Muzealnictwo最新文献

{"title":"RESPONSIBILITY FOR THE PAST? SPOILS OF WAR\u0000IN SWEDISH MUSEUM DISPLAYS","authors":"Katarzyna Wagner","doi":"10.5604/01.3001.0015.9502","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9502","url":null,"abstract":"The paper’s goal is to attempt to show what\u0000narrative Swedish museums conduct on spoils of war and\u0000trophies which are in their collections, how this strategy was\u0000worked out, and how to understand the responsibility versus\u0000the visitor watching such objects. Materials from a symposium\u0000and a conference held in Stockholm in 2008 have been\u0000analysed, and so have current texts (labels, curatorial texts,\u0000entries in online catalogues). Swedish museum curators have\u0000considered their responsibility to be proper preservation,\u0000studying, conserving, displaying those objects, making them\u0000available to the public (exhibitions, online bases), thus the basic\u0000museum activity has turned into a synonym of modern responsibility.\u0000The key activity which enabled the working out of\u0000this joint policy is to be found in detailed provenance studies.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49096209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"FORGOTTEN HERO: JAN MORAWIŃSKI\u0000(1907–1949). PART TWO","authors":"Roman Olkowski","doi":"10.5604/01.3001.0015.9467","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9467","url":null,"abstract":"Having been discharged from hospital in\u0000January 1945, Jan Morawiński became a curator at a new\u0000Branch of the National Museum in Warsaw. His main\u0000task was guardianship of the collection and Palace’s\u0000preservation. On 13 January 1946, Morawiński left for\u0000Berlin’s Polish Military Mission as a specialist in restituting\u0000Polish cultural assets from Germany. Morawiński’s scope\u0000of activities covered first of all the issues of the restitution\u0000of Polish cultural assets, acquisition of Polonica from\u0000German collections, and purchase of art works. In the\u0000course of his mission he operated mainly within the British\u0000occupation zone in Germany. The Polish claims submitted\u0000by Morawiński to the British were related mainly to the\u0000Grasleben depository and the bells amassed in Hamburg.\u0000After months-long efforts, he succeeded in leaving for\u0000Hamburg in order to ascertain the presence of about\u0000a thousand bells of Polish provenance there. Furthermore,\u0000Morawiński operated within the Soviet occupation zone. In\u0000Saxony’s Nossen he discovered nine paintings which had\u0000come from Cracow. One of his greatest successes was to\u0000win the permission of the English to recover the archival\u0000resources originally from Gdansk, Elbląg, Szczecin, and\u0000Toruń. With the financing provided by the Ministry of\u0000Culture and Art he purchased, among others, the painting\u0000by Teodor Lubieniecki Family in the Park Background,\u0000a cup of Augustus II (1698), and two etchings featuring\u0000John III Sobieski. Having finished his Berlin assignment, he\u0000became head of the Polish Military Mission in the French\u0000occupation zone in Germany. In May 1949, he returned\u0000to Poland to become a Cultural Counselor at Poland’s\u0000Embassy in Rome. Morawiński died suddenly in Warsaw\u0000on 13 December 1949.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43396227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘NATIONAL COLLECTIONS OF CONTEMPORARY\u0000ART’ PROGRAMME. PART TWO: APPLICANTS/\u0000COLLECTIONS AND RESULTS/EVALUATION","authors":"Wojciech Szafrański","doi":"10.5604/01.3001.0015.9451","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9451","url":null,"abstract":"The ‘National Collections of Contemporary\u0000Art’ Programme of the Ministry of Culture and National\u0000Heritage constitutes an interesting case of a systemic\u0000solution to the question of financing museum collections’\u0000purchases. Its implementation demonstrated changeability\u0000of action (both from the point of view of the applicants, and\u0000Programme’s evaluators and organizer), while at the same\u0000time the genuine assumptions were maintained, namely the\u0000support provided to the major museums, most often newly\u0000established, whose statutory goal would be and is collecting\u0000contemporary art. Turning points in the Programme, as\u0000well as the observation of applicants’ strategies while\u0000the Programme functioned served as the basis for the\u0000Programme’s evaluation, and led to replacing it with the\u0000‘National Collections of Contemporary Art’ Programme,\u0000these, however, demonstrated failures in consistency, in\u0000particular without pointing to the final systemic solution\u0000in this respect.