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Refract: An Open Access Visual Studies Journal最新文献

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“Translation, Translation, Rehearsal” in Conversation 对话中的“翻译、翻译、排练”
Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145851
Scott B. Hunter, Alexandra Macheski
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引用次数: 0
"LeWitt Transpositions" and Conceptual Transpositions: Considering the Grammars of Conceptual Art and Parametric Drawing “勒维特换位”与观念换位:观念艺术与参数化绘画的语法思考
Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145864
M. Miller
{"title":"\"LeWitt Transpositions\" and Conceptual Transpositions: Considering the Grammars of Conceptual Art and Parametric Drawing","authors":"M. Miller","doi":"10.5070/r72145864","DOIUrl":"https://doi.org/10.5070/r72145864","url":null,"abstract":"Author(s): Miller, Marc | Abstract: In the 1970s, artists and designers were trying to formalize their respective processes using rules. In the fine arts, there was a long period of reflection that had gained traction within the modern art movement. For designers, it presented an opportunity to formalize design practices and procedures, thus providing a rationale for repetitive processes. In both cases, grammar and syntax were used to frame the process of translating the rules into operations.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122800018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
All le moto a ces droits: Notes on Hervé Youmbi’s Translation of the Déclaration Universelle des Droits de l’Homme (DUDH) 所有的摩托车都有这些权利:herve youmbi翻译《世界人权宣言》的说明
Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145862
Alexandra C. Moore
{"title":"All le moto a ces droits: Notes on Hervé Youmbi’s Translation of the Déclaration Universelle des Droits de l’Homme (DUDH)","authors":"Alexandra C. Moore","doi":"10.5070/r72145862","DOIUrl":"https://doi.org/10.5070/r72145862","url":null,"abstract":"Author(s): Moore, Alexandra C. | Abstract: The following photo essay considers Herve Youmbi’s 2017 artwork DUDH in the context of the current political crisis in Cameroon. For DUDH, Youmbi translated five articles from the Declaration Universelle des Droits de l’Homme into Camfranglais and installed them on signs in the quartiers of New Bell Ngangue and Ndogpassi III in Douala, Cameroon. He printed one set of the five articles on a blue background for New Bell and the same articles on green for installation in Ndogpassi III. Youmbi unveiled the signs in December 2017 as part of the Salon Urbain de Douala (SUD) triennial.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127205592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Craptions: Instagram Notes from Joseph Grigely 图片说明:Joseph Grigely的Instagram笔记
Refract: An Open Access Visual Studies Journal Pub Date : 2019-11-11 DOI: 10.5070/r72145852
Joseph Grigely
{"title":"Craptions: Instagram Notes from Joseph Grigely","authors":"Joseph Grigely","doi":"10.5070/r72145852","DOIUrl":"https://doi.org/10.5070/r72145852","url":null,"abstract":"Author(s): Grigely, Joseph | Abstract: Joseph Grigely is, among many things, an artist, a writer, and a person who is deaf. On his public Instagram page, he occasionally posts documentation of his experiences navigating a world designed for people who can hear. Grigely has generously allowed Refract to publish a selection of his Instagram posts, curated below by managing editor Kate Korroch. These posts expand the notion of translation beyond that of language to think instead of the aural, the visual, and issues of access and inclusion. Grigely’s playful documentation reveals a deeply problematic and systemic failing to account for differently abled bodies. His posts offer a perspective that is invisible in a society made for people with hearing. In this instance, mistranslation becomes a form of erasure.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114116782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From a Native Daughter: Seeking Home and Ancestral Lines through a Dashboard Hula Girl 从一个土著女儿:通过一个仪表板草裙舞女孩寻找家和祖先的线
Refract: An Open Access Visual Studies Journal Pub Date : 2018-11-05 DOI: 10.5070/R71141463
A. M. Tamaira
{"title":"From a Native Daughter: Seeking Home and Ancestral Lines through a Dashboard Hula Girl","authors":"A. M. Tamaira","doi":"10.5070/R71141463","DOIUrl":"https://doi.org/10.5070/R71141463","url":null,"abstract":"Author(s): Tamaira, A. Mārata Ketekiri | Abstract: In the Hawaiian language the term ‘ae kai refers to the place where land and sea meet, the water’s edge or shoreline, the beach. It is, as Pacific historian Greg Dening has written, an “in-between space…an unresolved space where things can happen, where things can be made to happen. It is a space of transformation. It is a space of crossings.” This expanded definition of ‘ae kai serves as a cogent touchstone for examining Adrienne Keahi Pao’s and Robin Lasser’s most recent installation work Dashboard Hula Girl: In Search of Aunty Keahi, which featured in the Smithsonian’s Culture Lab exhibition ‘Ae Kai: A Culture Lab on Convergence in Honolulu, July 7–9, 2017. In the following writing, I invoke a sort of ‘ae kai of my own in which I merge scholarly analysis with visceral first-hand experience of Dashboard Hula Girl. The result, I hope, is a richly textured expose that simulates in written form the enigmatic domain that comprises the convergence zone—that is, the ‘ae kai—of intellectual understanding and felt encounter.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131529444","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In Conversation with Erick Msumanje and Alexis Hithe 对话埃里克·姆苏曼杰和亚历克西斯·希特
Refract: An Open Access Visual Studies Journal Pub Date : 2018-11-05 DOI: 10.5070/R71141458
Erick Msumanje, Alexis Hithe, Kristen Laciste
{"title":"In Conversation with Erick Msumanje and Alexis Hithe","authors":"Erick Msumanje, Alexis Hithe, Kristen Laciste","doi":"10.5070/R71141458","DOIUrl":"https://doi.org/10.5070/R71141458","url":null,"abstract":"Author(s): Msumanje, Erick; Hithe, Alexis; Laciste, Kristen | Abstract: Erick Msumanje’s short film, VOLTA VOLTA, and the accompanying artist statement, written by Alexis Hithe, reflect on the “ritual” and “digital” spaces experienced by Black bodies. Editorial board member Kristen Laciste had the privilege to interview Msumanje, who is currently a Film and Digital Media Ph.D. student at the University of California, Santa Cruz, and Hithe, an alumna of the Visual Arts program at the University of California, San Diego, and a collaborator with the collective, Lotus. Laciste asked them about their endeavor, particularly the film’s inspirations and the articulation of “ritual” and “digital.” Laciste interviewed Msumanje in person and Hithe via Skype and over the phone on June 14, 2018. The following is the result of the dialogue between Msumanje, Hithe, and Laciste.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122489658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What is Radical Writing in Visual Studies? 什么是视觉研究中的激进写作?
