Miedzy Oryginalem a Przekladem最新文献_第5页

L’« amour en solo » dans les livres d’éducation sexuelle pour la jeunesse : comment le nomme-t-on dans les textes polonais traduits et non-traduits ? 青少年性教育书籍中的“独处之爱”:在翻译和未翻译的波兰文本中如何称呼它?

Miedzy Oryginalem a Przekladem Pub Date : 2022-06-30 DOI: 10.12797/moap.28.2022.56.06

Natalia Paprocka, Agnieszka Wandel

{"title":"L’« amour en solo » dans les livres d’éducation sexuelle pour la jeunesse : comment le nomme-t-on dans les textes polonais traduits et non-traduits ?","authors":"Natalia Paprocka, Agnieszka Wandel","doi":"10.12797/moap.28.2022.56.06","DOIUrl":"https://doi.org/10.12797/moap.28.2022.56.06","url":null,"abstract":"“LONELY LOVE” IN SEX EDUCATION BOOKS FOR YOUNG PEOPLE: WHAT IS IT CALLED IN THE TRANSLATED TEXTS AND IN THE ORIGINAL POLISH BOOKS? \u0000The aim of this article is to investigate how opinions on the most controversial topics of the discourse on sexuality, such as masturbation, are shaped by original Polish and translated popular science books for young people. The study corpus consists of texts addressing this issue, taken from 29 sex education books published in Poland between 1990 and 2018. We used elements of the so-called French discourse analysis (FDA). We first established the “designational paradigm” (i.e. the set of expressions used to name masturbation), then we examined the semantic relations of the elements of this paradigm and determined their position in the overall structure of the message. We also tried to identify the mechanisms that indicate the presence of dialogism and discourse heterogeneity. The analysis shows that translations contribute to changes in the Polish discourse on masturbation in several ways. In translated texts, indeed, the issue itself and the range of names used to discuss it are more developed. This is especially visible in the case of rewordings with a positive axiological value, which makes it possible to consider translations as a means of counterbalancing the negative discourse on masturbation that remains predominant in Poland.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66104440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Broadcast Stand-up Comedy and Its Translation 广播单口喜剧及其翻译

Miedzy Oryginalem a Przekladem Pub Date : 2022-03-30 DOI: 10.12797/moap.28.2022.55.07

G. Raffa

引用次数: 0

Rendering Tone and Mood in Creactive Subtitles for Deaf and Hard-of-hearing 聋人及听障人士创意字幕的语气与情绪表达

Miedzy Oryginalem a Przekladem Pub Date : 2022-03-30 DOI: 10.12797/moap.28.2022.55.04

Èlia Sala

{"title":"Rendering Tone and Mood in Creactive Subtitles for Deaf and Hard-of-hearing","authors":"Èlia Sala","doi":"10.12797/moap.28.2022.55.04","DOIUrl":"https://doi.org/10.12797/moap.28.2022.55.04","url":null,"abstract":"This article introduces the concept of creactivity – the process of making creative solutions to provide emotional accessibility, especially in subtitling for the d/Deaf and the hard-of-hearing. It is based on the findings of the PhD thesis Creactive Subtitles: Subtitling for All, defended by the author in 2016. To understand the need for a new way of providing accessibility, a review of digital communication is presented. It illustrates the pivotal role of digitization at present, after the pandemic has increased digital inequality for those who lack digital skills or access due to their sociodemographic background or sensory impairment. The impact of deafness is discussed, particularly, how early hearing loss influences the cognitive, communicative, linguistic, and social development of children and affects not only their language choice, but also the way they communicate, understand, and perceive the world we live in. Thus, to transmit what is perceived by means of hearing to make the audiovisual message complete for everyone, Sala [2016] designed the creactive subtitles. Targeted at younger (deaf) audiences, they are visual tailor-made subtitles designed ad hoc to be adapted to the unique features of each audiovisual product and its audiences’ abilities. Now that creactive subtitles are a reality, creactivity becomes the new goal: to spread the attitude to create new solutions in favor of accessibility.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66103065","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Subtitling Slam Poetry for the d/Deaf and Hard of Hearing Audiences 为聋哑人和重听观众朗读诗歌的字幕

Miedzy Oryginalem a Przekladem Pub Date : 2022-03-30 DOI: 10.12797/moap.28.2022.55.05

Claudia-Ioana Macrea, Blanca Arias-Badia

引用次数: 0

Blurring the Line between Professional and Amateur Subtitling 模糊专业和业余字幕之间的界限

Miedzy Oryginalem a Przekladem Pub Date : 2022-03-30 DOI: 10.12797/moap.28.2022.55.06

