Theatralia最新文献

{"title":"Between film, short story and novel : interview with Zbyněk Černík","authors":"Karolína Stehlíková","doi":"10.5817/TY2019-1-8","DOIUrl":"https://doi.org/10.5817/TY2019-1-8","url":null,"abstract":"Zbyněk Černík (cernikz@volny.cz) is a translator, editor, and writer. From 1977 to 1993, he worked as an editor in the Prague publishing house Odeon. Currently, he works as an editor in Institut umění – Divadelní ústav (Art Institute – Theatre Institute). Since 1993, he has also been a freelance translator and writer. He has translated works by P. O. Sundman, P. O. Enquist, A. Strindberg, I. Bergman, and many others. He has co-written Slovník severských spisovatelů (Libri, 1998). He is also an author of several children books (Malá medvědí knížka, Medvědí rodinka, Velká medvědí cesta). In 2018, he edited an anthology of four Bergman short stories (Hodina vlků, Kniha Zlín, 2018). Zbyněk Černík has received several awards for his translation. In 1990, he was awarded translator prize of Swedish Academy. The following interview was carried out as an e-mail conversation in August 2018.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44812879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Bergman as a master of expression : interview with Jan Holmberg","authors":"Karolína Stehlíková","doi":"10.5817/TY2019-1-9","DOIUrl":"https://doi.org/10.5817/TY2019-1-9","url":null,"abstract":"Jan Holmberg (jan.holmberg@ingmarbergman.se) is a film scholar and since 2010 the CEO of the Ingmar Bergman Foundation (Stiftelsen Ingmar Bergman), which administers, preserves and distributes information on Ingmar Bergman and his work. Jan Holm berg was the head of programming in the Swedish Cinematheque between 2002 and 2004. He is an author of number of studies published in books devoted to the Swedish film, i.e. ‘Censorship in Sweden’ in Swedish Film: An Introduction and Reader (edited by Mariah Larsson and Anders Marklund, Nordic Academic Press, 2010) or ‘Closing in: Telescopes, Early Cinema and the Technological Conditions of De-distancing’ in Moving Images. From Edison to the Webcam (edited by John Fullerton and Astrid Söderbergh Widding, John Libbey Publishing, 2016). In 2018, he published a book Författaren Ingmar Bergman (Ingmar Bergman, The Writer) where he explores the writing of Ingmar Bergman as a primary form of his expression. In 2017, Jan Holmberg held lectures devoted to the history of Swedish film at The Film School in Uherské Hradiště. In 2018, he presented Bergman as a writer and a theatre director at The Theatre Week in Prague. The following interview was carried out as an e-mail conversation in September 2018.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71355866","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Performativita – výlučná schopnost člověka","authors":"šárka Havlíčková Kysová","doi":"10.5817/ty2019-2-13","DOIUrl":"https://doi.org/10.5817/ty2019-2-13","url":null,"abstract":"","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71355987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Jak jsme na tom?","authors":"Jiří Štefanides","doi":"10.5817/ty2019-2-14","DOIUrl":"https://doi.org/10.5817/ty2019-2-14","url":null,"abstract":"","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71355998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Das Nikolsburger Piaristendrama Ein kurtzes Spiel oder Action von Bacchi Geburt Leben vnndt Todt (1654) : Kontext – Edition – Kommentar","authors":"Christian Neuhuber","doi":"10.5817/ty2019-2-2","DOIUrl":"https://doi.org/10.5817/ty2019-2-2","url":null,"abstract":"Aus der ältesten Piaristen-Niederlassung nördlich der Alpen im südmährischen Mikulov / Nikolsburg kommt auch das früheste Theaterstück des piaristischen Schultheaters, das sich nicht nur als lateinische Perioche, sondern (zumindest zur Hälfte) im deutschen Volltext erhalten hat. Der Beitrag bringt die kommentierte Erstedition des Bacchus-Spiels, die die gängigen Vorstellungen von der Spielkultur des Ordens erheblich modifizieren wird. Er erläutert zudem die bemerkenswerten Umstände der Entstehung, Rezeption und Überlieferung, analysiert die ästhetischen Besonderheiten dieser Faschingsunterhaltung und verortet sie im Kontext des barocken Ordenstheaters.