Muzealnictwo最新文献_第4页

INITIAL DIAGNOSIS OF ACTIVITIES CONNECTEDWITH TEXTILES, CLOTHES, AND FASHIONACCESSORIES UNDERTAKEN BY POLISHMUSEUMS 波兰博物馆开展的纺织品、服装和时尚配饰相关活动的初步诊断

Muzealnictwo Pub Date : 2022-10-14 DOI: 10.5604/01.3001.0016.0471

Monika Murzyn-Kupisz, Dominika Hołuj

引用次数: 0

EXHIBITIONS DEDICATED TO COMMUNISTPOLAND IN POLISH MUSEUMS IN1989–2017 FROM A QUANTITATIVE(STATISTICAL) PERSPECTIVE 从定量(统计)的角度来看，1989 - 2017年波兰博物馆致力于共产主义波兰的展览

Muzealnictwo Pub Date : 2022-10-14 DOI: 10.5604/01.3001.0016.0472

Maria Wąchała-Skindzier

{"title":"EXHIBITIONS DEDICATED TO COMMUNIST\u0000POLAND IN POLISH MUSEUMS IN\u00001989–2017 FROM A QUANTITATIVE\u0000(STATISTICAL) PERSPECTIVE","authors":"Maria Wąchała-Skindzier","doi":"10.5604/01.3001.0016.0472","DOIUrl":"https://doi.org/10.5604/01.3001.0016.0472","url":null,"abstract":"The objective of the research was a survey\u0000identification of the presence of the history of Communist\u0000Poland, PRL, in museum narrative in 1989–2017. Importantly,\u0000this is a repeated, supplemented, and more thorough research\u0000versus the one presented in the paper ‘PRL in Museum\u0000Narrative over the Last 25 Years’ published in 2014 in the\u0000Światowid. Rocznik Muzeum PRL-u (w organizacji) periodical.\u0000The research discussed in the present paper forms part of\u0000a doctoral dissertation, constituting the research’s second stage.\u0000As a result of the conducted research based on survey\u0000answers provided by museums and on individual research\u0000a database containing 642 exhibitions was created. When\u0000processing the data, quantitative analysis was adopted. After\u0000data cleaning the following statistical trends were analysed:\u0000exhibition duration over the whole research period, percentage\u0000of leading themes, percentage of themes in respective cities.\u0000The conducted analysis has permitted to observe trends\u0000in museum narrative concerning PRL. Also the most popular\u0000exhibition duration over the research period has been\u0000identified (up to two years and permanent exhibitions).\u0000The most popular categories have been named: art history,\u0000political history, history of everyday life. Three groups of urban\u0000centres where museum narrative is present to a varied degree\u0000have been named. The fourth group contains cities in whose\u0000museums the topic of PRL has not been tackled over the last\u000028 years, or such projects cannot be reliably confirmed.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42301116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

WITHDRAW FORWARD, PLEASE! ONPARTICIPATION POLICY IN ICOM’S WORKSON THE ‘PRAGUE MUSEUM DEFINITION’ 请向前退!论icom“布拉格博物馆定义”工作中的参与政策