Refract: An Open Access Visual Studies Journal Pub Date : 2018-11-05 DOI: 10.5070/R71141455
J. Elkins
{"title":"What is Radical Writing in Visual Studies?","authors":"J. Elkins","doi":"10.5070/R71141455","DOIUrl":"https://doi.org/10.5070/R71141455","url":null,"abstract":"Author(s): Elkins, James | Abstract: From its North American beginnings in the late 1980s, its German beginnings in the 1970s, and its prehistory, going back to Derrida, Benjamin, and before, visual studies has taken as part of its mission the breaking of disciplinary boundaries. Visual studies has always pictured itself questioning conceptual domains and hegemonic identities, inhabiting margins, rethinking received ideas of cultural inquiry, identity, and place. Refraction, the theme of this issue, is one such boundary formation.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122972474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Endangered Data 濒临灭绝的数据
Refract: An Open Access Visual Studies Journal Pub Date : 2018-11-05 DOI: 10.5070/r71141456
Z. Norman
{"title":"Endangered Data","authors":"Z. Norman","doi":"10.5070/r71141456","DOIUrl":"https://doi.org/10.5070/r71141456","url":null,"abstract":"","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"64 11","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121016946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Happy Bullish 2011!!!: Olek’s Project B 2011年牛市快乐!!:奥莱克的B计划
Refract: An Open Access Visual Studies Journal Pub Date : 2018-11-05 DOI: 10.5070/R71141460
Ingrid Asplund
{"title":"Happy Bullish 2011!!!: Olek’s Project B","authors":"Ingrid Asplund","doi":"10.5070/R71141460","DOIUrl":"https://doi.org/10.5070/R71141460","url":null,"abstract":"Author(s): Asplund, Ingrid | Abstract: Arturo Di Modica’s Charging Bull is imposing in scale. It is a model of muscular machismo and a popular tourist spot. It stands taller than most people in the middle of a very busy part of Manhattan, usually gleaming in the sun like a trophy of capitalist masculinity. Its scale is met with detail, as the Charging Bull features expressive eyes and eyebrows, a stance that exudes motion and energy, and a detailed musculature, from ribs to thighs. Very early Christmas morning (about three o’clock) in 2010, the artist Olek escaped from any potential sugar-plum fantasies and stole down to Wall Street to leave a Christmas gift for New York City. Olek had crocheted, by hand and without assistance, a covering for the Charging Bull, perhaps a sweater or a sort of “bull cozy” and installed it in the dead of night so as to avoid the authorities. She would later entitle this piece Project B (Wall Street Bull).","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115696510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Linguistic Spatial Violence: The Muslim Cameleers in the Australian Outback 语言空间暴力:澳大利亚内陆的穆斯林骆驼人
Refract: An Open Access Visual Studies Journal Pub Date : 2018-11-05 DOI: 10.5070/R71141452
J. Nash
{"title":"Linguistic Spatial Violence: The Muslim Cameleers in the Australian Outback","authors":"J. Nash","doi":"10.5070/R71141452","DOIUrl":"https://doi.org/10.5070/R71141452","url":null,"abstract":"Author(s): Nash, Joshua | Abstract: Architectural space can be both absent or present. Architectural absence in previously architected space represents a manifestation of violence and removal. Whether through human, temporal, or natural induction, the disappearance and elimination of architectural form reveals the role of process in creation–deconstruction of both the linguistic and the architectural. I pose linguistic space as the absence of the architectural. The Muslim cameleers in the Australian outback built and forged their architecture and spatial behaviour in the un(der)privileged foundations of what was for these camel drovers a foreign land. While most of their architecture is now gone, helped through apparently violent instruments of time and neglect, their linguistic spatiality protrudes unfadingly in the form of personal names and placenames (toponyms) embedded in the(ir) cultural landscapes-cum-archiscapes. In these remote and removed bivouacs, our subjects built with force and were driven to the edges of their towns to eke out their livelihood. They travelled far, spoke their languages, redistributed creole cants and architectural vernaculars, and used local means to devise their own miniature organisational vehemence (read: spatial violence through building). I use the methodology of (linguistic) spatial writing to link the presence of linguistic landscape ephemera in the namespace/namescape to the absent architectural traces of our amateur builder exemplars. This narrative should be of interest not only to scholars of architectural spatial writing but also linguists of minority languages, students of the linguistic landscape, and historians of violence in colonial localities.","PeriodicalId":343897,"journal":{"name":"Refract: An Open Access Visual Studies Journal","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114597424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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