Animmarn Leksawat

{"title":"Blurring the Line between Professional and Amateur Subtitling","authors":"Animmarn Leksawat","doi":"10.12797/moap.28.2022.55.06","DOIUrl":"https://doi.org/10.12797/moap.28.2022.55.06","url":null,"abstract":"Fansubbing has generally been characterised by particular features that deviate from professional subtitling conventions; however, recent research begins to show the complexity of the phenomenon and hints at how the line between the professional and the amateur practices is blurring [Dore and Petrucci 2021; Massidda 2015]. The case of Diary of Tootsies, a Thai comedy series and its translations is another representative example of the interconnection of professional and amateur AVT and the need to question the dichotomy between the two practices. This paper revisits professional subtitling conventions and the unconventional features typically associated with fansubs, and then maps them onto the subtitles in the indirect translation chain: the official English subtitles, used as a pivot, and the fansubs created by Spanish-speaking fans. The findings reveal several textual features that are usually attributed to fansubs can also be detected in official subtitles, for instance, unconventional uses of orthotypography, informal abbreviations, and additional explanations. Textual evidence indicates further blurring as these distinctive traits are not always adopted in the corresponding Spanish fansubs. In some cases, fansubbers opt for translation decisions more typical of what might be expected in professional subtitling.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66103876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Portrayal of Real-Life People in Audiovisual Translation 影视翻译中人物的真实写照

Miedzy Oryginalem a Przekladem Pub Date : 2022-03-30 DOI: 10.12797/moap.28.2022.55.01

Irene Ranzato, Patrick Zabalbeascoa

引用次数: 0

Multilingualism, Music and Gendered Roles in Unorthodox 《非正统》中的多语言、音乐和性别角色

Miedzy Oryginalem a Przekladem Pub Date : 2022-03-30 DOI: 10.12797/moap.28.2022.55.02

Montse Corrius, E. Espasa

{"title":"Multilingualism, Music and Gendered Roles in Unorthodox","authors":"Montse Corrius, E. Espasa","doi":"10.12797/moap.28.2022.55.02","DOIUrl":"https://doi.org/10.12797/moap.28.2022.55.02","url":null,"abstract":"Through a multidisciplinary approach that combines translation studies and gender studies, this paper analyzes multilingualism in the series Unorthodox (Netflix 2020). We examine the presence and functions of identities and gendered roles in the series. Unorthodox tells the story of Esther Saphiro (Esty), a young Jewish woman who flees from her country and leaves her ultra-Orthodox community, with very strict rules and traditional gender roles. We explore the connections between the gendered roles of the main characters, their cultural or social contexts, and, especially, the role of third languages in the series (Yiddish, German, Russian, and Hebrew). As it is a German-American production, we consider English as its main language (L1) because the story is directed to mainstream Western audiences. The role of third languages (L3) is very relevant in depicting the intercultural encounters in the series. Yiddish is the most prominent L3 followed by German and a little Russian and Hebrew. The most recurrent functions of L3-instances are signaling otherness and character portrayal, where Yiddish and German are used. Hebrew is used for ceremonies, prayers and songs, and it portrays Jewish characters in their traditional contexts. We pay special attention to songs, as rich L3 instances, where there is interaction of L3 function, gender significance, translation strategies, and narrative roles. The translation of songs shows the relative importance of conveying the word or the music. Finally, the identification of third languages is not marked in the subtitling of either songs or dialogues; therefore, language diversity can be hindered for audiences not discriminating between the various languages.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66103419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Secondary Characters Coloring the Complex Cultural Atmosphere in Unorthodox 次要人物为《非正统》的复杂文化氛围着色

Miedzy Oryginalem a Przekladem Pub Date : 2022-03-30 DOI: 10.12797/moap.28.2022.55.03

M. Pujol-Tubau, Laura Santamaria Guinot

引用次数: 0

Słownictwo obozowe w przekładzie ustnym na terenie Państwowego Muzeum Auschwitz-Birkenau w opiniach tłumaczy i hiszpańskojęzycznych zwiedzających 翻译和西班牙语游客对奥斯威辛-比克瑙州立博物馆营地词汇的解读

Miedzy Oryginalem a Przekladem Pub Date : 2021-12-21 DOI: 10.12797/moap.27.2021.54.07

Marta Paleczna

引用次数: 0

Analysis of Some Common Misconceptions Regarding the Profession of Liaison Interpreting 关于口译专业的常见误区分析

Miedzy Oryginalem a Przekladem Pub Date : 2021-12-21 DOI: 10.12797/moap.27.2021.54.05

Katarzyna Kruk‑Junger

引用次数: 0