表演大教堂:芭蕾舞团des Ombres Heureuses作为多重前景的案例

Q4 Arts and Humanities

Theatralia Pub Date : 2019-01-01 DOI:10.5817/TY2019-S-10

E. Šlaisová

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引用次数: 0

摘要

利用布拉格学派的理论，本研究将重点放在比利时ACT照明设计公司制作的Le Ballet des Ombres Heureuses(被祝福的灵魂之舞)1的视频映射上，该视频于2017年投影在斯特拉斯堡大教堂的外立面及周边地区。在这里，Le Ballet des Ombres Heureuses将作为一个多重现实化(前景化或主题化)的案例进行展示，包括结构、功能和标志。

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Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding

Using the theories of the Prague School, this study focuses on the video mapping Le Ballet des Ombres Heureuses (Dance of the Blessed Spirits)1 created by the Belgian company ACT Lighting Design and projected on the facade of the Cathedral of Strasbourg and surrounding areas in 2017. Le Ballet des Ombres Heureuses will be presented here as a case of multiple aktualizace (foregrounding or topicalization),2 including that of the structure, function and sign.

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来源期刊

Theatralia Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.10

自引率

0.00%

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