玛丽亚piniŃska-bereŚand jerzy bereŚ与当地文化遗产的相关性。对prĄdnik博物馆概念辩论的贡献

Q3 Arts and Humanities
Zofia Ozaist-Zgodzińska
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引用次数: 0

摘要

2021年PrądnikMuseum项目研究总结了关于克拉科夫北部遗产展示的讨论。世界著名的艺术家jerzy bereka和Maria Pinińska-Bereś在城市的这一部分生活和创作他们的艺术,他们没有在公共空间中暴露,很可能正是因为这个原因,他们也没有在研究中暴露。同时,在没有任何机构参与的情况下,居民进行接近Bereśes表演的艺术活动。在夏天进行的知识产权抗议活动让人想起了景观兼并和Pinińska-Bereś的横幅,社会花园的建立让人想起了粉红生活,Prądnik河水的转移让人想起了祈雨;而邻里关系则呼应了“风筝信”和“自然力量派遣的信”。由于这些无意识的相似之处,Pinińska-Bereś的艺术作品似乎值得被纳入拟议的博物馆。此外,本文还讨论了thePrądnik博物馆的三个额外建议:它们考虑到Bereśes的整体作品,居民的社会和艺术活动,以及新博物馆学的需求(植根于当地社区,注重教育和参与)。表演博物馆可能是对缺乏收藏的一种反应,允许从社区和目前居住在克拉科夫的艺术家的艺术产出中受益,包括贝蒂娜·贝雷瓦的再现。传记博物馆可以提供一个讲故事和身份调查的机会,也可以拉近关系。后者的灵感可能来自草间弥生博物馆:她的作品被用于她的家乡松本市的视觉识别。一个生态博物馆,反过来,允许合并保存的工作室Bereśes, thePrądnik河,以及后工业遗产。将这种可能性添加到研究得出的结论中,在克拉科夫北部确实可以创建一个新的城市地标。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
THE RELEVANCE OF MARIA PINIŃSKA-BEREŚ AND JERZY BEREŚ FOR THE LOCAL CULTURAL HERITAGE. CONTRIBUTION TO THE DEBATE ON THE PRĄDNIK MUSEUM CONCEPT
The 2021 Programme Study of the Prądnik Museum sums up the discussion on the presentation of the heritage of northern Cracow. The world-renown artists Jerzy Bereś and Maria Pinińska-Bereś who lived and created their art in this part of the city are not exposed within the public space, and most likely for this reason they have not been exposed in the Study, either. Meanwhile, without any institutional involvement, residents undertake artistic actions close to the performances of the Bereśes. The Sledge Protest conducted in the summer reminds of the Landscape Annexation and The Banner of Pinińska-Bereś; social garden establishing reminds of the Living Pink; the transfer of the Prądnik River water is reminiscent of the Praying for Rain; while neighbourly bonds echo the Kite-Letter and Letters Dispatched with Forces of Nature. Owing to these unconscious similarities the Pinińska-Bereś’s artistic output seems worthy of being included in the proposed Museum. Furthermore, three additional proposals for the Prądnik Museum are discussed in the paper: they take into consideration the oeuvre of the Bereśes, residents’ social and artistic activity, as well as the demands of New Museology (rooting in the local community and focus on education and participation). A performance museum may be a reaction to the lack of collection, allowing to benefit from the artistic output of the community and the artists presently living in Cracow, including Bettina Bereś’s reenactment. A biographical museum may provide an opportunity for storytelling and identity investigation, as well as bonding. The inspiration for the latter may be derived from the Yayoi Kusama Museum: it was her oeuvre that was used for the visual identification in her native city of Matsumoto. An ecomuseum, in turn, allows to incorporate the preserved atelier of the Bereśes, the Prądnik River, as well as the post-industrial heritage. Adding this potential to the conclusions drawn from the Study, in the northern part of Cracow a new city landmark can indeed be created.
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来源期刊
Muzealnictwo
Muzealnictwo Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
24
审稿时长
8 weeks
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