Muzealnictwo Pub Date : 2022-09-29 DOI: 10.5604/01.3001.0016.0224

M. Lorenc

{"title":"WITHDRAW FORWARD, PLEASE! ON\u0000PARTICIPATION POLICY IN ICOM’S WORKS\u0000ON THE ‘PRAGUE MUSEUM DEFINITION’","authors":"M. Lorenc","doi":"10.5604/01.3001.0016.0224","DOIUrl":"https://doi.org/10.5604/01.3001.0016.0224","url":null,"abstract":"ICOM’s decision to revise the museum definition\u0000valid as of 2007 was accounted for with the need\u0000to adjust the existing statutory phrasing to meet the challenges\u0000museums face in the 21st century. Having adjourned\u0000the vote on the new definition at the Extraordinary General\u0000Assembly in Kyoto in 2019, the organisation suffered a leadership\u0000crisis. In late 2020, in order to reform the management,\u0000a new methodology of working on the definition was\u0000introduced. Its foundation was to be sought in participatory\u0000policy, namely redistribution of authority. Interestingly,\u0000this approach was facilitated by the application of remote\u0000communication forced by the COVID-19 pandemic. In harmony\u0000with the adopted time schedule the extensive and\u0000multi-stage process was to climax with the vote on the adoption/\u0000rejection of the new museum definition during the\u0000subsequent Extraordinary General Assembly in Prague on\u000024 August 2022. As a result of the participation in consultations\u0000of 126 out of the 178 eligible Committees, the ‘Prague\u0000museum definition’ was phrased as a compromise between\u0000the 2007 statutory definition valid until then and the ‘Kyoto\u0000definition’. On the essential issues, i.e., answering the question:\u0000‘what is a museum?’, it actually retained the earlier regulation:\u0000a museum is a not-for-profit permanent institution.\u0000This yielded the question about the purposefulness of the\u0000works conducted in 2020–2022, based on the new participation\u0000paradigm, which the present paper attempts to answer.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48019023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

MUSEUMS IN THE WORLD WITHOUT THEFUTURE 世界上没有未来的博物馆

Muzealnictwo Pub Date : 2022-09-19 DOI: 10.5604/01.3001.0015.9963

M. Szeląg

{"title":"MUSEUMS IN THE WORLD WITHOUT THE\u0000FUTURE","authors":"M. Szeląg","doi":"10.5604/01.3001.0015.9963","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9963","url":null,"abstract":"The paper is dedicated to museum’s commitment\u0000to struggling for climate and against climate\u0000change. Facing the key imperative conditioning museums’\u0000operation whose sense is defined e.g., by the assumption\u0000that there will be ‘some’ future for whose sake it is\u0000worth while taking care of museum exhibits and other\u0000testimonies to the past and contemporary culture, the\u0000climate change we are witnessing makes museums face\u0000very special challenges. As institutions of social trust they\u0000continue to be regarded a credible source of knowledge,\u0000they engage increasingly more in activities aimed at preserving\u0000the environment. This can be clearly seen, for example\u0000in the exhibitions dedicated to the Anthropocene\u0000mounted in museums worldwide over the last decade.\u0000The engagement of museums in this respect and this engagement’s\u0000object are the topic of the paper. Furthermore,\u0000a critical view is presented not only of the people and the\u0000institutions they create, or more broadly cultures and civilisations,\u0000all of key importance for our planet’s future, but\u0000also of the fact that certain topics, as praxis has shown,\u0000have remained untouched by museums (e.g., responsibility\u0000of global corporations or the ideology of capitalist growth).\u0000In this very context questions are also asked to what degree\u0000and how much museums can change their practices\u0000affecting the climate, if only by renouncing or at least limiting\u0000their participation in global tourism and competition\u0000for public’s leisure time in the market game for attracting\u0000consumers’ attention.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41727602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

RESPONSIBLE MUSEUM? (ON THE EXAMPLEOF THE TOY MUSEUM IN CRACOW) 负责任的博物馆？（以克拉科夫玩具博物馆为例）