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45915162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DIRECTOR ZOFIA GOŁUBIEW (1942–2022)","authors":"Janusz Czop","doi":"10.5604/01.3001.0015.9450","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9450","url":null,"abstract":"The tribute to Director Zofia Gołubiew\u0000(1942–2022) covers mainly the period when she\u0000ran the National Museum in Cracow in 2000–2015.\u0000Having begun her career at the Jagiellonian University,\u0000where in 1972 she graduated in art history, two years\u0000later she accepted the proposal to work at Cracow’s\u0000National Museum (MNK), and this is how she started\u0000her relationship with the oldest Polish public museum\u0000which became her professional destination and ‘shared\u0000home’ at which she continued working uninterruptedly\u0000for 41 years, until she retired on 31 December 2015.\u0000She began as a publishing house editor (1974–1980),\u0000to subsequently run the Department of Polish Modern\u0000Painting and Sculpture (1980–1996); subsequently,\u0000she served as Deputy Academic and Educational\u0000Director (1996–2000), to finally become the Director\u0000of the National Museum in Cracow in 2000 (2000\u0000–2015) as recommended by Director Tadeusz Chruścicki\u0000retiring in 2000. The eighth Director of the institution,\u0000she was the first woman to hold the position in more\u0000than 140-year’s history of MNK.\u0000The 15 years under her as MNK’s Director constituted\u0000a dynamic period of the institution’s development. It was\u0000the time span encompassing numerous renovations and\u0000modernizations, organizational changes, and the introduction\u0000of innovatory solutions which have become contemporary\u0000standards in Polish museology. The list of her\u0000professional accomplishments is long and impressive,\u0000although there have still remained some projects and\u0000dreams she was unable to accomplish. The latter, however,\u0000does not question the fact that the final result of\u0000Zofia Gołubiew’s directorship was the consolidation of\u0000MNK’s brand, confirming the truth entailed in the thesis\u0000that MNK is the most important and most modern of\u0000the Polish museums, easily recognizable both domestically,\u0000and abroad.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47543506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE IMPACT OF INFORMATION AND\u0000COMMUNICATION TECHNOLOGY ON\u0000ENHANCING MUSEUM’S VISITOR EXPERIENCE:\u0000THE CASE OF THE SHARJAH MUSEUM OF ISLAMIC\u0000CIVILIZATION","authors":"M. Jamhawi, Said Nasser Mohammed","doi":"10.5604/01.3001.0015.9252","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9252","url":null,"abstract":"Museums are progressively using ICT to\u0000reinforce cultural and heritage tourism. Museums are vital\u0000in transmitting cultural values, propagating traditions,\u0000and linking current generations to their heritage. ICT has\u0000recently gained prominence for its ability to stimulate\u0000creative approaches. The use of ICT in museum operations\u0000is widespread, particularly in the areas of presentation and\u0000preservation. Museums, according to previous research, use\u0000a range of ICT tools to enhance the visitor experience (VX)\u0000through modernizing their exhibits and object interpretation.\u0000The purpose of this paper is to gain a better understanding\u0000of the VX as well as to evaluate the visitors' standpoint on\u0000ICT in museums.\u0000The research was applied to the Sharjah Museum of\u0000Islamic Civilization. Two primary approaches were used,\u0000which include qualitative data such as literature reviews and\u0000interviews, as well as quantitative data as the main ways that\u0000employ questionnaires. Findings indicate that integrating\u0000technological tools can enrich the VX in museums by allowing\u0000for the usage of a variety of digital media types.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49081394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"WITHIN A CIRCLE OF AFFILIATES. MUSEUM\u0000AS A RESPONSIBLE COMMUNITY-CREATING\u0000INSTITUTION DEALISM IN MUSEUM","authors":"Beata Nessel-Łukasik","doi":"10.5604/01.3001.0015.9131","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9131","url":null,"abstract":"Museums as community-creating institutions\u0000are formed by various circles of stakeholders. Many of\u0000those circles result from a cooperation with a definite milieu.