作为表达大师的伯格曼:采访简·霍尔姆伯格

Q4 Arts and Humanities
Theatralia Pub Date : 2019-01-01 DOI:10.5817/TY2019-1-9
Karolína Stehlíková
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引用次数: 0

摘要

Jan Holmberg (jan.holmberg@ingmarbergman.se)是一位电影学者,自2010年起担任英格玛·伯格曼基金会(Stiftelsen Ingmar Bergman)的首席执行官,该基金会负责管理、保存和分发有关英格玛·伯格曼及其作品的信息。扬·霍尔姆伯格在2002年至2004年期间担任瑞典电影资料馆的节目主管。他在专门研究瑞典电影的书籍中发表了许多研究,即瑞典电影的“审查制度”:瑞典电影:介绍和读者(由Mariah Larsson和Anders Marklund编辑,北欧学术出版社,2010年)或“接近:望远镜,早期电影和移动图像中的去距离技术条件”。《从爱迪生到网络摄像头》(John Fullerton和Astrid Söderbergh Widding编辑,John Libbey Publishing, 2016)。2018年,他出版了一本书Författaren英格玛·伯格曼(Ingmar Bergman, The Writer),在这本书中,他将英格玛·伯格曼的写作作为他的主要表达形式进行了探索。2017年,Jan Holmberg在uhersk Hradiště电影学院举办了关于瑞典电影史的讲座。2018年,他在布拉格的戏剧周上介绍伯格曼为作家和戏剧导演。以下采访是在2018年9月通过电子邮件进行的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bergman as a master of expression : interview with Jan Holmberg
Jan Holmberg (jan.holmberg@ingmarbergman.se) is a film scholar and since 2010 the CEO of the Ingmar Bergman Foundation (Stiftelsen Ingmar Bergman), which administers, preserves and distributes information on Ingmar Bergman and his work. Jan Holm berg was the head of programming in the Swedish Cinematheque between 2002 and 2004. He is an author of number of studies published in books devoted to the Swedish film, i.e. ‘Censorship in Sweden’ in Swedish Film: An Introduction and Reader (edited by Mariah Larsson and Anders Marklund, Nordic Academic Press, 2010) or ‘Closing in: Telescopes, Early Cinema and the Technological Conditions of De-distancing’ in Moving Images. From Edison to the Webcam (edited by John Fullerton and Astrid Söderbergh Widding, John Libbey Publishing, 2016). In 2018, he published a book Författaren Ingmar Bergman (Ingmar Bergman, The Writer) where he explores the writing of Ingmar Bergman as a primary form of his expression. In 2017, Jan Holmberg held lectures devoted to the history of Swedish film at The Film School in Uherské Hradiště. In 2018, he presented Bergman as a writer and a theatre director at The Theatre Week in Prague. The following interview was carried out as an e-mail conversation in September 2018.
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来源期刊
Theatralia
Theatralia Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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