Theatralia最新文献_第8页

Theatralia Pub Date : 2020-01-01 DOI: 10.5817/ty2020-1-18

Amálie Bulandrová

引用次数: 0

Conference report: Experience as a research method in performing arts. Where conference style makes strides? 会议报告:表演艺术的经验研究方法。会议风格在哪里取得了进步?

Theatralia Pub Date : 2020-01-01 DOI: 10.5817/TY2020-2-19

Kateřina Šalounová

{"title":"Conference report: Experience as a research method in performing arts. Where conference style makes strides?","authors":"Kateřina Šalounová","doi":"10.5817/TY2020-2-19","DOIUrl":"https://doi.org/10.5817/TY2020-2-19","url":null,"abstract":"The Theatre Faculty of the Janáček Academy of Music and Performing Arts in Brno has been organising international doctoral conferences since 2003. The founders of the tradition were Professor Josef Kovalčuk, Professor Petr Oslzlý, and Professor Pentii Paavolainen of Helsinki Theatre Academy. The conference was originally established as a discussion forum for the doctoral students of various theatre schools and has continued the tradition of being a discussion forum for the open-minded ever since. Since 2015, the Conference has been embracing interdisciplinary approaches to the study of dramaturgy with the emphasis on problem-oriented papers. The topic of 2015 Conference was Artistic Research, and in 2017 it was dedicated to Political Issues. In 2019, the Conference organizers focused on the experience as a research method employed in the Performing Arts. Traditionally, the speakers came from the Czech and Slovak Republics, as well as from Germany, Finland, Romania, Greece, Sweden, Poland and the Philippines. An interesting highlight of the 2019 Conference was the experimenting with the forms of the papers and the ways of their presentation to the audience, obviously stipulated by the topic of discussion. Conference Report: Experience as a Research Method in Performing Arts. Where does conference style make strides?","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

'I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike “我希望表演引发的争论能改变一些事情”:采访丹麦剧作家克里斯蒂安·洛里克

Theatralia Pub Date : 2020-01-01 DOI: 10.5817/TY2020-2-10

Karolína Stehlíková, Christian Lollike

{"title":"'I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike","authors":"Karolína Stehlíková, Christian Lollike","doi":"10.5817/TY2020-2-10","DOIUrl":"https://doi.org/10.5817/TY2020-2-10","url":null,"abstract":"Christian Lollike (b. 1973) studied philosophy and literature at the University of Roskilde. Between 1998 and 2001, he also studied stage writing at the Danish School of Art at the Aarhus Theatre. He writes radio plays, screenplays and drama, which he also stages himself. His work also includes sculpture, concert, ballet, opera, and action art. In 2005–2011, he worked at the Aarhus Theatre as a regular author and director. Today he is the artistic director at Copenhagen’s Sort/Hvid Theater (formerly Café Teatret), which focuses on performative art. Lollike received several awards. He won 2013 Playwright Award for his plays Shaft (Skakten), Cake Factory (Kagefabrikken) and for the dramatization of the manifesto of the Norwegian extremist Anders Breivik, Manifest 2083. His staging of Danish classic Erasmus Montanus in the Aarhus Teater in 2017 resulted in three Reumert Awards. In his plays, Lollike deals with the political and moral problems of contemporary Western world. His texts are often provocative and controversial, revealing the dark sides of modern society. They address many diverse issues such as prostitution, media and advertising, church, euthanasia, immigration and terrorism, and environmental crisis. Several of Lollike’s plays were translated and staged in the Czech Republic. The play The Ordinary Life (Det normale liv), directed by Josef Kačmarčík, was staged by the National Moravian-Silesian Theatre in Ostrava in 2017. This interview is one of the outputs of the course in Contemporary Scandinavian Drama held at the Department of Theatre Studies during the spring term 2020. After reading a selected play by Christian Lollike, students were asked to think of some questions for the playwright. Some questions were then sent to Christian Lollike, who kindly answered them via e-mail during June 2020.","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71356561","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Ingmar Bergman, the multimedial author 英格玛·伯格曼，多媒体作家

Theatralia Pub Date : 2019-07-09 DOI: 10.5817/TY2019-1-15

K. Tóthová

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Film jako zajížďka. Ingmar Bergman jako spisovatel 一部像绕路的电影。英格玛·伯格曼作为作家