\u0000However, it is this extension of the circle of museum’s\u0000affiliates and a gradually bigger impact of external factors\u0000on the range and form of these actions that make museums\u0000once again face the question how to consciously and\u0000responsibly undertake subsequent social commitments?\u0000How to establish durable relations that require participation\u0000in long-term processes in this ‘irresponsible world’?\u0000How to create circles of associates for this to translate into\u0000the development of the social capital of the institution and\u0000its environment? Based on the results of a subsequent\u0000deepened analysis of the material amassed in the ‘Study\u0000of the Museum Public in Poland’ Project in the course of\u0000a 4-years’ quality study, four types of dilemmas have been\u0000presented: they are the dilemmas which the study participants\u0000tackled when talking about the museum public\u0000(discussed in a different publication), and which are faced\u0000by museum curators and their affiliates keen on an efficient\u0000cooperation beyond the museum and on establishing\u0000durable relations. The analysis of these dilemmas will aim\u0000at demonstrating how the deepening of the awareness of\u0000social responsibility can contribute to reaching socio-creative\u0000goals of museums regardless of the operation model\u0000a given institution implements on a daily basis.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43677675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IDEALISM IN MUSEUM","authors":"E. Klekot","doi":"10.5604/01.3001.0015.9060","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9060","url":null,"abstract":"The extensive volume edited by Robert R.\u0000Janes and Richard Sandell titled Museum Activism is composed\u0000of papers by over 50 authors. They are in majority\u0000case studies, with examples from most varied institutions.\u0000Museum activism is the opposite to museum social alienation;\u0000in this respect, the first definitely draws from the\u0000many-years’ experience of New Museology and participatory\u0000museum. Museum activism advocates are negative\u0000about the commercial populism and the success measured\u0000by turnout only, and not that measured exclusively by the\u0000differentiation of the museum offer and its accessibility\u0000to minority and marginalized groups. According to the\u0000Editors, contemporary museums are more morally obliged\u0000to engage in social activism, since in the times of a radical\u0000drop of social trust worldwide, museums still constitute\u0000one of the social institutions considered as trustworthy.\u0000Many of the actions described in the book concern the\u0000sphere of museum accessibility broadly speaking, both in\u0000the sense of physical access and possibility to participate\u0000in the programme, and barriers of social nature. Another\u0000sphere of museum activism is made up of curatorial practices.\u0000The texts point to many dimensions of activist curatorial\u0000practices which, however, first of all become the\u0000space for questioning the myth about museum’s neutrality\u0000in many respects: the colonial collection genesis, attitude\u0000towards climate, narratives constructing national identity,\u0000or finally the issue of the presence of curator’s voice in an\u0000exhibition. In many of the papers the role of museums in\u0000the context of the responsibility for the climate, of raising\u0000social awareness, of constructing a new narrative on the\u0000relation between man and the world, as well as the necessity\u0000to revise one’s own praxis are reiterated.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46060092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE RELEVANCE OF MARIA PINIŃSKA-BEREŚ\u0000AND JERZY BEREŚ FOR THE LOCAL CULTURAL\u0000HERITAGE. CONTRIBUTION TO THE DEBATE\u0000ON THE PRĄDNIK MUSEUM CONCEPT","authors":"Zofia Ozaist-Zgodzińska","doi":"10.5604/01.3001.0015.8789","DOIUrl":"https://doi.org/10.5604/01.3001.0015.8789","url":null,"abstract":"The 2021 Programme Study of the Prądnik\u0000Museum sums up the discussion on the presentation of\u0000the heritage of northern Cracow. The world-renown artists\u0000Jerzy Bereś and Maria Pinińska-Bereś who lived and created\u0000their art in this part of the city are not exposed within the\u0000public space, and most likely for this reason they have not\u0000been exposed in the Study, either. Meanwhile, without\u0000any institutional involvement, residents undertake artistic\u0000actions close to the performances of the Bereśes. The\u0000Sledge Protest conducted in the summer reminds of the\u0000Landscape Annexation and The Banner of Pinińska-Bereś;\u0000social