Muzealnictwo Pub Date : 2022-09-16 DOI: 10.5604/01.3001.0015.9923

K. Jagodzińska

{"title":"RESPONSIBLE MUSEUM? (ON THE EXAMPLE\u0000OF THE TOY MUSEUM IN CRACOW)","authors":"K. Jagodzińska","doi":"10.5604/01.3001.0015.9923","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9923","url":null,"abstract":"The contemporary museum debate developing\u0000in the context of the need to change the museum\u0000definition carried out in ICOM is a debate on the role and\u0000responsibility of museums. Museums with a burden of tradition\u0000are faced with the challenge to meet contemporary\u0000contexts and expectations, while newly-established museums\u0000can enter the stage fully aware of the historical contexts,\u0000with an agenda reflecting contemporary tasks, and\u0000they can chart new perspectives from the very beginning.\u0000The case study in the paper focuses on a museum which\u0000begins its operation at the time of a heated debate on the\u0000new tasks of museums in social life: the Toy Museum in\u0000Cracow. The paper tackles several motifs of a very extensive\u0000issue, namely museums’ responsibility: who and what\u0000should museums show responsibility to? Does responsibility\u0000mean presence in the public debate and museum activism?\u0000The operation formula of the Toy Museum shows\u0000the possible way for private collectors: instead of aspiring\u0000to create a traditional place for the collection presentation,\u0000they can see how to activate the collection where the\u0000supreme goal is not just making the collection available\u0000to the public, but making it impact the museum’s environment,\u0000which could be caused by that presentation and\u0000other programmatic actions connected with the collection.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43854572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

LEGAL SITUATION OF MUSEUM EMPLOYEES INTHE CASE OF MERGING MUSEUMS WITH OTHERCULTURAL INSTITUTIONS 博物馆与其他文化机构合并时博物馆工作人员的法律状况

Muzealnictwo Pub Date : 2022-09-14 DOI: 10.5604/01.3001.0015.9878

Iwona Gredka-Ligarska

引用次数: 0

SOCIAL RESPONSIBILITY IN EDUCATIONALPROJECTS OF THE NATIONAL MARITIMEMUSEUM IN GDANSK 格但斯克国家海事博物馆教育项目中的社会责任

Muzealnictwo Pub Date : 2022-09-14 DOI: 10.5604/01.3001.0015.9877

Robert Domżał

{"title":"SOCIAL RESPONSIBILITY IN EDUCATIONAL\u0000PROJECTS OF THE NATIONAL MARITIME\u0000MUSEUM IN GDANSK","authors":"Robert Domżał","doi":"10.5604/01.3001.0015.9877","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9877","url":null,"abstract":"Social responsibility in museums is not an entirely\u0000new domain. For many years now activities locating\u0000museums among the institutions contributing to creating\u0000better social reality have been observed. This new paradigm\u0000overcomes the stereotypical perception of cultural\u0000institutions as organizations taking care only of tangible\u0000and intangible testimony to the past of mankind, at the\u0000same time imposing on them the responsibility versus society\u0000and the community.\u0000The National Maritime Museum (NMM) in Gdansk tries\u0000to face these challenges not only by implementing educational\u0000and conservation projects, but also by supporting\u0000the development of the very Museum and its branches,\u0000at the same time directing its activities towards engaging\u0000in important social issues, such as eradicating accessibility\u0000barriers to heritage facilities, care for the environment, and\u0000sustainable development.\u0000Among the most recent accomplishments described in\u0000the paper let us mention the projects implemented during\u0000the COVID-19 pandemic, such as the new visiting format\u0000presented on the ‘Dar Pomorza’ Museum Ship. On\u000011 May 2021, NMM shared with the public the so-called\u0000Interactive Spherical Video integrated with modern Oculus\u0000goggles, introducing the spectator into interactive augmented\u0000reality allowing to become acquainted with the\u0000sailing ship from a new perspective, accessible to visitors\u0000with impaired mobility. A similar solution, though amidst\u0000a different landscape, was proposed in the lobby of the Museum’s main building on Ołowianka Island in Gdansk.\u0000Without getting aboard the ‘Sołdek’ Museum Ship, we can\u0000peep into its cargo hold and engine room. Furthermore,\u0000the paper describes many interesting educational or advertising\u0000undertakings which attempt at facing contemporary\u0000social challenges.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46385064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

