{"title":"玛丽亚piniŃska-bereŚand jerzy bereŚ与当地文化遗产的相关性。对prĄdnik博物馆概念辩论的贡献","authors":"Zofia Ozaist-Zgodzińska","doi":"10.5604/01.3001.0015.8789","DOIUrl":null,"url":null,"abstract":"The 2021 Programme Study of the Prądnik\nMuseum sums up the discussion on the presentation of\nthe heritage of northern Cracow. The world-renown artists\nJerzy Bereś and Maria Pinińska-Bereś who lived and created\ntheir art in this part of the city are not exposed within the\npublic space, and most likely for this reason they have not\nbeen exposed in the Study, either. Meanwhile, without\nany institutional involvement, residents undertake artistic\nactions close to the performances of the Bereśes. The\nSledge Protest conducted in the summer reminds of the\nLandscape Annexation and The Banner of Pinińska-Bereś;\nsocial garden establishing reminds of the Living Pink;\nthe transfer of the Prądnik River water is reminiscent of\nthe Praying for Rain; while neighbourly bonds echo the Kite-Letter and Letters Dispatched with Forces of Nature. Owing\nto these unconscious similarities the Pinińska-Bereś’s artistic output seems worthy of being included in the proposed\nMuseum. Furthermore, three additional proposals for the\nPrądnik Museum are discussed in the paper: they take into\nconsideration the oeuvre of the Bereśes, residents’ social and\nartistic activity, as well as the demands of New Museology\n(rooting in the local community and focus on education and\nparticipation). A performance museum may be a reaction to\nthe lack of collection, allowing to benefit from the artistic\noutput of the community and the artists presently living in\nCracow, including Bettina Bereś’s reenactment. A biographical\nmuseum may provide an opportunity for storytelling and\nidentity investigation, as well as bonding. The inspiration for\nthe latter may be derived from the Yayoi Kusama Museum:\nit was her oeuvre that was used for the visual identification\nin her native city of Matsumoto. An ecomuseum, in turn,\nallows to incorporate the preserved atelier of the Bereśes, the\nPrądnik River, as well as the post-industrial heritage. Adding\nthis potential to the conclusions drawn from the Study, in\nthe northern part of Cracow a new city landmark can indeed\nbe created.\n\n","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-06-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE RELEVANCE OF MARIA PINIŃSKA-BEREŚ\\nAND JERZY BEREŚ FOR THE LOCAL CULTURAL\\nHERITAGE. CONTRIBUTION TO THE DEBATE\\nON THE PRĄDNIK MUSEUM CONCEPT\",\"authors\":\"Zofia Ozaist-Zgodzińska\",\"doi\":\"10.5604/01.3001.0015.8789\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The 2021 Programme Study of the Prądnik\\nMuseum sums up the discussion on the presentation of\\nthe heritage of northern Cracow. The world-renown artists\\nJerzy Bereś and Maria Pinińska-Bereś who lived and created\\ntheir art in this part of the city are not exposed within the\\npublic space, and most likely for this reason they have not\\nbeen exposed in the Study, either. Meanwhile, without\\nany institutional involvement, residents undertake artistic\\nactions close to the performances of the Bereśes. The\\nSledge Protest conducted in the summer reminds of the\\nLandscape Annexation and The Banner of Pinińska-Bereś;\\nsocial garden establishing reminds of the Living Pink;\\nthe transfer of the Prądnik River water is reminiscent of\\nthe Praying for Rain; while neighbourly bonds echo the Kite-Letter and Letters Dispatched with Forces of Nature. Owing\\nto these unconscious similarities the Pinińska-Bereś’s artistic output seems worthy of being included in the proposed\\nMuseum. Furthermore, three additional proposals for the\\nPrądnik Museum are discussed in the paper: they take into\\nconsideration the oeuvre of the Bereśes, residents’ social and\\nartistic activity, as well as the demands of New Museology\\n(rooting in the local community and focus on education and\\nparticipation). A performance museum may be a reaction to\\nthe lack of collection, allowing to benefit from the artistic\\noutput of the community and the artists presently living in\\nCracow, including Bettina Bereś’s reenactment. A biographical\\nmuseum may provide an opportunity for storytelling and\\nidentity investigation, as well as bonding. The inspiration for\\nthe latter may be derived from the Yayoi Kusama Museum:\\nit was her oeuvre that was used for the visual identification\\nin her native city of Matsumoto. An ecomuseum, in turn,\\nallows to incorporate the preserved atelier of the Bereśes, the\\nPrądnik River, as well as the post-industrial heritage. Adding\\nthis potential to the conclusions drawn from the Study, in\\nthe northern part of Cracow a new city landmark can indeed\\nbe created.\\n\\n\",\"PeriodicalId\":36577,\"journal\":{\"name\":\"Muzealnictwo\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzealnictwo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5604/01.3001.0015.8789\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzealnictwo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0015.8789","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
THE RELEVANCE OF MARIA PINIŃSKA-BEREŚ
AND JERZY BEREŚ FOR THE LOCAL CULTURAL
HERITAGE. CONTRIBUTION TO THE DEBATE
ON THE PRĄDNIK MUSEUM CONCEPT
The 2021 Programme Study of the Prądnik
Museum sums up the discussion on the presentation of
the heritage of northern Cracow. The world-renown artists
Jerzy Bereś and Maria Pinińska-Bereś who lived and created
their art in this part of the city are not exposed within the
public space, and most likely for this reason they have not
been exposed in the Study, either. Meanwhile, without
any institutional involvement, residents undertake artistic
actions close to the performances of the Bereśes. The
Sledge Protest conducted in the summer reminds of the
Landscape Annexation and The Banner of Pinińska-Bereś;
social garden establishing reminds of the Living Pink;
the transfer of the Prądnik River water is reminiscent of
the Praying for Rain; while neighbourly bonds echo the Kite-Letter and Letters Dispatched with Forces of Nature. Owing
to these unconscious similarities the Pinińska-Bereś’s artistic output seems worthy of being included in the proposed
Museum. Furthermore, three additional proposals for the
Prądnik Museum are discussed in the paper: they take into
consideration the oeuvre of the Bereśes, residents’ social and
artistic activity, as well as the demands of New Museology
(rooting in the local community and focus on education and
participation). A performance museum may be a reaction to
the lack of collection, allowing to benefit from the artistic
output of the community and the artists presently living in
Cracow, including Bettina Bereś’s reenactment. A biographical
museum may provide an opportunity for storytelling and
identity investigation, as well as bonding. The inspiration for
the latter may be derived from the Yayoi Kusama Museum:
it was her oeuvre that was used for the visual identification
in her native city of Matsumoto. An ecomuseum, in turn,
allows to incorporate the preserved atelier of the Bereśes, the
Prądnik River, as well as the post-industrial heritage. Adding
this potential to the conclusions drawn from the Study, in
the northern part of Cracow a new city landmark can indeed
be created.