{"title":"DIRECTOR ZOFIA GOŁUBIEW (1942–2022)","authors":"Janusz Czop","doi":"10.5604/01.3001.0015.9450","DOIUrl":null,"url":null,"abstract":"The tribute to Director Zofia Gołubiew\n(1942–2022) covers mainly the period when she\nran the National Museum in Cracow in 2000–2015.\nHaving begun her career at the Jagiellonian University,\nwhere in 1972 she graduated in art history, two years\nlater she accepted the proposal to work at Cracow’s\nNational Museum (MNK), and this is how she started\nher relationship with the oldest Polish public museum\nwhich became her professional destination and ‘shared\nhome’ at which she continued working uninterruptedly\nfor 41 years, until she retired on 31 December 2015.\nShe began as a publishing house editor (1974–1980),\nto subsequently run the Department of Polish Modern\nPainting and Sculpture (1980–1996); subsequently,\nshe served as Deputy Academic and Educational\nDirector (1996–2000), to finally become the Director\nof the National Museum in Cracow in 2000 (2000\n–2015) as recommended by Director Tadeusz Chruścicki\nretiring in 2000. The eighth Director of the institution,\nshe was the first woman to hold the position in more\nthan 140-year’s history of MNK.\nThe 15 years under her as MNK’s Director constituted\na dynamic period of the institution’s development. It was\nthe time span encompassing numerous renovations and\nmodernizations, organizational changes, and the introduction\nof innovatory solutions which have become contemporary\nstandards in Polish museology. The list of her\nprofessional accomplishments is long and impressive,\nalthough there have still remained some projects and\ndreams she was unable to accomplish. The latter, however,\ndoes not question the fact that the final result of\nZofia Gołubiew’s directorship was the consolidation of\nMNK’s brand, confirming the truth entailed in the thesis\nthat MNK is the most important and most modern of\nthe Polish museums, easily recognizable both domestically,\nand abroad.\n\n","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzealnictwo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0015.9450","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
The tribute to Director Zofia Gołubiew
(1942–2022) covers mainly the period when she
ran the National Museum in Cracow in 2000–2015.
Having begun her career at the Jagiellonian University,
where in 1972 she graduated in art history, two years
later she accepted the proposal to work at Cracow’s
National Museum (MNK), and this is how she started
her relationship with the oldest Polish public museum
which became her professional destination and ‘shared
home’ at which she continued working uninterruptedly
for 41 years, until she retired on 31 December 2015.
She began as a publishing house editor (1974–1980),
to subsequently run the Department of Polish Modern
Painting and Sculpture (1980–1996); subsequently,
she served as Deputy Academic and Educational
Director (1996–2000), to finally become the Director
of the National Museum in Cracow in 2000 (2000
–2015) as recommended by Director Tadeusz Chruścicki
retiring in 2000. The eighth Director of the institution,
she was the first woman to hold the position in more
than 140-year’s history of MNK.
The 15 years under her as MNK’s Director constituted
a dynamic period of the institution’s development. It was
the time span encompassing numerous renovations and
modernizations, organizational changes, and the introduction
of innovatory solutions which have become contemporary
standards in Polish museology. The list of her
professional accomplishments is long and impressive,
although there have still remained some projects and
dreams she was unable to accomplish. The latter, however,
does not question the fact that the final result of
Zofia Gołubiew’s directorship was the consolidation of
MNK’s brand, confirming the truth entailed in the thesis
that MNK is the most important and most modern of
the Polish museums, easily recognizable both domestically,
and abroad.