Theatralia Pub Date : 2019-07-09 DOI: 10.5817/TY2019-1-10

J. Holmberg

引用次数: 0

Silent Bergman full of words 沉默寡言的伯格曼滔滔不绝

Theatralia Pub Date : 2019-07-09 DOI: 10.5817/TY2019-1-4

A. Hanáčková, Tomáš Bojda

引用次数: 1

Persona revisited : filling in the gaps via the original script 重新访问角色:通过原始脚本填补空白

Theatralia Pub Date : 2019-07-09 DOI: 10.5817/TY2019-1-2

Romana Švachová

引用次数: 0

Much ado about Disney? 迪士尼闹得沸沸扬扬？

Theatralia Pub Date : 2019-07-09 DOI: 10.5817/TY2019-1-14

Tereza Zálešáková

{"title":"Much ado about Disney?","authors":"Tereza Zálešáková","doi":"10.5817/TY2019-1-14","DOIUrl":"https://doi.org/10.5817/TY2019-1-14","url":null,"abstract":"The Disney Musical on Stage and Screen is not the first book on Disney’s musicals; nevertheless, it is probably the first collection of critical approaches to Disney’s musicals in such a wide range. Moreover, it is the very first publication on Disney musicals which is taken into consideration in the field of Czech theatre studies. The Disney Musical on Stage and Screen: Critical Approaches from ‘Snow White’ to ‘Frozen’ consists of thirteen chapters which are split into three sections: Disney Musicals: On Film, Disney Adaptations: On Stage and Beyond, and Disney Musicals: Gender and Race. However, this distribution is only formal because regardless of the way of adaptation (for stage or screen) the main topics highlighted by the editor George Rodosthenous emerge in all these chapters. In a short introduction, Rodosthe nous establishes three main frameworks or perspectives for considering the Disney musical presentation. They ‘revisit musicals not only as popular entertainment or as a globalized commercial product, but firstly as a political tool for enhancing our understanding of race, sexuality, and gender, secondly as an educational tool for younger children and thirdly as a place for artistic innovation’ (2). This volume presents the Disney brand as a pioneering and innovative, philanthropic and educational tool as well as non-original, limited, Much Ado About Disney?","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44378029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions 真理的短暂性:英格玛·伯格曼《最佳意图》中的欺骗与自欺

Theatralia Pub Date : 2019-07-09 DOI: 10.5817/TY2019-1-3

Bettina Perregaard

引用次数: 1

Writing film, writing literature : new Czech translations of four Ingmar Bergman's film short stories 写电影，写文学：英格玛·伯格曼四部电影短篇小说的捷克新译本

Theatralia Pub Date : 2019-07-09 DOI: 10.5817/TY2019-1-12

Jan-Marek Šík

{"title":"Writing film, writing literature : new Czech translations of four Ingmar Bergman's film short stories","authors":"Jan-Marek Šík","doi":"10.5817/TY2019-1-12","DOIUrl":"https://doi.org/10.5817/TY2019-1-12","url":null,"abstract":"From the narratological point of view, the term story refers to the actual chronology of events in a narrative that is independent from its representation created by a concrete medium. Czech readers still possibly know better the film interpretations of Bergman’s short stories, but have now, thanks to the publishing house Kniha Zlín, got the possibility to acquaint themselves with four of his so called ‘film narratives’ published under the title Hodina vlků [Hour of the Wolf]. Apart from the short story of the same name (written 1966), the compilation contains texts called Shame (1967), The Passion of Anna (1968) and thematically related From the Life of Marionettes (1979). These texts came into existence during the same period as the films to which they served as a kind of manuscripts or textual outlines. The compilation was translated into Czech by Zbyněk Černík, who is also the author of the afterword that briefly introduces the context of their creation. The first film narrative Hour of the Wolf is from the included texts disputably the most literarily experimental. Although it contains notes that make its connection with the planned movie evident (such as ‘From here on, the text will be accompanied with film pictures ad libitum’, p. Writing Film, Writing Literature: New Czech Translations of Four Ingmar Bergman’s Film Short Stories","PeriodicalId":37223,"journal":{"name":"Theatralia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49576622","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1