garden establishing reminds of the Living Pink;\u0000the transfer of the Prądnik River water is reminiscent of\u0000the Praying for Rain; while neighbourly bonds echo the Kite-Letter and Letters Dispatched with Forces of Nature. Owing\u0000to these unconscious similarities the Pinińska-Bereś’s artistic output seems worthy of being included in the proposed\u0000Museum. Furthermore, three additional proposals for the\u0000Prądnik Museum are discussed in the paper: they take into\u0000consideration the oeuvre of the Bereśes, residents’ social and\u0000artistic activity, as well as the demands of New Museology\u0000(rooting in the local community and focus on education and\u0000participation). A performance museum may be a reaction to\u0000the lack of collection, allowing to benefit from the artistic\u0000output of the community and the artists presently living in\u0000Cracow, including Bettina Bereś’s reenactment. A biographical\u0000museum may provide an opportunity for storytelling and\u0000identity investigation, as well as bonding. The inspiration for\u0000the latter may be derived from the Yayoi Kusama Museum:\u0000it was her oeuvre that was used for the visual identification\u0000in her native city of Matsumoto. An ecomuseum, in turn,\u0000allows to incorporate the preserved atelier of the Bereśes, the\u0000Prądnik River, as well as the post-industrial heritage. Adding\u0000this potential to the conclusions drawn from the Study, in\u0000the northern part of Cracow a new city landmark can indeed\u0000be created.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43242752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE STATUE OF CERES FROM THE ROYAL-UNIVERSITY COLLECTION OF PLASTER CASTS","authors":"Monika Dunajko","doi":"10.5604/01.3001.0015.8559","DOIUrl":"https://doi.org/10.5604/01.3001.0015.8559","url":null,"abstract":"One of the more interesting collections of\u0000plaster prototypes, as yet not thoroughly studied, is the\u0000Warsaw collection of plaster casts. In the to-date studies\u0000it has been analysed from the perspective of history and\u0000history of art as a homogenous whole, a carrier of artistic\u0000culture. However, what is still missing are analyses focusing\u0000on basic facts as perceived by a museum curator, enabling\u0000identification of the objects composing the collection. The\u0000present paper aims at discussing the issues related to the\u0000identification of the works’ models and interpretation of\u0000works which come from university museums’ collections.\u0000The case study selected will concern one of the statues from\u0000the collection of the University of Warsaw. A detailed study\u0000of the cast of the goddess demonstrates how an analysis of\u0000one object can extend the knowledge of a whole museum\u0000collection. An accurate identification of the object and of its\u0000provenance allow us to better see custodians’ motivation\u0000for the selection of definite exhibits, and to enhance our\u0000understanding of how museum exhibits shape Polish culture\u0000and scholarship.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49289765","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘THE FIRST PRIVATE MUSEUM’ IN COMMUNIST\u0000POLAND (60 YEARS OF THE REGIONAL MUSEUM\u0000IN BARLINEK, P. 1)","authors":"Radosław Skrycki","doi":"10.5604/01.3001.0015.8458","DOIUrl":"https://doi.org/10.5604/01.3001.0015.8458","url":null,"abstract":"The paper discusses the establishment and the\u0000first decade of the operation of a small regional museum\u0000in Western Pomerania and one of the first in the region:\u0000in Barlinek. It provides an example of an institution whose\u0000operation over the years was based on the energy of two\u0000subsequent managers. Supported merely marginally by local-\u0000-government institutions, they ran and developed one of the\u0000few of the type cultural institutions in the region. From the\u0000beginning of the Barlinek institution’s operation (founded in\u00001961), it stood out as the ‘first private’ museum in Poland, this\u0000emphasized not merely by the local, but also national press.\u0000When running the Museum, its founder Czesław Paśnik did\u0000not stop his social and political activism, focusing mainly on\u0000heritage preservation and promotion of the regional history.\u0000The only shadow cast on this period of his activity is Paśnik’s\u0000collaboration with the Security Service, SB, however, as\u0000documents reveal, he consented to do so in order to provide\u0000financing for the Museum.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43397761","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}