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Ingmar Bergman's 100th anniversary celebration in the Czech Republic","authors":"Ivona Solčániová","doi":"10.5817/TY2019-1-16","DOIUrl":"https://doi.org/10.5817/TY2019-1-16","url":null,"abstract":"","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71355741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Christian Janetzky : die (Wieder-)Entdeckung des barocken Entertainers","authors":"Bärbel Rudin","doi":"10.5817/ty2019-2-3","DOIUrl":"https://doi.org/10.5817/ty2019-2-3","url":null,"abstract":"","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356178","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Die Dokumentation des deutschsprachigen Theaters in den böhmischen Ländern durch Theateralmanache und -journale","authors":"P. Ulrich","doi":"10.5817/ty2019-2-8","DOIUrl":"https://doi.org/10.5817/ty2019-2-8","url":null,"abstract":"Deutschsprachiges Theater fand im 19. Jahrhundert an viel mehr Orten statt, als man zunächst vermutet. Dies gilt insbesondere für geografische Gebiete außerhalb der heutigen Grenzen von Deutschland und Österreich. Entnommen einer auf Theateralmanachen und -journalen basierenden Dokumentation, die mehr als 4000 Städte umfasst (allein 427 davon in den böhmischen Ländern), wird der Band über Tschechien überraschende Einblicke in das damalige deutschsprachige Theater bieten.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Das vielsprachige Theater Tschechiens in der Frühen Neuzeit","authors":"Margita Havlíčková, Christian Neuhuber, Klára Škrobánková","doi":"10.5817/ty2019-2-1","DOIUrl":"https://doi.org/10.5817/ty2019-2-1","url":null,"abstract":"Durch die besondere geostrategische Lage im Herzen Europas bildete sich in den Ländern der Böhmischen Krone seit dem frühen Mittelalter ein äußerst komplexes Geflecht kultureller Traditionen aus, die von den soziohistorischen, konfessionellen, ethnischen und politischen Konstellationen der Region in verschiedenster Weise geprägt waren. Frühere Forschungen neigten dazu, markante kulturelle Ausprägungen als singuläre, ‚kulturhomogene‘ Phänomene in je spezifischen Kontexten herauszuarbeiten und dabei die Unterschiede und Trennlinien zu betonen bzw. das Widerständige, Andere zu vernachlässigen oder gar auszublenden. Mit dem Paradigmenwechsel hin zu einem Europa der Regionen allerdings verstärkten sich in den letzten Jahren auch die kulturwissenschaftlichen Bemühungen, künstlerische Ausdrucksformen in den böhmischen Ländern im Licht der vielfältigen Interdependenzen und Hybriditäten zu präsentieren, die sich aus dem Mit-, Nebenund (besonders ausgeprägten) Gegeneinander der Ethnien und sozial differenzierten Bevölkerungsgruppen ergaben. Besonders sinnfällig ist dieser intensivierte Blick auf interkulturelle und interlinguale Austauschbeziehungen im Bereich des Theaters, das nicht zuletzt aufgrund seiner genuin kommunikativ-semiotischen und intermedialen Ästhetik seit jeher offener war für Einflüsse von einem – wie auch immer gestalteten – ‚Außen‘. Einige Aspekte dieser dichten kulturellen Vernetzung werden in der Rubrik Yorick des vorliegenden Bands auf Basis neuester Forschungen und Quellenfunde vor allem zur frühneuzeitlichen Bühnenkunst in Mähren näher beleuchtet. Wie schon der Thementitel anklingen lässt, sollen dabei nicht nur die gängige Dichotomie zwischen einer ‚slawischen‘ und ‚deutschen‘ Kultur in den böhmischen Ländern aufgebrochen und transkulturelle oder transregionale Perspektiven aufgezeigt werden. In den Mittelpunkt gerückt werden auch weitere Ausformungen des Theatralen, die nicht auf tschechischer Sprache basieren: theaterpädagogische Unterhaltungen in und mit der Bildungssprache Latein, musikdramatische Formen in der Musikkultursprache Italienisch, der Einfluss englischer, italienischer und französischer Theaterkunst auf [ Theatralia 22 / 2019 / 2 (7—11) ] https://doi.org/10.5817/TY2019-2-1","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71355874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding","authors":"E. Šlaisová","doi":"10.5817/TY2019-S-10","DOIUrl":"https://doi.org/10.5817/TY2019-S-10","url":null,"abstract":"Using the theories of the Prague School, this study focuses on the video mapping Le Ballet des Ombres Heureuses (Dance of the Blessed Spirits)1 created by the Belgian company ACT Lighting Design and projected on the facade of the Cathedral of Strasbourg and surrounding areas in 2017. Le Ballet des Ombres Heureuses will be presented here as a case of multiple aktualizace (foregrounding or topicalization),2 including that of the structure, function and sign.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}