INVENTING A RELATIONAL MUSEUM 建立关系博物馆

Muzealnictwo Pub Date : 2022-09-07 DOI: 10.5604/01.3001.0015.9810

Maria Kobielska

引用次数: 1

URSZULA CZARTORYSKA: A WRITER ANDMUSEUM CURATOR Urszula czartoryska:作家兼博物馆馆长

Muzealnictwo Pub Date : 2022-08-30 DOI: 10.5604/01.3001.0015.9754

L. Lechowicz

{"title":"URSZULA CZARTORYSKA: A WRITER AND\u0000MUSEUM CURATOR","authors":"L. Lechowicz","doi":"10.5604/01.3001.0015.9754","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9754","url":null,"abstract":"In the first period of her career Urszula\u0000Czartoryska (1934–1998) dealt mainly with criticism. She\u0000predominantly focused on photography and its relations\u0000with other artistic phenomena, particularly from the\u0000borderline territory where artistic genres meet, covering\u0000also film and video. Two books summed up that stage\u0000in her writing career: Przygody plastyczne fotografii\u0000(1965) and Od pop-artu do sztuki konceptualnej (1973).\u0000Czartoryska’s professional domains extended in 1977\u0000when she began work as the Head and Curator of the\u0000newly-established Department of Photography and Visual\u0000Techniques at the Museum of Art in Lodz, one of the first\u0000multimedia departments in world museology (photography,\u0000film, video, multimedia installations), forming part of the\u0000International Collection of Modern Art (opened to the public\u0000in 1931). The work for that institution did not imply only\u0000building the Department’s collection, but also involvement\u0000in the operations of the whole Museum, its display and\u0000publishing activity. It also impacted her writing activity\u0000in the sense that it extended to include research studies\u0000mainly on multi-motif inter- or interdisciplinary art. Apart\u0000from her work as a writer and museum curator, in 1978–\u00001993, Czartoryska also lectured: at the University of Lodz\u0000(1978–1986), Warsaw School of Photography (1985–1993),\u0000and at the State College of Fine Arts (today University of\u0000Fine Arts) in Poznan (1989–1993). Urszula Czartoryska\u0000represented the type of critic, museologist, and researcher\u0000opened to multiplicity of relations present in contemporary\u0000art, and drawing from numerous methods of its analysis\u0000and description.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47943771","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

JAN ZDZISŁAW WŁODEK’S AUTOCHROMES:DIGITIZING FROM AN INTERDISCIPLINARYPERSPECTIVE 詹·兹兹兹斯的自彩色：跨学科视角下的数字化

Muzealnictwo Pub Date : 2022-08-30 DOI: 10.5604/01.3001.0015.9745

A. Wolska

{"title":"JAN ZDZISŁAW WŁODEK’S AUTOCHROMES:\u0000DIGITIZING FROM AN INTERDISCIPLINARY\u0000PERSPECTIVE","authors":"A. Wolska","doi":"10.5604/01.3001.0015.9745","DOIUrl":"https://doi.org/10.5604/01.3001.0015.9745","url":null,"abstract":"The Zofia and Jan Włodek Foundation in\u0000Cracow takes care e.g., of the photographic legacy of\u0000its patron Prof. Jan Zdzisław Włodek. Its most valuable\u0000element is a collections of 240 coloured positives on\u0000Autochrome plates manufactured by Lumière and Agfa-\u0000-Farbenplatten; it is one of the largest sets of photographs\u0000of this type taken by a single author which has been\u0000preserved in Poland. In 2020–2021, thanks to the financing\u0000from the Ministry of Culture and National Heritage, the\u0000collection underwent conservation and was digitized,\u0000following which it was made available to broad groups\u0000of viewers on the www.szukajwarchiwach.pl and www.\u0000zbioryspoleczne.pl portals. The unique photo technology\u0000used for their production constituted a real challenge in\u0000the set’s conservation and digitizing; moreover, attempts\u0000were made at an experimental digitizing of the selected\u0000autochromes with the use of directed bright-field. In order\u0000to promote the knowledge of the set, its author, and the\u0000works he conducted, videos and exhibitions were prepared,\u0000The whole project was quite challenging to a relatively\u0000small NGO. The key to its success was the cooperation of\u0000experts who proved to be flexible and creative in their\u0000approach to this particular task and peculiar conditions in\u0000which the project was implemented.\u0000\u0000","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49624445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0