signs that can be associated with the images of biblical horsemen who bring destruction. The comparative analysis confirms that in his novel, Shmelev touches on the motifs found in the Bible. In the text of the novel, special attention is paid to the motif of the end and the themes of destruction and annihilation, which are considered universal by the biblical text. Shmelev’s almost documentary text depicts them as phenomena characterizing the dangerous sprouts of a new way of life in post-revolutionary Russia. At the end of the article, the main conclusions are formulated, which are based on the opinion that Shmelev managed to include both the structure and the thematic elements of the biblical text in the novel “The Sun of the Dead”, building the novel as a stylized, updated version of the apocalypse. The text under consideration can be viewed both as “evidence” and as a historical document, which, from the point of view of an eyewitness acting in the person of the narrator, reflects the process of the formation of Soviet power in Crimea in connection with a more widely understood historical context, both Russian and European K e y w o r d s : Russian literature; Russian writers; literary creative activity; literary genres; literary motifs; literary plots; novels; civil war; Bible; apocalypse. F o r c i t a t i o n : Dohnal, J., Cintula, I. (2022). Motifs of Apocalypse in I. S. Shmelev’s Novel “Sun of the Dead”. In Philological Class. Vol. 27. No. 1, pp. 123-132. Творчество Ивана Сергеевича Шмелева (1873–1950) оставалось довольно долгое время вне серьезного внимания русского литературоведения. Причиной этому стала отрицательная позиция писателя по отношению к государственному строю, установившему свою власть в стране после 1917 года. Шмелев, как и много других писателей того времени, с радостью приветствовал Февральскую революцию 1917 г., которую он воспринял как реа","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78737358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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The novel by V. F. Odoevsky “The year 4338: Petersburg letters” as an illustration of the idea of a new art v·f·奥多耶夫斯基的小说《4338年:彼得堡书信》作为一种新艺术思想的例证

Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-03-07

I. Kachkov

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“hundred years HAVE passed...” formula of time and seme of memory “一百年过去了……时间的公式和记忆的形式

Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-04

Ludmila Sproģe

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The “Resonant space” of the Russian classic novel: N. S. Leskov’s “Neglected people” and F. M. Dostoevsky’s “The idiot” 俄国经典小说的“共振空间”:列斯科夫的《被忽视的人》与陀思妥耶夫斯基的《白痴》

Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-03-08

O. Evdokimova, E. P. Samoylova

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A Urals Knight of symbolism: the case of Sergey V. Vinogradov 象征主义的乌拉尔骑士:谢尔盖·v·维诺格拉多夫的案例

Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-15

L. Mashtakova

{"title":"A Urals Knight of symbolism: the case of Sergey V. Vinogradov","authors":"L. Mashtakova","doi":"10.51762/1fk-2022-27-01-15","DOIUrl":"https://doi.org/10.51762/1fk-2022-27-01-15","url":null,"abstract":"studied areas in the Urals literature history at the turn of the 19th and 20th centuries. Modernism is considered to be an insignificant literary movement in the Urals literature. However, detailed attention to his most active supporters among poets, writers, journalists and critics proves the opposite. This article is devoted to the creative heritage, artistic and aesthetic views and literary contacts of the famous Ural publicist, critic and poetsymbolist Sergei Vasilyevich Vinogradov (1878–1930). Through the analysis of literary discussions in the regional press and the analysis of his critical articles, the place and role of Vinogradov in the formation of the Urals litera© Маштакова Л. В., 2022 PHILOLOGICAL CLASS. Vol. 27. No. 1 134 ture of the early 20th century is determined. Special attention is paid to his understanding of symbolism in relation to the paradigm of the realism of the “populists” (narodniks), actively criticized in his articles. The author argues that Vinogradov’s symbolism did not have a philosophical and aesthetic foundation but stemmed from the same tasks of education and “sociality” that had become entrenched in regional literature. Particular attention is paid to Vinogradov’s relationship with his contemporaries, in particular with F. Sologub whose works became a guiding star for him. For the first time, the appendix to the article contains the full text of Vinogradov’s letter to Sologub dated October 27, 1916 (their personal acquaintance took place during Sologub’s tour of the Urals in 1916). This letter is a proof of the difficult conditions in which modernism developed in the Urals. At the same time it was often newspapers that, criticizing modernism, had assumed upon themselves the function of translating “public opinion”, while interests in it among the readers was strong and stable unti l the end of the Civil War. Vinogradov’s heritage, the number of publications of his articles and decadence feuilletons (or prose miniatures) in Ekaterinburg newspapers and magazines, their ideological, thematic, plot-driven and imagery homogeneity are proofs that modernism is an underestimated movement in the Urals literature. Vinogradov’s literary and critical work is one of the cases of a bold, self-sufficient, erudite statement by a writer, poet and symbolist critic who grew out of the left-democratic core of regional newspaper literature. K e y w o r d s : modernism; regional literature; Urals literature; Urals poets; literary creative activity; symbolism;","PeriodicalId":40343,"journal":{"name":"Philological Class","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89888861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Evolution of the image of the main character in B. Akunin's Fandorin cycle 阿库宁的《凡多林循环》中主角形象的演变

Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-01-17

Aleksandr Mikhailovitch Lobin

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“The glass bead game” with Igor Volgin: a tv show about literature in modern culture 与Igor Volgin的“玻璃珠游戏”:一个关于现代文化文学的电视节目

Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-03-15

R. Krasilnikov

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Travelogues of slovenian female writers and their themes 斯洛文尼亚女作家游记及其主题

Philological Class Pub Date : 2022-01-01 DOI: 10.51762/1fk-2022-27-03-11

Anna G. Bodrova