负责任的博物馆?(以克拉科夫玩具博物馆为例)

Q3 Arts and Humanities
K. Jagodzińska
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引用次数: 1

摘要

在需要改变博物馆定义的背景下发展起来的当代博物馆辩论是关于博物馆的作用和责任的辩论。肩负着传统负担的博物馆面临着满足当代背景和期望的挑战,而新成立的博物馆可以充分意识到历史背景,以反映当代任务的议程进入舞台,他们可以从一开始就描绘新的视角。本文的案例研究聚焦于一家博物馆,该博物馆在对博物馆在社会生活中的新任务展开激烈辩论之际开始运营:位于克拉科夫的玩具博物馆。这篇论文探讨了一个非常广泛的问题的几个主题,即博物馆的责任:博物馆应该对谁和什么负责?责任是否意味着参与公众辩论和博物馆活动?玩具博物馆的运作模式为私人收藏家展示了可能的方式:他们不想为藏品展示创造一个传统的场所,而是可以看到如何激活藏品,因为他们的首要目标不仅仅是让藏品向公众开放,而是让它影响博物馆的环境,这可能是由该演示和与集合相关的其他程序操作引起的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
RESPONSIBLE MUSEUM? (ON THE EXAMPLE OF THE TOY MUSEUM IN CRACOW)
The contemporary museum debate developing in the context of the need to change the museum definition carried out in ICOM is a debate on the role and responsibility of museums. Museums with a burden of tradition are faced with the challenge to meet contemporary contexts and expectations, while newly-established museums can enter the stage fully aware of the historical contexts, with an agenda reflecting contemporary tasks, and they can chart new perspectives from the very beginning. The case study in the paper focuses on a museum which begins its operation at the time of a heated debate on the new tasks of museums in social life: the Toy Museum in Cracow. The paper tackles several motifs of a very extensive issue, namely museums’ responsibility: who and what should museums show responsibility to? Does responsibility mean presence in the public debate and museum activism? The operation formula of the Toy Museum shows the possible way for private collectors: instead of aspiring to create a traditional place for the collection presentation, they can see how to activate the collection where the supreme goal is not just making the collection available to the public, but making it impact the museum’s environment, which could be caused by that presentation and other programmatic actions connected with the collection.
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来源期刊
Muzealnictwo
Muzealnictwo Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
24
审稿时长
8 weeks
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